Kayla Williams and Brian McGough met in Iraq in 2003. Williams' new memoir, Plenty of Time When We Get Home, describes their homecoming after McGough suffered physical and cognitive injuries in an IED explosion.
George Clooney's film tells the largely true story of a World War II squad of art experts assigned to protect European masterworks from Nazi theft and Allied bombardment. Critic David Edelstein says the film is engaging and earnest, but a little formulaic.
The U.S. needs to start treating the Internet like electricity or railroads, law professor and author Susan Crawford says. "We can't create a level playing field for all Americans or indeed compete on the world stage without having some form of government involvement," she says.
"Make it work," the fashion guru tells designers on Project Runway. But life hasn't always "worked" for Gunn. He talks with Terry Gross about being bullied, being gay in the '60s and '70s, and how his mother thinks he should "dress more like Mitt Romney."
Alena, a reworking of Daphne DuMaurier's Rebecca, takes place in the contemporary art world, while The Yellow Eyes of Crocodiles is a "delicious French romp." Critic Maureen Corrigan says both novels are "exquisite vehicles of escape fiction."
Kids can be magical and maddening. The title of Jennifer Senior's book — All Joy and No Fun — contrasts the strains of day-to-day parenting with the transcendent experience of raising a child.
Critic John Powers says that Borgen, a Danish TV series about a woman who unexpectedly becomes Denmark's prime minister is "irresistibly bingeable." The third and final season has just been released on DVD.
We listen back to interviews with Hoffman from 1999 and 2008, when he told Fresh Air's Terry Gross that carrying the emotional life of a character could be "burdensome." He was found dead on Sunday at age 46.
Diane Johnson often writes about American heroines living in France, but when she began her memoir, she found herself drawn back to her native ground in America's heartland. Critic Maureen Corrigan says Flyover Lives "lets scenes and conversations speak for themselves, accruing power as they lodge in readers' minds."
Jaworski spent 16 years in the NFL, most of them with the Philadelphia Eagles, the team he took to the Super Bowl in 1981. Now the former quarterback works as a football analyst for ESPN. He tells Fresh Air's Dave Davies about what it feels like to play in the big game.
Didinger, who has been covering football for decades, says there's a lot of thought that goes into successfully executing a football play. He tells Fresh Air's Dave Davies, "I really don't think you can be truly a dumb guy and play this game at the NFL level."
Both Jon Pardi and Jason Eady have to confront the dilemma of all young country musicians: how to navigate the pop current that keeps country music commercially viable while connecting to a past that fewer and fewer listeners are aware of.
For Charleston Gazette reporter Ken Ward, the recent chemical spill — and sometimes confusing information authorities have provided about the risks to citizens — reflect long-standing regulatory failures in the state. He says West Virginia has "basically ignored" recommendations for stricter oversight.
Seeger believed songs were a way of binding people to a cause. He talks about fellow folk music icon Woody Guthrie and jumping railroad cars in an archival interview from 1985.
A new book explores the ways melting Arctic ice yield new shipping channels, new oil and gas resources — and potential profits. Journalist McKenzie Funk delves into the "booming business of global warming" in Windfall.
It's commonly thought that the Catholic Church fought heroically against the fascists in Italy. But in The Pope and Mussolini, historian David Kertzer says the church actually lent organizational strength and moral legitimacy to Mussolini's regime.
In The Empire of Necessity, historian Greg Grandin tells the story of a slave revolt at sea. The 1805 event inspired Herman Melville's Benito Cereno, and Grandin's account of the human horror is a work of power and precision.
Gloria is a new film from Chile that centers on a late-middle-aged divorced woman whose life is full of ambiguity. She's played by Paulina Garcia, who won the top acting prize — the Silver Bear — at the 2013 Berlin Film Festival, where the movie was a surprise hit. It opens this week in New York and Los Angeles, and wider next month.
