Film

One of writer-director Mike Judge's favorite themes is American stupidity. His popular animated series Beavis and Butt-Head featured two brainless 15 year-olds obsessed with MTV. His 2007 film, Idiocracy, envisions a not-so-utopian American future in which evolution has bred the intelligence out of humanity. Judge's latest comedy, Extract, now out on DVD, revisits a second favorite subject — the American workplace. Where his cult classic Office Space pitted disgruntled office employees against their incompetent bosses, Extract focuses Judge's satirical eye on management.

Here's Mel Gibson as a Boston police detective, shambling onto the screen in Edge of Darkness for the first time in nearly a decade — and it's hard for us (and probably harder for him) to shake off that decade's effects.

There's a basic tension in the true-ish docudrama Extraordinary Measures that lifts it above the formula disease-of-the-week picture. Brendan Fraser plays John Crowley, a Bristol-Myers Squibb executive with a daughter and son born with the rare Pompe disease, a cousin to muscular dystrophy that fatally weakens muscles — including the biggie, the heart.

Andrea Arnold had captured something volatile and splendid in Fish Tank

Director Kathryn Bigelow and screenwriter Mark Boal join Fresh Air to talk about their film The Hurt Locker. Set in Baghdad, the movie follows the story of three men who are part of the Army's bomb unit, charged with the task of disarming IEDs and other roadside bombs.

Singer, songwriter and producer T-Bone Burnett says his approach to making music is simple: "Just listen until it sounds right."
Burnett has been getting it right for a long time, and his latest project is the critically acclaimed film Crazy Heart, for which he wrote several songs for the main character — a broken-down musician played by Jeff Bridges. Bridges is not a trained singer.

David Edelstein reviews "Youth in Revolt."

As creator of the Star Wars universe, George Lucas launched a franchise whose impact on pop culture — and on Hollywood — has been immeasurable. His special-effects house has pioneered one cinematic revolution after another.

Movies you've heard plenty about (Avatar, Where the Wild Things Are) rub elbows with movies you may have missed (Summer Hours, Everlasting Moments) on our critic's list of the finest big-screen features of 2009. Edelstein joins Terry Gross to talk about the year in pictures.

Terry Gilliam's new film, The Imaginarium of Doctor Parnassus, is another entry into his long line of dream-like films. But it's also the final performance of the late Heath Ledger. Gilliam joins host Terry Gross to talk about the personal and professional challenges of creative filmmaking.