The Sophisticated Sounds of Bossa Nova
World music critic Milo Miles says the Brazilian style was seen as a mark of refinement for both Brazilian and American listeners. But it's this polish that can sometimes make the genre tiresome. Nonetheless, the new CD The Legendary Joao Gilberto is a worthwhile listen.
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Other segments from the episode on October 18, 1990
How the Press Covers Presidential Campaigns
Baltimore Sun reporter Roger Simon has a syndicated column that originates from the Baltimore Sun. He's covered several presidential campaigns; his new book about the 1988 presidential election is called Road Show.
Writer Ruth Sidransky on "Hearing in a Deaf World"
Sidransky was born to deaf parents, though she herself is a hearing person. Her memoir, In Silence, is about their lives and how she often spoke for them.
"Fantasia" Is Back in Theaters After 50 Years
Film critic Stephen Schiff says Disney thought of the animated classic as a high-brow work of art. Audiences disagreed -- and so does Schiff. The film works best when it doesn't take itself so seriously.
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A Deserving Box Set.
Music review "Brasil: A Century Of Song" by Milo Miles. .
The Most Brazilian of Musicians.
World music commentator Milo Miles looks at old and new releases by Baden Powell, a guitarist associated with Bossa Nova.
Interview and Concert with Tropicalismo Musician Caetano Veloso.
Brazilian singer/songwriter Caetano Veloso (kah-TAH-no vah-LOW-sah). He's revered as one of the primary architects of "tropicalismo," - a 1960's cultural and musical movement that reevaluated traditional Brazilian music and incorporated non-Brazilian musical styles. Leftist intellectuals denounced his music for it's use of foreign influences. In the late 1960's he was jailed and exiled from Brazil for his participation in the musical movement because the government feared the social force it might have.