Jazz

Jazz Critic Kevin Whitehead continues his review of "Private Collection," the ten-volume set of Duke Ellington compositions. In this review, Kevin focuses on one of Ellington's major suites - and a highlight of the collection - "Black, Brown and Beige."

Jazz Critic Kevin Whitehead reviews volumes 6 through 10 of Duke Ellington's "Private Collection," a series featuring previously unreleased Ellington compositions. Kevin says when the first five volumes were released it was a revelation. This new collection isn't quite as brilliant, but it's still a must have for any serious Ellington fan.

Many contemporary musicians cite Coleman Hawkins and Lester Young as among the prime innovators of jazz sax saxophone. But historian Loren Schoenberg says we shouldn't overlook the soulful contributions of Herschel Evans, who played with Count Basie's band.

The vocal and bass duo's 1982 album, Old Time Feeling, has just been reissued. Jazz critic Kevin Whitehead says Harvie's orchestral playing never loses sight of the bass player's foundational role, and Jordan's risk-taking singing steers her far away from lounge territory.

The Chicago-born Williams sang for the Count Basie Orchestra before beginning a solo career in 1962. In the 1940s, he suffered a nervous breakdown, unsure of what he wanted out of his professional life. After a year in the hospital, he returned to performing, and has a new album called In Good Company.

Jazz critic Kevin Whitehead says trumpeter Don Cherry is a curious figure in the scene: lyrical but sloppy, he's played with diverse musicians ranging from Ornette Coleman to Lou Reed. On his new album, Art Deco, Cherry reigns in some of his more exploratory impulses to produce a straight-ahead but modern sound -- and it pays off.

The wind and reed player has been self-releasing well-reviewed albums for years, even though they haven't earned him the attention he deserves. Kevin Whitehead says Golia's music is unconventional and sometimes raw. He recommends three recent releases featuring Golia's playing.

When he's not doing studio work, Neidlinger mostly performs the work of Duke Ellington and Thelonious Monk, both of whom he sees as two of the most important American composers. Classically trained on the cello, Neidlinger joined avant-garde pianist Cecil Taylor's band in the 1950s. Several of their albums have just been reissued.

The west coast jazz trumpeter is known for his big band recordings in the 1950s. But he also made records with several smaller ensembles. Jazz critic Kevin Whitehead reviews a new box set collecting those little-heard tracks.

Joel Forrester and Phillip Johnston founded the NYC-based jazz combo. The group had trouble finding an audience early on, in part because of their unique blending of styles. Forrester and Johnston join Fresh Air to talk about their influences, and the logistics of keeping such a large group together.

The saxophonist's latest album, Nightingale, features sensitive interpretations of spirituals and ballads. Jazz critic Kevin Whitehead calls it Adams' most commercial effort yet -- and that's not a bad thing.

Jazz critic Kevin Whitehead says many other critics don't know what to make of the jazz pianist's percussive, atonal playing. Cecil Taylor doesn't improvise using standard jazz changes or harmonies, yet he says his biggest influence is the blues. Whitehead reviews a reissue of Taylor's album Indent, and explains what to listen for.

Author and poet Al Young reads some of his autobiographical writing about the African American experience in the 1930s, and the cultural impact Coleman Hawkins' recording of "Body and Soul" had on his family.

Baker made a career as a trumpet player and jazz singer. Known for his struggles with his addition, Baker recently died after falling from his window; drug paraphernalia was found in his room. Bruce Weber's new documentary about the musician has just been released. Jazz critic Kevin Whitehead has this review.

Bassist Eberhad Weber's new album, on the ECM label, is airy, effects-laden, and often devoid of blues-inflected harmony. Jazz critic Kevin Whitehead says it's the kind of thing he usually hates -- but he still likes Weber's music.

Band leader and composer Mercer Ellington is the son of Duke Ellington, and leads the Duke Ellington Band. As a young man, Mercer Ellington played trombone, French horn and trumpet in his father's ensemble. Two recent Mercer Ellington albums have won wide acclaim: "Digital Duke" and "For Ellington," performed by the Modern Jazz Quartet.

Jazz critic KEVIN WHITEHEAD reviews a reissue of a MILES DAVIS album that was originally the soundtrack for Louis Malle's first feature film.

The Texas-based pianist joins Fresh Air to sing a classic boogie-woogie song and a piece of her own, about Mobile, Texas.

Self-professed Ellington fanatic Kevin Whitehead reviews Recollections of the Big Band Era and Piano Duets, both of which, he says, reveal why the composer and pianist was so admired by later jazz innovators like Cecil Taylor.

Jazz critic Kevin Whitehead reviews neo-bop drummer Ralph Peterson's first album as a bandleader. Whitehead praises Peterson's dynamic and energetic approach, particularly in how he backs soloists -- all of whom shine.