Jazz

Kevin Whitehead continues his Avant Garde Made Easy series with a look at pianist Cecil Taylor.

Jazz critic Kevin Whitehead continues with part three of his Avant-Garde Made Easy series. This time he considers composer, improviser and saxophonist Anthony Braxton.

Jazz critic Kevin Whitehead begins a new six-part series we call Avant-Garde Made Easy, highlighting some of the important modern jazz mavericks of the so-called Avant Garde. Today we consider the music of trumpeter Lester Bowie.

Jazz critic Kevin Whitehead begins a new six-part series we call Avant-Garde Made Easy, highlighting some of the important modern jazz mavericks of the so-called Avant Garde. We begin the series with pianist, composer, and band leader Sun Ra.

In 2000, saxophonist Joe Lovano was voted Down Beat Readers and Critics Poll Winner Tenor Player of the Year. Early in his career, Lovano played with Woody Herman and the Mel Lewis Orchestra. He's also worked with Elvin Jones, Carla Bley, Lee Konitz and Charlie Haden. And he played with the Paul Motian Trio which featured his Berklee School of music classmate, Bill Frisell. In 1991 he began work as a leader, and has recorded a number of albums. His latest is Flights of Fancy: Trio Fascination, Edition Two.

Whitehead reviews the complete Blue Note sessions of tenor saxophonist Don Wilkerson.

We remember record producer Milt Gabler, who died July 20 at the age of 90. Gabler founded America's first independent record label, Commodore Records. He was the first to record Billie Holiday's anti-lynching song, Strange Fruit, after major record companies refused. He was also the first to pair Louis Armstrong and Ella Fitzgerald. Later, he produced records for Bill Haley and the Comets, Peggy Lee, the Weavers, the Ink Spots and many others. His record store Commodore Music was legendary and a hangout for musicians and music lovers.

Guitarist and singer Howard Fishman of the Howard Fishman Quartet. The group's material draws on a wide variety of American music: jazz, blues, country, folk and Texas swing, but their experimental and improvisational style sets them apart. The Quartet includes trumpeter Erik Jekabson, bassist Jonathan Flaugher, and violinist Russell Farhang. The group debuted in the Oak Room of the Algonquin two years ago. They wrap up a engagement at Joe's Pub in New York City July 29th. The Quartet is currently working on a jazz opera We Are Destroyed in conjunction with The Public Theatre.

Whitehead reviews The Complete Vee Jay Lee Morgan-Wayne Shorter Sessions on the Mosaic box label.

O'Farrill music combines American jazz with the rhythms of Cuban/Latin Music. The 79-year old's latest CD is called "Carambola"

Whitehead Reviews Ralph Gleasons Jazz Casual Series, a collection of Gleasons 1960s TV show on DVD and video.

Friedwald, the author of books like –Jazz Singing: Americas Greatest Voices from Bessie Smith to Bebop to Beyond—, –Sinatra! The Song is You: A Singers Art— and a contributor to Tony Bennetts autobiography –The Good Life.— Most recently, he wrote the liner notes for Mosaic Records release of –The Complete Columbia Mildred Bailey Sessions,— a comprehensive 10 disc set of the legendary singers recordings. He talks today about Baileys influence in American music.

J.J. Johnson, a pioneer of the modern jazz trombone died Sunday at his home in Indianapolis. He was 77. It was an apparent suicide. Johnson was considered the definitive trombonist of the bebop generation. He played with the Count Basie Orchestra, Benny Carter, Dizzy Gillespie, Wood Herman, and Miles Davis, often balancing that with leading his own band. Later in life, Johnson moved to Hollywood to work as a composer and arranger for television.

Jazz critic Kevin Whitehead reviews the reissue The Eminent J.J. Johnson, Volume 2

His new biography of Bing Crosby is called, Bing Crosby: A Pocketful of Dreams—the Early Years, 1903-1940 (Little Brown and Company). From 1930s to the 50s, Crosby was a pop culture icon, dominating American entertainment with his hit records and movies. In this first volume of the biography, Giddins chronicles the rise of Crosbys career. Giddins may be best known as a jazz columnist for the Village Voice. He won the 1998 National Book Critics Circle Award for his book Visions of Jazz. He was one of the experts featured in Ken Burns Jazz series on PBS.

Jazz critic Kevin Whitehead reviews a new series of recordings called Live at the Left Bank"

We remember jazz bassist Milt Hinton. He died yesterday at the age of 90. Hinton was one of the great jazz bass players, having played with musicians like Cab Calloway, Dizzy Gillespie, Coleman Hawkins, Duke Ellington and Billie Holiday. Throughout his career, Hinton photographed the musicians he worked with, and the surroundings he moved through. His books of photographs are "Bass Line: The Stories and Photographs of Milt Hinton" (Temple University Press), and "Overtime: The Jazz Photographs of Milt Hinton"

Jazz critic Kevin Whitehead reviews “Carambola,” the new C-D from composer Chico O’Farrill, who is also the leader of the Afro-Cuban Jazz Big Band in New York.

Big Sandy is the lead singer of the Fly Rite Boys a band that combines rockabilly, western swing, and hillbilly boogie sounds. They are currently on tour and have a new album “Night Tide” (High Tone Records). With it, they’ve taken a darker more personal bent. Big Sandy and his Fly Rite Boys have been making music together since 1988 and have recorded seven albums all told, including BIG Sandy's solo do-wop tribute, “Dedicated to You.”

Jazz critic Kevin Whitehead reviews pianist Uri Caine’s new 2 C-D set, “The Goldberg Variations” (Winter & Winter).