Segments by Date

Book John Leonard reviews Eva Luna by Isabel Allende and Mascara by Ariel Dorfman. Leonard says that, in different ways, neither of them are fully satisfying.

Rock historian Ed Ward looks back on the Memphis-based soul label, which released hits by black artists like Ann Peebles and Al Green.

Despite recording throwaway pop and calypso songs, Dinah Washington called herself a jazz singer. Critic Kevin Whitehead reviews the third volume of Washington's posthumous greatest hits collection, which features several of her collaborations with jazz musicians.

Carpenter has made films in a variety of genres, but he has a special affection for horror and sci-fi. His first movie, Halloween, spawned several sequels. His latest, They Live, is a political satire about aliens colonizing Earth.

AKA Michael Harris on the Bob Newhart Show. He joins Fresh Air to talk about his character's developing love life. Scolari also juggles, a talent which will soon be featured on sitcom.

TV critic David Bianculli reviews the updated version of the 1960s spy show. He says it's a fun watch, especially seeing the updated technology, but he can't help but notice a few careless gaffes in the script.

Performer-in-residence Harry Connick, Jr. performs a few Duke Ellington songs.

Shear writes and performs his own material, but his music is most often heard when it's covered by pop stars like Cyndi Lauper and the Bangles.

Critic-at-large Laurie Stone says that, while movies tend to be male-dominated, television has had the power to give more substantial roles to women. She reviews three new sitcoms about women at home and in the workplace.

Director Ken Russell's new movie, Lair of the White Worm, updates a minor Bram Stoker novel of the same name for the 1980s. Film critic Stephen Schiff says the movie's acting and effects are silly and over-the-top. That's all part of the charm.

James Fenton is a poet who traveled to Southeast Asia without any clear goal in mind. He started writing first-person journalism for a number of newspapers and magazines. Fenton covered the fall of Saigon and the end of the Marcos regime in the Philippines.

Television journalist Marlene Sanders was a pioneer in advancing the role of women in the newsroom. In the 1970s, she covered the feminist movement; she says no male journalists were able to get the story right. She has a new book about women, co-authored by Marcia Rock.

Hal Wilner produced the compilation album Stay Awake, which features contemporary artists performing songs from Disney movies. Rock critic Ken Tucker says it's uneven but has unexpected moments of beauty and inspiration. It's more of a baby-boom curiosity than an essential recording.

Classical music critic Lloyd Schwartz reviews an all-star recording of Stravinsky's jazz-inspired theater piece, which features Sting, Ian McKellen, and Vanessa Redgrave.

Singer and civil rights worker Benice Johnson Reagon studied Euro-classical music in college, During her time in the Freedom Singers, she returned to her gospel roots. She joins Fresh Air to talk about how she combined her musical talents with her activism.

Part II of the interview with the folk-rock star. While serving time on drug charges, Crosby joined the prison band as a guitar player. He says it was the first time he performed sober.

Lawrence Joseph is lawyer and poet from Detroit whose parents are from Lebanon. Critic Stuart Klawans says Joseph's newest collection features brutal autobiography and fierce intelligence.

Book critic John Leonard reviews Alfred Kazin's new book, A Writer's America, which explores the country through the eyes of its great authors. Leonard's only complaint is that Kazin doesn't feature enough of his own distinct, literary voice.

New Yorker writer William Finnegan followed back journalists in South Africa who worked for a liberal, opposition newspapers. Finnegan is white, and his presence often put the people he traveled with in danger. His book about the reporters is called Dateline Soweto.