Jazz

Michael Cuscuna and Charlie Lourie are co-founders of Mosaic Records, a label committed to reissuing classic jazz recordings, many of them originally recorded by Blue Note. The two have also collaborated on the new book, "The Blue Note Years: The Jazz Photography of Francis Wolff," (Rizzoli International Publications). It includes 200 photographs taken by Francis Wolff from 1941-1965, who also co-founded the Blue Note label. Many of Wolff's photographs were used as Blue Note album covers.

Jazz critic Kevin Whitehead reviews a new reissue of Anthony Davis's "Episteme" (Gramavision).

World Music critic Milo Miles comments on his three favorite Latin releases of the last few months.

Linguist Geoffrey Nunberg discusses Gerry Mulligan, jazz, and the use of the world cool.

We remember band leader and composer Mercer Ellington, the son of Duke Ellington. He perpetuated the big band tradition his father made famous as head of the Duke Ellington Band. When he was a young man, Mercer Ellington had hoped to break into his father's band on the saxophone. But after years of frustration, he could see that he would never crack the legendary Ellington reed section. He finally was accepted as a trombone player and later played french horn and trumpet. With the death of his father in 1974, Mercer Ellington took over his father's orchestra.

Laurie Pepper is the wife of the late alto saxophonist Art Pepper, who died in 1982 and was considered to be the greatest alto saxophonist of the post-Charlie Parker generation. Terry talks with Pepper on the occasion of the updated version of her husband's autobiography, Straight Life, (which he wrote with the help of Laurie, published by Da Capo Press). There are also two new box sets of Pepper's music: "The Complete Village Vanguard Sessions," and "The Complete Galaxy Recordings."

Arranger and baritone saxophonist Gerry Mulligan died Saturday, January 20th, from complications due to surgery. He was 68. We will rebroadcast a 1989 interview with him. Mulliagn was an innovator in modern jazz orchestration. Early in his career he was staff arranger for Gene Krupa's big band. In 1949 he collaborated with Gil Evans and Miles Davis in the Nonet. The nine-piece band shook up jazz arrangers and launched the era of so-called cool jazz. He achieved international acclaim when he started a "pianoless" quartet with trumpeter Chet Baker in the early 1950's.

A concert with jazz singer Rebecca Kilgore, accompanied by pianist David Frishberg. Kilgore is known as Portland's premier singer, and is just now emerging as a major talent. She and Frishberg comprise one of the longest running jazz duos in the country. Kilgore's latest CD is "I Saw Stars." "I Saw Stars" with Dan Barrett's Celestial Six, Arbors Records [ARCD 19136, 1994. Her first CD release was "Looking at You", with Dave Frishberg on piano, [PHD Music, 1994.] Includes a preview of tomorrow's concert with Dave Frishberg.

Jazz critic Kevin Whitehead reviews the new album by Terence Blanchard, "Romantic Defiance."

Rock historian Ed Ward begins a special series on the contribution of various cities to rock and roll. He begins with Los Angeles. Artists discussed Roy Milton, Johnny Otis, Esther Phillips, Richie Valens, Eddie Cochran, Beach Boys, Phil Spector, The Ronettes, and The Byrds.