We remember Jamie Hammerstein, Broadway producer, director and son of composer Oscar Hammerstein. He died last week at the age of 67 from a heart attack. (REBROADCAST from 3/14/95)
From the new film "Illuminata," actor/director John Turturro and composer William Bolcom. The film is based on a stage play by Brandon Cole (who also wrote the screenplay with Turturro). Previously the two collaborated on the film "Mac." Bolcom won the Pulitzer Prize in Music in 1988 for his "Twelve New Etudes for Piano."
Classical music critic Lloyd Schwartz reviews a new live recording of composer Bedrich Smetana's patriotic music, including his oft-performed "Ma Vlast."
In the 1970s guitarist Bill Frisell was a student of jazz composer and arranger Michael Gibbs at Boston's Berklee College of Music. This is the album some Frisell fans have been wishing for.
Classical music critic Lloyd Schwartz reviews two recent recordings of American composer Elliott Carter's works. Now in his 80s, Carter is still composing, and shows no sign of slowing down.
We continue our American Popular song series, with a program about composer Will Marion Cook. He was born in 1869 and was part of the first generation born after slavery. Cook was one of the innovators of ragtime song, and helped introduce ragtime to Broadway. Cook wrote In Dahomey the first full-length broadway musical written and performed by African Americans. It opened on Broadway in 1903. Some of Cook's songs reflect the racial stereotypes and dialect of the time.
Jazz critic Kevin Whitehead reviews “Carambola,” the new C-D from composer Chico O’Farrill, who is also the leader of the Afro-Cuban Jazz Big Band in New York.
Monk Dreams, Hallucinations and Nightmares, by the Finish-born pianist and composer, is a meditation on Thelonious Monk's "odd but catchy melodies," says jazz critic Kevin Whitehead.
The Threepenny Opera revolutionized musical theater. Playwright and lyricist Bertolt Brecht, composer Kurt Weill and actress Lotte Lenya created a sensation when their show opened in Berlin in 1928.
Two years later, the great German director G.W. Pabst turned it into a movie, and it's just been released as a Criterion Collection DVD.
Jazz critic Kevin Whitehead reviews a new album from the prolific composer and pianist Fred Hersch. It's called Fred Hersch Pocket Orchestra, Live at the Jazz Standard.
Classical music critic Lloyd Schwartz reviews a new recording of the Estonian composer's version of the Passion of St. John. He says that its simplicity reveals surprises, and that, even at 70 minutes, the piece never grows tiresome.
Jazz critic Kevin Whitehead looks at the work of jazz pianist and composer Thelonious Monk. This week, Monk received a special posthumous citation from the Pulitzer Prize committee for "a body of distinguished and innovative musical composition that has had a significant and enduring impact on the evolution of jazz."
Writer, musician and broadcaster Jamie Bernstein Thomas. She is the daughter of composer-conductor Leonard Bernstein. She hosts The New York Festival of Song on WQXR which features highlights from that concert series. She and her siblings founded the Bernstein Education Through the Arts (BETA) Fund. On Friday, May 24th she will be the speaker for a production of Leonard Bernstein Symphony No. 3, Kaddish based on the Jewish liturgical prayer. The concert will be part of the Cinncinnati May Festival held at Cincinnati historic Music Hall.
Classical music critic Lloyd Schwartz says that Christopher Hogwood's interpretation of the composer's symphonies fall flat compared to those of Roger Norrington.
