Film

Jordan was a fiction writer before becoming a filmmaker. His early cinematic work was financed by the British network Channel 4. His newest movie, a supernatural comedy called High Sprits, is his first big-budget feature. Jordan made his mark with Mona Lisa, a noir about call girl and her driver.

Film critic Stephen Schifff says that the Irish rock band's new concert film, Rattle & Hum, exaggerates U2's abilities, importance, and depth. The movie follows them during a U.S. tour; in between performances, the band visits landmarks of American music, and share their superficial insights into their significance.

The author came from a political family, which he says didn't groom him for life as a writer. Nonetheless, Vidal has continued to stay engaged in politics through his series of historical novels and a new essay collection, called At Home. He tells Fresh Air host Terry Gross about some of his early work, and how television helped bolster his celebrity.

Randy Quaid's brother Dennis often gets leading-man roles; Randy frequently plays what he calls "country bumpkins." He says he enjoys his career as a character actor, but is glad to branch out to directing. His debut in that role will be the upcoming Power of the Dog, which will costar his brother.

Ron Haver spent several years searching for the missing half-hour from "A Star is Born," starring Judy Garland and James Mason. He found most of the lost footage and has written a book recounting his search for the lost scenes, the restoration, and the making of the 1954 motion picture classic. Haver is director of the film deaprtment at the Los Angeles County Museum.

Hackford produced the Ritchie Valens biopic La Bamba. He recently produced and directed Everybody's All American, about the life a college football hero. Hackford joins Fresh Air to talk about his early successes and failures, and the role songs play in his films.

Critic-at-large Laurie Stone reviews the documentary Hotel Terminus, about Nazi officer Klaus Barbie, who fled to South America after the end of World War II. Despite the dark subject material, Stone says the movie is a pleasure, and praises director Marcel Orphuls unblinking camerawork.

The new film Cry in the Dark dramatizes the true story of Lindy Chamberlain, who was wrongfully convicted of infanticide while camping in Australia. Film critic Stephen Schiff says the movie proves Schepisi is a great director.

Cruikshank's newest work, Face Like a Frog, is now playing at film festivals. It features a soundtrack by composer Danny Elfman. She joins Fresh Air to talk about some of her earlier works, and what it takes to make a career in cartoons.

Actor Robert Prosky is best known for his performance as a role call sergeant in Hill Street Blues. He appears in David Mamet's new movie Things Change. For 23 years he worked at Washington, DC's Arena Stage.

Ken Tucker reviews the home video release of the highest grossing film of all time. He says the movie doesn't transfer well to the smaller dimensions of a TV screen, but its heart is still there. Conversely, Cinderella is perfect for home viewing, but it still suffers from Disney's sentimental revisions of the original tale. The Three Caballeros, another recent Disney release, is also worth watching.

Jonathan Katz stars as standup comedian Jackie Shore in the new movie Things Change, which was written by his friend David Mamet. Katz played a con man in the earlier Mamet movie House of Games, which Katz says was loosely based on their experience as small-time ping pong hustlers.

Stephen Schiff says that director Leonard Nimoy's adaptation of Sue Miller's novel is lifeless, but Diane Keaton's performance might justify the cost of a ticket.

Author William Gibson is credited with creating the cyberpunk genre, which dispenses with nationalistic ideas of the future, and instead posits a world where multinational corporations rule and nation-states have eroded. His newest novel is called Mona Lisa Overdrive.

Carpenter has made films in a variety of genres, but he has a special affection for horror and sci-fi. His first movie, Halloween, spawned several sequels. His latest, They Live, is a political satire about aliens colonizing Earth.

Director Ken Russell's new movie, Lair of the White Worm, updates a minor Bram Stoker novel of the same name for the 1980s. Film critic Stephen Schiff says the movie's acting and effects are silly and over-the-top. That's all part of the charm.

Critic Ken Tucker reviews Alysssa Milano's exercise video Teen Steam, which is geared toward teenage girls; adults caught watching it can't help feeling faintly unclean, he says. He also recommends new releases of Withnail and I and Rambo III.

The director trades comedy for drama in his latest movie. Film critic Stephen Schiff says the story explores the tired, false dichotomy of thinking versus feeling; and the dialogue leaves much to be desired.

Clint Eastwood's biopic Bird delves deep into the personal life and legend of Charlie Parker. Jazz critic Kevin Whitehead says the story fails to connect these often tumultuous moments with the genius of Parker's music.

Critic-at-large Laurie Stone recently saw the Dian Fossey biopic. She praises the film's power and compassion, fueled in large part by star Sigourney Weaver's outstanding performance.