Film

Film critic Stephen Schiff says the adaptation of the Roald Dahl novel features exceptional performances and a plot that's just the right level of scary. It's also the best movie by director Nicolas Roeg since the Man Who Fell to Earth.

Near gained national attention when she joined Jane Fonda in antiwar protests. She joins Fresh Air to talk about developing her skills as a performer, her early acting career, and how she defines her sexuality. Her new memoir is called Fire in the Rain--Singer in the Storm.

Badalamenti composed the music for David Lynch's Twin Peaks, Blue Velvet, and Wild at Heart. Before writing film scores, he had a workaday musician's life, arranging and playing piano in bands.

While the Chinatown sequel The Two Jakes hasn't found much success, many agree that it's beautifully shot thanks to the work of Vilmos Zsigmond. He won an Academy Award for Close Encounters of the Third Kind, which was celebrated for balancing special effects with conventional, domestic scenes. Zsigmond fled Hungary in 1956 during the revolution.

Elmes has been working with the director since Lynch's first film, Eraserhead. He joins Fresh Air to talk about their visual, technical and narrative approach to moviemaking.

Stephen Schiff reviews the new operatic, gothic action movie directed by Sam Raimi. He says it may not live up to its lofty, Phantom of the Opera-like pretensions, but he praises the film for its comic book-like exuberance.

Brown joins Fresh Air to discuss the mechanics of filmmaking, and the impact the success of Jaws had on his career. His wife is Helen Gurley Brown; they work together on the women's magazine Cosmopolitan. David Brown's memoir is called Let Me Entertain You.

Pakula's new courtroom drama is based on the novel of the same name by Scott Turrow. His previous credits include All The President's Men, Sophie's Choice, and Klute.

Blackwood was hired by a movie studio with no experience. That stroke of luck eventually led him to a career as a movie director. His newest documentary, inspired by his travels, is called Motel. Blackwood says his work is less concerned with narrative, and more on the emotions of the people he follows.

Critic Owen Gleiberman reviews the director's new movie, a violent tale about young love. Despite an excellent performance by female lead Laura Dern, the film fails to capture balance of innocence and weirdness found in Lynch's other work.

Critic Owen Gleiberman reviews the home video release of the curiously high-quality exploitation movie, featuring excessive nudity and a surprisingly emotional center. He says its a better vehicle than Drugstore Cowboy for star Kelly Lynch's talent.

Stephen Schiff reviews The Two Jakes, directed by star Jack Nicholson. Schiff says nothing about the film is particularly bad -- nor does anything stand out.

Rock critic Ken Tucker reviews the music featured in Days of Thunder, The Adventures of Ford Fairlane, and Dick Tracy. Whatever you may think of the movies, each soundtrack album has at least a few gems.

Sarris reviews movies for several newspapers and teaches at Columbia University. In the 1960s, he pushed forth the auteur theory, which said that films could best be understood by the director's singular vision within the context of their full body of work. Now, he often finds genre films more interesting than mainstream movies that explore important ideas.

Classical music critic Lloyd Schwartz says the one downside of the current crop of Broadway CDs is that few releases feature excellent singers. A reissue of the once-rare Mary Martin Sings, Richard Rodgers Plays is a noteworthy exception.

Esposito has been featured in Spike Lee's movies Mo' Better Blues and Do the Right Thing. He joins Fresh Air to talk about the intensity of working on the set of Do the Right Thing, and how he started acting at the age of six.

Forsythe plays the villain Flattop in the new Dick Tracy movie. He also appeared in the Patty Hearst biopic and Serigio Leone's Once Upon a Time in America.

Part II of the Fresh Air interview with the legendary B-movie producer and director. Corman talks about some of the unconventional research he did before making his films, including hanging out with the Hell's Angels and taking LSD. Despite having the opportunity to work with major studios, he chose to work independently, and eventually started his own production and distribution company, New World Pictures.

Film critic Stephen Schiff says Mo' Better Blues, about a trumpet player's struggles balancing his career with his romantic relationships is at best agreeably messy and, at worst, repugnant, especially in its flagrant, anti-Semetic portrayals of Jewish businessmen.

Part I of the Fresh Air interview. Despite his reputation as a master of the low-budget B-movie, Corman cites classic Hollywood and European films as his primary influences. He is known for his prolific pace, and for introducing now-famous actors like Jack Nicholson, Robert DeNiro, and Vincent Price. Corman has a new memoir, called "How I Made a Hundred Movies in Hollywood and Never Lost a Dime."