Theater

The stand-up comedian and star of In Living Color was recently nominated for a Tony Award for his portrays of Sporting Life in the opera Porgy and Bess. "I think the character of Sporting Life is a salesman so he has to be flamboyant, the life of the party," he says.

The actress is nominated for her fifth Tony Award for the Broadway musical Porgy and Bess. "There's very few quiet moments for Bess," she says. "They're all very big, very emotional. ... And to commit to that night after night is very difficult.

Bessie and Boris Thomashefsky were mega-stars in the Yiddish theater world. Their story is told in a new documentary, written and conducted by heir grandson, Michael Tilson Thomas. He also serves as music director of San Francisco Symphony and artistic director of the New World Symphony.

Producers Neil Meron and Craig Zadan take us inside the world of Smash, the new NBC musical drama about the people putting together a Broadway musical.

Stew's new album Making It is, in part, about his relationship with his ex-girlfriend and songwriting partner, Heidi Rodewald. The two musicians, who continue to work together professionally, also collaborated on the 2008 Tony-winning musical Passing Strange.

Martin wrote "Have Yourself a Merry Little Christmas" for Meet Me in St. Louis, along with dozens of other songs for MGM and Broadway musicals. His career is celebrated on a new CD with essays.

Songwriter Hugh Martin co-wrote the Christmas tune that Judy Garland made famous in the 1944 classic Meet Me in St. Louis. Martin, who recently released a memoir, explains how he came up with his famous lyrics.

Classical music critic Lloyd Schwartz just attended two productions of Porgy and Bess: an operatic performance at Tanglewood and a musical-theater version in Cambridge, Mass. He says it can work either way, "as long as Gershwin's great score remains its heart and soul."

Senso, a 1954 Italian political melodrama, and Two Sisters From Boston, a 1946 Hollywood comedy, couldn't be more different — except they're both set at the opera. Classical music critic Lloyd Schwartz says he loves them both.

The political satirist and comedian talks about his Broadway performance (and performance anxieties) and about his recent segments on The Colbert Report featuring Sarah Palin and Anthony Weiner.