Jazz

Taylor died Monday at age 65. He played with Sonny Rollins, Charlie Parker, Miles Davis, John Coltrane and Thelonious Monk. His recent book "Notes and Tones: Musician-to-Musician Interviews" features conversations with fellow musicians. It was one of the few books about black jazz musicians by a black man. We replay our 1994 interview with Taylor.

Jazz critic Kevin Whitehead reviews the new Helen Merrill release, "Brownie," a tribute to Clifford Browne, on the Verve label.

Jazz critic Kevin Whitehead reviews six new box sets for the holiday season.

The Grammy Award-winning jazz musician Wynton Marsalis. He's been playing the trumpet since he was six, and won his first Grammy at 20. Marsalis is also the cofounder and artistic director of Jazz at Lincoln Center. He recently announced that he is breaking up the Septet so he can spend more time with the Lincoln Center. "Sweet Swing Blues on the Road" is his new book, written in collaboration with photographer Frank Stewart.

Jazz critic Kevin Whitehead reviews "Who's Bridge," by the Misha Mengelberg Trio. He says, amid the strong Thelonious Monk influences, it's got real heart.

We talk with jazz critic Kevin Whitehead about singer Carmen McRae, who died last night at age 74. McRae has been called one of the three greatest female jazz singers, along with Ella Fitzgerald and Sarah Vaughan.

Jazz critic Kevin Whitehead reviews the musician's debut album, "Closest to the Sun."

Jazz critic Kevin Whitehead reviews a reissue of "True Blue," by saxophonist Tina Brooks.

Jazz critic Kevin Whitehead reviews a reissue of "The Voice That Is!," by baritone singer Johnny Hartman.

Feather, one of the world's most prominent jazz critics died of pneumonia, yesterday at the age of 80. He grew up in England and moved to America in 1940. His most important writing was his encylopedia of jazz, an essential reference work of musician bios. Feather spent his final months editing a new edition, which is scheduled for publication next year. Feather also produced about 200 recording sessions, composed for many of the musicians he worked with, and even played piano on some of their sessions.

Jazz critic Kevin Whitehead reviews a new recording of Charles Mingus's infamous New York Town Hall concert from October 12, 1962. It's the first time a complete recording has been available.

Jazz critic Kevin Whithead reviews the new re-issue by the little-known jazz organist Baby Face Willette, called "Stop and Listen."

Jazz critic Kevin Whitehead reviews the new CD set, "The Fletcher Henderson Story: A Study in Frustration," a reissue of a 4-LP set that's been out print since the 1960s.

Actor and playwright Vernel Bagneris and pianist Morten Gunnar Larsen perform selections from their show, "Jelly Roll Morton: A Me-morial," with music written by Morton, and a script taken from Library of Congress tapes of Morton from 1938. The New Yorker calls it, "an experimental study, done within a traditional Broadway-musical framework, of the life and death of a black misanthrope. . . a psychomusical." This concert was first broadcast in 1992.

James was a teenager when she was discovered by bandleader/talent scout Johnny Otis, who helped her record her first single, "Dance with Me Henry." Her career took off in the sixties, until she battled a drug addiction at the end of that decade. Although James mostly sang R&B, she has just released "Mystery Lady," featuring songs by her favorite jazz singer, Billie Holiday.

Jazz critic Kevin Whitehead reviews "The Montreal Tapes," a live recording featuring bassist Charlie Haden, trumpeter Don Cherry, and drummer Edward Blackwell at the 1989 Montreal Jazz Festival.

Jazz critic Kevin Whitehead reviews Keith Jarrett's new album, "At the Deer Head Inn." Jarrett, on piano, teams up with bassist Gary Peacock and drummer Paul Motian.

Jazz critic Kevin Whitehead says that, amidst the apocryphal narratives circulating around the sax player's career, the Verve reissue "The Lester Young Trio" is worth checking out.

Bandleader and pianist Eddie Palmieri. Through his first band, La Perfecta, labeled "the band with the crazy roaring elephants," Palmieri was credited with originating Latin jazz's trombone sound in New York during the sixties. With the release of "Palmas," (Elektra), many critics feel that this respected 58-year old innovator will finally get the exposure and respect that his sound has long merited. Palmieri's lobbying over the past year culminated in the announcement of a new Grammy Award category for Afro-Carribbean Jazz.

Jazz critic Kevin Whitehead reviews two new reissues which were both recorded in New York in the mid-1960's. Steve Lacy and Rosewell Rudd combine modern jazz, avant-garde, and old blues in their album "School Days" ( Hat Art). Duke Pearson combines piano with Caribbean music on "The Right Touch" on the (Blue Note).