Waart specializes in 20th century classical music, and leads the Minnesota Orchestra. He first established himself in the Netherlands before moving to the United States. Wart joins Fresh Air to discuss the differences between American and European orchestra management, and the need for more adventurous programming.
Television critic David Bianculli reflects on the importance of the long-running news magazine, which celebrates two decades on the air. He says the show masterfully balances political and pop culture coverage, and embraces a compelling, more freewheeling style of reporting.
Korder's play, about a television journalist, is being adapted into a TV movie for HBO. He talks about his frustration with the static nature of television writing, and what it takes to craft great dialogue.
Composer and clarinetist John Carter's music takes its cues from a variety of American traditions, including jazz, folk songs, and the works of fellow composers Charles Ives and Morton Feldman. Kevin Whitehead reviews Carter's new album, Fields.
Paul Nitze has advised both Republican and Democratic presidents over the decades on arms control. While working in the Reagan administration, he helped reopen negotiations with the Soviet Union. Nitze also reluctantly advocated for the Strategic Defense Initiative as a deterrence program. Journalist Strobe Talbott's new book, Master of the Game, details Nitze's career.
Every three years or so, a collection of Pauline Kael's movie reviews are collected into a book. Her forthcoming anthology is called Hooked. Kael believes film once served as a kind of common culture, and bemoans the fragmentation of movie audiences. She joins Fresh Air to talk about the state of the film industry and the changing tastes and expectations of audiences.
Language commentator Geoff Nunberg reflects on how changing modes of speech in motion pictures signify a character's personal transformation. The 1938 version of Pygmalion is a great example -- but the trope can be found in several other films.
Director Tobe Hooper sought to earn a PG rating for his groundbreaking horror film. The film got an R, but the attempt resulted in a movie that relied more on Hitchcock-like suggestion than explicit gore to inspire fear and disgust. Texas Chainsaw Massacre was recently included in the Museum of Modern Art's permanent collection.
Book critic John Leonard says that Greene has trained readers to fill the gaps in his novels and flesh out his sometimes underdeveloped characters. Leonard is a longtime admirer of the author, but says his newest book is more of a notebook than a polished novel.
The former teen model later pursued an acting career on stage and screen. Despite her efforts to distance herself from her early days in fashion, Twiggy says it would be untenable for her to give up her distinctive moniker. She costars in the new movie Madame Sousatzka, in which she plays an aspiring pop star.
In his latest album, Randy Newman breaks from his past work, mostly abandoning irony to explore autobiographical themes. Rock critic Ken Tucker says the effort is both refreshing and disappointing.
Hanks made his name in Hollywood in films like Splash, The Money Pit, and Big. He stars opposite Sally Field in the new movie Punchline, in which he plays a standup comedian. To master the role, he developed and performed a routine, which he performed for months before shooting began.
The British director's first movie in the United States was the Academy Award-winning Midnight Cowboy. His forthcoming feature, Madame Sousatzka, stars Shirley McLaine. Schlesinger joins Fresh Air to talk about some of his early work, including Sunday Bloody Sunday and Marathon Man.
At 85, Dr. Benjamin Spock has written and published a new book of parenting advice. Spock's philosophy is informed by both his medical and psychological training. In the 1960s, when he was in his 60s, Spock protested against the Vietnam War -- a decision which was not popular with all his readers.
Classical music critic Lloyd Schwartz says Galway is both masterful and unusually modest when performing the concertos of Saverio Mercadante. But a new greatest hits collection, which features truncated and pop versions of orchestral works, is little more than crass commercialism.
Critic Ken Tucker reviews the home video release of Quartet, which features four adaptations of Somerset Maugham's works by four different directors. Maugham himself introduces the film. Tucker appreciates the movie's older, romantic style. He also recommends Broadcast News, Frantic, and A Roman Holiday.
Anna Quindlen writes the syndicated column "Life in the 30's," which originates in The New York Times. Her work focuses on the ordinary, everyday aspects of day-to-day life. Her columns are collected in a new book called Living Out Loud. She joins Fresh Air to talk about her career, motherhood, and her controversial column about amniocentesis.
Musa Mayer's memoir explores her relationship with her father, painter Philip Guston. Mayer and Guston were close; she says she was his confident. But Mayer didn't really know who he was as a person until she interviewed family members after Gunston's death.
Ed Ward profiles Chuck Willis, who helped lay the groundwork for soul music. Despite his success as a songwriter, performer and recording artist, Willis was a secret alcoholic. He died at 30.
Book critic John Leonard reviews historian Jonathan Spence's newest work, about a Chinese convert in France who is institutionalized by a Jesuit priest name Jean-Francois Foucquet. Leonard says that the historical novel feels more like a poem about history.
