Film

A story of the sultry all-girl '70s rock band fronted by Joan Jett and Cherie Currie, The Runaways is an exhilarating story of female self-expression that's also a cautionary tale of female exploitation. Kristen Stewart co-stars as Jett, but critic David Edelstein says it's Dakota Fanning as Currie who gives the film its electricity.

Bourne Identity director Paul Greengrass and leading man Matt Damon have re-teamed for Green Zone, a fictionalized account of the U.S. search for weapons of mass destruction in the first year of the Iraq occupation. Film critic David Edelstein reviews the political thriller.

The Oscar-nominated actress stars in the new Paul Greengrass thriller Green Zone as a journalist investigating the presence of weapons of mass destruction in Iraq. She has also played a port authority police officer in the HBO series The Wire and Michael Scott's girlfriend on The Office.

Tim Burton's new special-effects laden adaptation of Alice in Wonderland turns Lewis Carroll's classic into an action-packed, feminist coming-of-age story. Film critic David Edelstein says the movie, starring Johnny Depp, Helena Bonham Carter and Mia Wasikoska in the title role, is rather wonderful.

When Confidential magazine launched in 1952, it feasted on the type of juicy gossip that could launch -- or ruin -- a career. Journalist Henry Scott details the rise and fall of the gossip rag in his book, Shocking True Story -- and explains how Hollywood reacted.

Actress Chloe Sevigny is known for her fashion sense, but she doesn't mind wearing a prairie dress for her Golden Globe-winning role as a wife in a polygamous family on HBO's Big Love. Sevigny explains how she prepared to play second wife Nicki Grant -- and remembers her other film roles.

In A Prophet, a young Corsican Arab must earn his place in the hierarchy of a French prison by murdering a fellow inmate. Director Jacques Audiard neither victimizes nor glorifies his protagonist, says critic David Edelstein. The result is a gripping, realistic prison drama.

The new Israeli movie Ajami, shortlisted for an Oscar, is filled with the daily collisions of everyday urban life in the the port city of Jaffa. Movie critic John Powers says that the interesting characters and situations that fill Ajami remind him of the HBO series The Wire.

Ewan McGregor has played a heroin addict in Trainspotting, a young Obi-Wan Kenobi in three Star Wars films, and a poet in Moulin Rouge. In his latest film, Roman Polanski's Ghost Writer, McGregor plays an unnamed writer uncovering a political scandal. He recounts his favorite acting roles — and how he prepared for them.

The new releases Shutter Islandand The Ghost Writer both take places on islands off the coast of the Eastern seaboard. Critic David Edelstein explains how the two movies, made by Martin Scorsese and Roman Polanski respectively, are a study in contrasts — in directors, plot, and mood.

You might define the films of James Cameron by listing two characteristics: state-of-the-art special effects and huge box-office receipts. For starters,Titanic, The Terminator and Aliens all qualify on both counts. Now he adds Avatar to the list. He joins Fresh Air to discuss his complex special effects and innovative filming techniques.

Adam Shankman has one of the coolest, most stressful jobs around: He's producing the Oscars. The Hairspray director, who is also a judge on So You Think You Can Dance, joins Fresh Air to dish about seating arrangements and speeches.

Luc Besson's latest action fantasy, From Paris With Love, stars John Travolta as an FBI agent and Jonathan Rhys Myers as a diplomat trying to stop a terrorist attack in Paris. The story moves at warp speed — and it doesn't skimp on thrills.

Yesterday Colin Firth received a Best Actor nomination for his starring role in A Single Man, the Tom Ford adaptation of Christopher Isherwood's 1964 novel. Today Firth talks to Terry Gross about playing professor George Falconer, a gay professor navigating Southern California in 1962.

One of writer-director Mike Judge's favorite themes is American stupidity. His popular animated series Beavis and Butt-Head featured two brainless 15 year-olds obsessed with MTV. His 2007 film, Idiocracy, envisions a not-so-utopian American future in which evolution has bred the intelligence out of humanity. Judge's latest comedy, Extract, now out on DVD, revisits a second favorite subject — the American workplace. Where his cult classic Office Space pitted disgruntled office employees against their incompetent bosses, Extract focuses Judge's satirical eye on management.

Here's Mel Gibson as a Boston police detective, shambling onto the screen in Edge of Darkness for the first time in nearly a decade — and it's hard for us (and probably harder for him) to shake off that decade's effects.

There's a basic tension in the true-ish docudrama Extraordinary Measures that lifts it above the formula disease-of-the-week picture. Brendan Fraser plays John Crowley, a Bristol-Myers Squibb executive with a daughter and son born with the rare Pompe disease, a cousin to muscular dystrophy that fatally weakens muscles — including the biggie, the heart.

Andrea Arnold had captured something volatile and splendid in Fish Tank

Director Kathryn Bigelow and screenwriter Mark Boal join Fresh Air to talk about their film The Hurt Locker. Set in Baghdad, the movie follows the story of three men who are part of the Army's bomb unit, charged with the task of disarming IEDs and other roadside bombs.

Singer, songwriter and producer T-Bone Burnett says his approach to making music is simple: "Just listen until it sounds right."
Burnett has been getting it right for a long time, and his latest project is the critically acclaimed film Crazy Heart, for which he wrote several songs for the main character — a broken-down musician played by Jeff Bridges. Bridges is not a trained singer.