Books & Literature

E.L. Doctorow's newest novel, like his past work, incorporates real history into fictional narratives. This time, he focuses on the criminal underworld of New York in the early twentieth century. Book critic John Leonard says the book is superb.

That student was Fresh Air's critic-at-large Laurie Stone. Stone studied with the feminist writer at Barnard. She was excited by Millet's enthusiasm for art and literature, and was emboldened by Millett's sincere belief in Stone's own potential.

Garrison Keillor retired from the public radio show A Prairie Home Companion in 1987. He says he was overwhelmed by the celebrity, and wanted to focus on writing fiction. Keillor moved with his wife from his native St. Paul to New York City. His recent novel is called Leaving Home; a forthcoming collection of short stories is titled We Are Still Married.

Novelist Salman Rushdie's new book has been banned in several countries because of what many see as its blasphemous take on Islam. Book critic John Leonard says the novel is indeed blasphemous, but Rushdie directs his ire ecumenically, critiquing Indian culture and Margaret Thatcher as well. The narrative is messy, but it's the messiness that makes it interesting.

Leavitt's writing focuses on the family lives of gay men and women. He says families can alternately be sanctuaries and dangerous communities for for them. His new book, set in the suburbs, is called Equal Affections.

The essayist and novelist's new book, called AIDS and Its Metaphors, examines the discourse surrounding the disease. Sontag is a cancer survivor; a previous book about language and sickness is titled Illness as Metaphor. She joins Fresh Air to talk about how cancer changed her thinking and made her a more compassionate person.

Frank Chin is critical of many other contemporary Asian American writers; their works, he says, rely too much on western forms, cater to white audiences, and misrepresent Asian culture. His new collection of short stories, The Chinaman Pacific & Frisco R.R. Co, reveals his own perspectives on the Chinese American experience.

Language commentator Geoff Nunberg believes the book, on its surface, is the ideal medium for presenting text. But it has its limitations: books take up space, wear out, and impose linearity on the information they contain. While technological advancements may render some books obsolete, Nunberg says that nothing can match the pleasure of reading ink on paper.

Book critic John Leonard says that V.S. Naipal's book about his travels in the American South reflects a tourist's mindset. The author's sentimental perspective prevents him from seeing the complicated race and class issues that shape the region.

Historian Lawrence Levine's new book examines the split between high and low culture. He argues that one should look at cultural horizontally -- rather than vertically -- in order to see how different kinds of art and media interact with each other, and are consumed by different social groups.

Sallie Bingham came from a family of newspaper magnates. After she was ejected from her paper's board of directors, she sold her share of stocks to fund various organizations for women in her home state of Kentucky. The Bingham family's internecine conflicts later came under public scrutiny, and was the subject of two books. Sallie Bingham's new memoir, Passion and Prejudice, tells her side of the story.

Book critic Stuart Klawan reviews Frank Chin's new collection of short stories, The Chinaman Pacific & Frisco R.R. Co, features what the author deems "badass" working class Chinese Americans on the West Coast. Klawans says the book is written with wild intensity and a sense of sociocultural outrage.

Thomas Maeder's mother and father were both psychologists. Inspired by his own experience, Maeder interviewed dozens of other children of mental health workers to gain insights into their family life. His new book, Children of Psychiatrists and Other Psychotherapists, presents his findings.

Scholar and writer Thomas Schatz has a new book about the studio era of Hollywood. While efficient, the film industry during the first half of the century limited the roles available to actors and actresses, and tightly controlled the content and style of the movies it produced.

Michael Barson's new book, Lost, Lonely and Vicious, collects promotional postcards of B movies from the late 1940s through the early '60s. He says these films were all sizzle, and were tame compared to their lurid, sensationalistic descriptions.

Martin Duberman's new book delves deep into the complicated political and artistic life of the African American actor and activist. Book critic John Leonard admires how exhaustive the biography is, and how it never shies away from difficult topics like Robeson's womanizing and depression.

Tobias Wolff's acclaimed new memoir tells the story of the author's early life with his poor, single mother. The book serves as a unique counterpoint to Wolff's brother Geoffrey's own memoir about life with their father. Tobias Wolff joins Fresh Air to discuss his memories of growing up and how he transformed himself into the person he is today.

Estleman's gritty, Detroit-based mysteries feature the detective Amos Walker. Estleman was a crime reporter before he became a fiction writer. He joins Fresh Air to talk about his hardboiled influences, inside jokes in his books, and getting knocked unconscious.

Heinemann served for one year in Vietnam. The experience was so intense that he has built a literary career about it. His book, Paco's Story, won the National Book Award. After releasing two novels, he's working on a nonfiction book about post-traumatic stress disorder.

Benet worked as a longshoreman in San Francisco until gentrification and automation rendered his labor unnecessary. He says he mourns the workers' culture more than the job itself. Benet later went to graduate school and became a novelist and poet. His newest book is called A Short Dance in the Sun.