Film

The 60th Cannes Film Festival drew more than 4,000 journalists, so it's possible you've heard a little something about the hits and misses there. Michael Moore screened a damning documentary about the U.S. health-care system, while singer Norah Jones made her acting debut in a film from Hong Kong auteur Wong Kar-Wai. Critic-at-large John Powers reports on other high- and low-lights.

Actor-director Kevin Costner won the Oscar for Dances With Wolves, but he made his first movie splash as a corpse in The Big Chill: He played the friend whose suicide brings a group of old friends together, but all of his speaking scenes were cut from the film, so all we see of Costner is a shot of his hand peeking out from beneath a sheet.

Costner went on to star in Field of Dreams, Tin Cup, Waterworld, Bull Durham and The Upside of Anger; in his latest film, Mr. Brooks, he plays a loving family man who's also a serial killer.

Bug, the new psychological thriller from director William Friedkin (The Exorcist, The French Connection), got its start as a paranoia-driven stage play by actor-writer Tracy Letts (Killer Joe).

The film won the international critics' prize at the Cannes Film Festival in 2006, but it's only now getting a U.S. release. It features Ashley Judd, Harry Connick Jr. and Lynn Collins, as well as Michael Shannon, who starred in the Off-Broadway production.

Misunderstood giants? None have ever been as popular as Shrek, star of two huge summer hits since 2001. Paramount's grumpy-green-ogre franchise is the epitome of the hand-hold movie: family flicks that serve up action, tomfoolery and life-lessons for the kids, nonstop pop-culture in-jokes for the adults, and fart jokes for the whole family.

A new box-set DVD collection of early musicals starring Hollywood's favorite wholesome blonde includes Romance on the High Seas, My Dream Is Yours, On Moonlight Bay, I'll See You in My Dreams, By the Light of the Silvery Moon and Lucky Me. Lloyd Schwartz has a review.

Think of Sam Raimi's Spider-Man 3 as a kind of Ben-Hur for our time — it delivers state-of-the-art spectacle, but it also yearns to throw a spotlight on the struggle between good and evil. It ends in deathbed conversions and churchy epiphanies, and it offers more homilies than the average Sunday sermon.

Critic-at-large John Powers reflects on what he thinks is the single greatest movie ever made about the city of Los Angeles — Killer of Sheep, an independent film made in the late '70s by Charles Burnett. It's on the Library of Congress' National Film Registry; it will be showing in selected theaters in the next few months, and it comes out on DVD this September.

The star of Friends and Studio 60 on the Sunset Strip is featured in the new film Numb; he plays a screenwriter plagued by feelings of anxiety, detachment and panic. The story is based on an autobiographical script by Harris Goldberg (Deuce Bigalow: Male Gigolo), who also made his directing debut with the film.

Canadian actress Sarah Polley, who's perhaps best known in the United States as the injured Nicole in Atom Egoyan's wrenching The Sweet Hereafter and the drug-dealing Ronna in Doug Liman's Go, makes her directorial debut with the intimate indie drama Away from Her.

The new movie is based on a short story by Alice Munro; it stars Julie Christie as a woman with Alzheimer's, and features Olympia Dukakis, Michael Murphy and Gordon Pinsent. The movie has generated buzz on the film-festival circuit, and opens in the U.S. on May 4.

David Edelstein reviews Alain Resnais's film "Coeurs" or "Private Fears in Public Places."

David Edelstein reviews "Hot Fuzz."

The 68-year-old director Paul Verhoeven hasn't made a film in his native Holland since his 1983 thriller The Fourth Man.

That picture led to a long and lucrative career making Hollywood action, suspense, and sci-fi movies, including Starship Troopers, Showgirls and Basic Instinct.

You may know Irish actor Gabriel Byrne from The Usual Suspects, or from Miller's Crossing, or from Into the West — a film he helped produce, as well as perform in. But before finding his way into acting in his late 20s, he tried his hand at archeology, teaching and even short-order cooking. His new movie is Jindabyne.

Children of Men, the breathtaking Alfonso Cuaron film based on P.D. James' dystopian-futurist novel, has just come out on DVD. Critic-at-large John Powers takes a look at one of 2006's most talked-about movies.

Mike White is the Hollywood screenwriter behind hit films including The School of Rock, The Good Girl and Chuck & Buck. Now he has directed Year of the Dog, a "not very funny" comedy about a woman grieving for her lost pet; it stars Peter Sarsgaard and Saturday Night Live veteran Molly Shannon.

Zombies, car chases, and fake trailers for a string of films that don't exist: Grindhouse is a kind of meta-exploitation double feature from directors Robert Rodriguez and Quentin Tarantino.

With nearly 40 films to his credit, including Days of Heaven, American Gigolo, An Officer and a Gentleman, The Cotton Club, and Looking for Mr. Goodbar, Richard Gere knows an iconic character when he sees one.

In his latest film, The Hoax, Gere plays a scam artist who lands a seven-figure book deal with a major publisher. It's based on the true story of Clifford Irving, who claimed to be an authorized biographer of reclusive billionaire Howard Hughes.

In the new film Blades of Glory, comic actor Will Ferrell plays a boorish figure skater forced to team up with another man in a pairs skating competition. The role is Ferrell's latest in a series of characters that have parodied macho men.

A new Criterion four-DVD box set — Paul Robeson: Portraits of the Artist features several of Robeson's films and an abundance of documentary material.

Mike Binder has directed nine feature films, although before his last, The Upside of Anger, he was best known as an actor and for the television series The Mind of the Married Man.

In Reign Over Me, he gives a serious — an extremely serious — part to the comic Adam Sandler, who plays a man whose life is destroyed by the Sept. 11 terrorist attacks.