Jessica Jones is not your typical superhero: She's a low-rent private eye with superhuman strength and PTSD from two big traumas in her past. Krysten Ritter stars as Jessica in the Netflix series based on the Marvel Comics character — and says she loves the complex role.
Dave Itzkoff examines Williams' life and death in a new biography. Williams took his own life in 2014; an autopsy later revealed he had Lewy body dementia.
Though Cardi B's instinctive pose is that of a tough realist, her debut album allows for more vulnerable moments. Critic Ken Tucker calls Invasion of Privacy a "statement of principles."
Critic Justin Chang says Beast, a film about two lovers on an island where a serial killer has been terrorizing residents, is "engrossing from start to finish" — despite its genre trappings.
New York Times reporter Eric Lipton says the response to a recent FOIA request shows that Scott Pruitt and his staff have gone to great lengths to keep the public and the news media at a distance.
Before Zora Neale Hurston wrote Their Eyes Were Watching God and the other books that would make her reputation, she was studying anthropology. In 1927, Hurston's deep interest in black history and culture led her into what became one of the most remarkable conversations of her life. The book that resulted from that conversation has just been published for the first time.
Writers, directors and actors Jay and Mark Duplass first became known for making fast, cheap indie films. Their success led to bigger films and to making the HBO series Togetherness which starred Mark. Now they have a new memoir about making films and the advantages and limitations of being close-knit brothers and artistic collaborators.
Rachel Kushner's new novel centers on a young mother serving two consecutive life sentences for murdering a man who'd been stalking her. Critic John Powers calls The Mars Room "searingly intelligent."
In her new memoir chef Lidia Bastianich recalls growing up on a family farm, escaping the communists, becoming a refugee and immigrating to the U.S., starting her own restaurant in Queens, and getting her own cooking show.
When I was a kid, my mom told me a story about her grandfather: That he got in trouble with some white men down south, and escaped lynching by running to Chicago. That he chose his new last name "Jones," because it was the most common name in the phone book. That, for years, he would sit in his chair facing the door, shotgun on his lap, waiting for them to come for him.
An exhausted mother hires a free-spirited night nurse to tend to her baby in a Diablo Cody's latest film. Critic David Edelstein calls Tully a "strange and mythic" movie.
Critic Ken Tucker says that Monroe's moody new album proves that the singer/songwriter is "working in a space that's almost entirely separate from anyone else in country music right now."
Presidential historian Jon Meacham says looking back at times when the nation was divided by partisan fury and racial strife can help shed light on "the politics of the moment."
A few minutes into her performance at the White House Correspondents' Dinner on Saturday night, comic Michelle Wolf joked that the event organizers should have done more research before booking her. By the end of the set, the organizers may have agreed.
This is one weird-but-true story. It's a story that leads readers from 19th century scientific expeditions into the jungles of Malaysia to the "feather fever" of the turn of the last century, when women's hats were be-plumed with ostriches and egrets. And it's a story that focuses on the feather-dependent Victorian art of salmon fly-tying and its present-day practitioners, many of whom lurk online in something called "The Feather Underground."
Journalist Alex Wagner was 12 years old when a line cook in a diner asked her if she was adopted. Wagner was taken aback — her father's family came generations ago from Luxembourg, and her mother came to the U.S. from what was then Burma.
Dorough, who died Monday, spoke with Terry Gross in 1982 and 1996. He told her his career was launched when an advertising executive asked him to put the multiplication tables to music.
The 4 CD compilation of 1957 recordings on Verve showcase Armstrong with a lush studio orchestra and with pianist Oscar Peterson. It also includes a wealth of alternate and incomplete takes, warm-ups and rehearsal sequences.
