Jazz

Nick Spitzer is a folklorist who worked for the State of Louisiana for six years, and now works at the Smithsonian. Spitzer has also hosted several radio programs and recently produced the film "Zydeco: Creole Music and Culture in Rural Louisiana" and helped produce the album "Zodico: Louisian Créole Music." Spitzer joins the show to discuss and share jazz music from New Orleans, with a focus on Mardi Gras music and lesser known styles. (INTERVIEW BY BOB CARLIN)

Jazz singer Abbey Lincoln began her career in the 1950s with a seductive image singing romantic ballads. Her image changed in the late 1950s after she met her drummer Max Roach, whom she later married, and who introduced her to modern jazz and the emerging black conscious movement. Lincoln also acted in the 1960s, appearing in movies and television. Lincoln's latest album is "Talking to the Sun."

Art and Aaron Neville are part of the New Orleans funk and rhythm and blues band The Neville Brothers. Art has been performing since 1954 when his "Mardi Gras Mambo" became a hit. The song remains a Mardi Gras standard. Aaron had a hit in 1966 with the song "Tell It Like It Is." The brothers' latest album "Neville-lization."

Nat Hentoff writes about jazz and civil liberties, but describes his profession as "being a troublemaker." Hentoff began collecting jazz records and hanging out in jazz clubs as a young adult, and later hosted a jazz radio show and edited a magazine before co-founding the Jazz Review, a journal of criticism. Hentoff currently writes a column for the Village Voice and his subjects are often the First Amendment or civil liberties, and he is a staunch defender of free speech. His latest book, "Boston Boy," is a memoir about growing up in Chicago and Boston.

Edward Wilkerson is a jazz musician and composer. He joins the show to discuss his work and career. His ensemble the Shadow Vignettes' most recent album is "Birth of a Notion."

Terry Zwigoff is the director and producer of the documentary "Louie Bluie," about jazz violinist and mandolinist Howard Armstrong. Armstrong continues the tradition of black string bands in the nineteen-teens and the nineteen-twenties. Armstrong's career was revived in the nineteen-seventies on the college circuit. Zwigoff plays the cello and mandolin himself, including in cartoonist R. Crumb's band, and collects jazz records.

Singer Peggy King joins the studio to interpret the songs of Irving Berlin in honor of his recent 90th birthday. King is joined by pianist Corky Hale and bassist David Finck.

Guitarist and singer Marty Grosz and saxophonist and clarinetist Dick Meldonian regale a live audience with their versions of 1920s jazz and pop tunes at the Fresh Air studio. Grosz is a one the few musicians who still play rhythm guitar, and is the son of German satiric artist George Grosz. Meldonian has played with many famous jazz musicians and singers, and has also released several of his own records. The concert was funded by the Philadelphia Foundation.

Shearing was born blind and began learning piano at age 4. Both practical limitations and prejudice kept him from playing certain kinds of gigs. But during World War II, while many fellow musicians served in the military, Shearing was given more opportunities to work. He later moved to the United States to further his career.

The jazz musician and arranger grew up in Philadelphia and developed his chops early on during jam sessions with John Coltrane and Percy Keith, among others who would grow up to become jazz legends. After getting his big break in Art Blakey's band, Golson spent years writing and arranging music for several television shows.

The jazz musician has spent most of his life on the road. Long after the golden era of the big bands, Herman continues to lead a large ensemble, all the while keeping up with contemporary jazz and pop music.

Shearing was born blind and began learning piano at age 4. Both practical limitations and prejudice kept him from playing certain kinds of gigs. But during World War II, while many fellow musicians served in the military, Shearing was given more opportunities to work. He later moved to the United States to further his career.

While he was still a teenager the musician moved with his twin brother from Phoenix to Los Angeles to find work as a jazz musician. His career later took him to New York and, eventually, Vienna, where he has lived for several years. He has recently reunited his old group, the Jazztet, with tenor saxophonist Benny Golson.

The Philadelphia-based musician didn't begin playing his instrument until he was 22, after serving in the Air Force as a fighter pilot. He describes his first 10 years performing with jazz legends as his version of going to school.

The musician moved from Philadelphia moved to New York to broaden her career opportunities. She considers how gender and her biracial background have affected her standing in the jazz scene.

The musician started his career as a pianist, later focusing on vocals at the age of 27. He has developed an unusual technique and impressive three-and-a-half octave range.

Fresh Air jazz critic Francis Davis reviews a new recording of a 1924 arrangement of the Gershwin classic, which emphasizes the piece's jazzier elements.

Jazz critic Francis Davis believes the saxophonist's new album demonstrates both compositional and improvisatory prowess.

Jazz critic Francis Davis believes the saxophonist's new album demonstrates both compositional and improvisatory prowess.

A new reissue of Dizzy Gillespie recordings showcases his pioneering music in a variety of different ensemble settings.