YouTube's future success depends on increasing the amount of time people spend watching videos on the site. The Google-owned website plans to roll out more than 100 new, professionally produced channels in a push to draw viewers away from television, and onto the Web.
In Intel Wars, historian Matthew Aid details how bureaucratic polices and a glut of raw data have weakened the intelligence community in its war against would-be terrorists.
Shalom Auslander's Hope: A Tragedy takes on genocide, identity politics and Anne frank (now elderly and squatting in a farmhouse in upstate New York) with grim humor and daring irreverence.
CBS has revamped its morning show, which now has new hosts, a new set and a new focus: more hard news, less soft entertainment. TV critic David Bianculli says the new format works -- as long as the network makes good on its news-oriented focus.
New York Times Washington correspondent Jodi Kantor interviewed more than 200 sources, including White House aides and friends of the Obamas, to paint a portrait of the first family's life inside the White House.
It's hard to believe today, but in the mid-1950s, Los Angeles didn't mean much in terms of popular music. But the coming of rock 'n' roll meant an infusion of tiny record labels -- and one was Dore, run by a happy-go-lucky guy named Lew Bedell. Ed Ward tells its short, crazy story here.
The orphaned German shepherd was found in the wreckage of a kennel during World War I. Writer Susan Orlean details how he became one of the biggest film stars of the silent era in Rin Tin Tin: The Life and Legend.
Jonathan Safran Foer's novel Extremely Loud and Incredibly Close has been adapted into a movie starring Tom Hanks and Sandra Bullock. Critic David Edelstein says the end result doesn't fully mesh with the story it is trying to tell.
From new offerings like House of Lies to favorites like Californication and Downton Abbey, there are a plethora of options to watch this weekend. David Bianculli runs down what's on and explains which ones are worth watching.
Lea first had success in 1955, with her album A Woman in Love, and was rediscovered in t he late 1970s. She died last week at 82. Fresh Air remembers Lea with excerpts from a 1991 interview and in-studio performance.
Saturday Night Live's Fred Armisen and rock veteran Carrie Brownstein are the team behind the IFC show Portlandia. "All of the stuff that makes people different, that's the stuff that's celebrated" on the show, says Brownstein. "If you're normal ... it's no fun."
The veteran voice-over actress, who played 12-year-old Bobby Hill on Fox's animated comedy King of the Hill, now co-stars in the raunchy Showtime drama.
Anthony Hamilton's Back to Love was released late last year. Rock critic Ken Tucker says Hamilton's vocals "evoke predecessors ranging from Bill Withers to Teddy Pendergrass to Peabo Bryson," while also maintaining a contemporary sound.
The scientist is known as much for his contributions to theoretical cosmology and quantum gravity as for his willingness to make science accessible for the general public. His work is the topic of a new biography by science writer Kitty Ferguson.
In New York Diaries, editor Teresa Carpenter presents 400 years of diary excerpts written by people who've lived in or just passed through one of the greatest cities in the world.
The comedian's latest special, Live at the Beacon Theater, was released in Early December. C.K. talks about why he went with Web distribution this time, and reflects on his award-winning TV series, his relationship with other comedians and his USO appearances.
Country singer-songwriter Darrell Scott grew up performing with his father, Wayne. Last month, Darrell was in Texas in between gigs when he learned that his father had died in a car accident. Here, he reflects on his father's life and death, and reads a poem he wrote about his dad.
Martin wrote "Have Yourself a Merry Little Christmas" for Meet Me in St. Louis, along with dozens of other songs for MGM and Broadway musicals. His career is celebrated on a new CD with essays.
From a white-knuckle Wall Street chronicle to a modernized Shakespearean war story, the films on David Edelstein's best-of-the-year list tell solid stories new and old.
