Music

Tom Waits, Patti Smith, Marc Almond, Marianne Faithfull, Shane MacGowan and others appear on a new two-disc compilation of pirate ballads and sea songs called Son of Rogues Gallery. Here, Terry Gross talks with Hal Willner, the project's producer, about some of the stories behind the project.

On his new album, The 3dom Factor, Altschul is great at mixing opposites: abstract melodic concepts with parade beats, open improvising and percolating swing. The album is the sort of comeback that reminds you how much good music the artist made the first time around.

On his first album since 2006, The 20/20 Experience, Justin Timberlake explores his range, from soul-man groove to falsetto croon, taking inspiration from neo-soul and the expansiveness of '60s and '70s rock song formats.

Spaghetti Westerns, Philadelphia soul, opera and the Wu-Tang Clan all come together in the music of Adrian Younge. He has produced and composed two new albums — one with William Hart, the lead singer of The Delfonics, and another with rapper Ghostface Killah.

The twin sisters from Canada depart from their indie singer-songwriter roots with their latest album. The music on Heartthrob is often loaded with a carefully articulated sense of doubt that Tegan and Sara suggest needs to be shaken off through a triumph of the pop-music will.

The icon's new album plays like a collection of discreet singles, with each performed in a different style, genre and mood. In this way, the album isn't a return to form, in part because David Bowie never took one form to begin with.

Recruiting the likes of Guy Clark and Vince Gill, the country singer and member of The Pistol Annies works within a tradition that extends back well beyond her twentysomething years. Monroe avoids the pitfalls of cliche, with sentiments on her new album that are nothing if not nicely ambivalent.

Known for his work in New Klezmer Trio, clarinetist Ben Goldberg has just released two new albums for different quintets: Subatomic Particle Homesick Blues and Unfold Ordinary Mind.

Franklin found her voice in songs such as "I Never Loved a Man" for Atlantic Records in the 1960s. Before Atlantic, however, Franklin recorded for Columbia, and in those early recordings you can hear the legend just beginning to emerge.

A new four-CD set highlighting the music of the jazz keyboardist and drummer contains two discs that are gems and another two that have their moments.