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03:25

Jiri Weil Tells a Tragic and Familiar Story

Author Philip Roth was in part responsible for getting the Czech novelists Life with a Star translated into English and published stateside. Book critic John Leonard says it stands out among the myriad, Kafka-esque books about the Holocaust.

Review
27:14

Jazz Singer Joe Williams

The Chicago-born Williams sang for the Count Basie Orchestra before beginning a solo career in 1962. In the 1940s, he suffered a nervous breakdown, unsure of what he wanted out of his professional life. After a year in the hospital, he returned to performing, and has a new album called In Good Company.

Interview
09:53

Movie Director Agnes Varda

The French filmmaker started making movies before the New Wave movement, and without having a vast knowledge of film history. Her latest, Kung Fu Master, is about forty-year-old woman who falls in love with an adolescent boy. Varda cast her son as the male lead.

Interview
06:31

A Jazz Free Spirit Plays It Safe

Jazz critic Kevin Whitehead says trumpeter Don Cherry is a curious figure in the scene: lyrical but sloppy, he's played with diverse musicians ranging from Ornette Coleman to Lou Reed. On his new album, Art Deco, Cherry reigns in some of his more exploratory impulses to produce a straight-ahead but modern sound -- and it pays off.

Review
03:42

Siskel and Ebert Celebrate Their 500th Show

TV critic David Bianculli reviews the television special, which features clips of past shows and discussion in front of a live audience. He admires the dueling critics' regular programming, but he can't say the same for their anniversary show.

Review
27:43

Carole King's Return to the "City Streets"

The prolific songwriter and performer has been living in Idaho, away from the public eye. Now she returns with a new, more rocking album. King joins Fresh Air to talk about dropping out college to pursue a music career, writing songs with her former husband Gerry Goffin for other artists, and becoming a solo artist.

Interview
09:46

Composer and Film Family Patriarch Carmine Coppola

Coppola has written the music for several films of his son, Francis Ford Coppola, including the Godfather I and II. He has written a new score for the silent film Napoleon; he'll soon conduct a live performance of that music during a screening at Radio City Music Hall.

Interview
06:42

Soviet Rock Bands Come Stateside

Rock critic Ken Tucker says that record labels have started to take notice of underground artists from the Soviet Union. He reviews three recent albums from Russian artists with hopes of American success.

Review
03:37

A Kindler, Gentler "Ghostbusters"

Film critic Stephen Schiff reviews Ghostbusters II. He says the movie relies too much on prior knowledge of the original. But he enjoyed the performances, particularly Bill Murray's weird take on domesticity.

06:32

A State of the Art Science Fiction Opera.

Classical music critic Lloyd Schwartz reviews a recording of the recent opera Valis, based on Philp K. Dick's novel of the same name. He says much of the music is haunting, but is often repetitive and sentimental. Yet it's still a beguiling piece of wizardry.

Review
27:32

Russell Baker Works His Way Up the Newspaper Business

The Pulitzer Prize-winning columnist and former White House correspondent wanted to be a great novelist; he became a reporter and memoirist instead. His newest book, The Good Times, details his career during his 20s and 30s. He joins Fresh Air to talk about his frustrations as a Washington reporter, a particularly memorable interview with President Johnson, and how his writing changed as a columnist.

Interview
06:46

The 1960s Blues Revival Pushed the Boundaries of Rock

Rock historian Ed Ward says that bands like the Rolling Stones helped popularize the distinctly African American genre. Interest in blues led more musicians to picking up the electric guitar, including Jimi Hendrix and Eric Clapton, who would take rock music in a new direction.

Commentary
08:51

A New Soundtrack for the Caped Crusader

Part II of the Fresh Air interview with Danny Elfman. He talks about writing the score for Tim Burton's new Batman movie. He sees his film composing as entirely distinct from his work in the rock band Oingo Boingo. The different approaches, he says, serve both efforts.

Interview

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