Composer John Adams. Although he comes out of the classical tradition, Adams is not afraid to use drum machines, synthesizers and silent-movie chord progressions in his music. His latest work, "The Wound Dresser", is a setting of a poem by Walt Whitman about the experience of tending wounded soldiers during the Civil War. For Adams, the work has connections to both the AIDS crisis and his father's recent battle with Alzheimer's disease. Adams also talks about his best-known work, the opera "Nixon in China".
Composer and lyricist Stephen Sondheim. He was mentored by Oscar Hammerstein, and went on to revolutionize musical theatre. His first major success was writing lyrics for “West Side Story.” Sondheim wrote the lyrics for “Gypsy.” He composed the music and wrote the lyrics for “A Funny Thing Happened on the Way to the Forum,” “Follies,” “A Little Night Music,” “Sweeny Todd,” “Sunday in the park with George,” and “Into the Woods.” In 1954 he wrote the musical “Saturday Night” but it wasn’t performed for 40 years. There’s a new cast recording of it.
Sondheim briefly wrote for the television show Topper before becoming the lyricist for the Broadway hits West Side Story and Gypsy. A trained composer, he later began writing his own musicals which, Sondheim says, continued in the Rogers and Hammerstein tradition. They include Sweeney Todd, A Funny Thing Happened on the Way to the Forum, and Into the Woods.
From The Alloy Orchestra, composer and keyboardist Caleb Sampson. The band has gained a reputation for composing and performing exciting, percussive silent film scores. Their repertoire includes scores for "Metropolis," "Nosferatu," "Lonesome," and their newest, for the Russian classic "Man with a Movie Camera." The film has a "sneak preview" at the Telluride Film Festival in early September, and it premieres at the Pordenone Silent Film Festival in Italy in October. They have two CD's.
Composer Philip Glass. His latest work is a new score for the 1946 Jean Cocteau film adaptation of "La Belle et la Bête" ("Beauty and the Beast"). Glass's score includes four voices who sing a libretto, based on the screenplay. Glass has toured the live music-film event in Europe and the United States. One reviewer called it "a beautiful, superbly integrated work." (Time, Dec. 19, 1994). (The score is available on Nonesuch Records.)
One of their most beloved musicals — Fiddler on the Roof — is back on Broadway. The production, at the Minskoff Theatre, stars Alfred Molina as Tevye and includes a new song they wrote. There's a new cast recording of the show. Bock and Harnick collaborated on Fiorello (which won a Pulitzer Prize), She Loves Me and The Rothschilds.
Composer Jerry Goldsmith has been writing film and TV music since the 1950s. He won an Academy Award in 1976 for his music for The Omen. His film scores include: Star Trek: The Motion Picture, The Sand Pebbles, Chinatown, and A Patch of Blue. His TV credits include: The Man from U.N.C.L.E., Dr. Kildare, The Waltons, and Barnaby Jones. Theres a new CD collecting his music, The Film Music of Jerry Goldsmith (Telarc).
Lloyd Schwartz talks about composer Jerome Moross, whose music included the popular theme music of "Wagon Train" and the song "Lazy Afternoon." He died in 1983. This month, he would have turned 100.
Composer and jazz pianist Uri Caine (ER-ee CANE). He's fronted and/or played with a number of groups. On his first two CDS as he a leader, "Sphere Music" and "Toys" he played homage to jazz pianists Thelonious Monk and Herbie Hancock. He's worked in groups led by Don Byron, Dave Douglas, Buddy DeFranco, Clark Terry and others. His latest release is "The Sidewalks of New York" which plays homage to turn of the century New York city and the songwriters of tin pan alley. (Winter & Winter label).
His Broadway musicals include Bye, Bye Birdie, Annie, Applause, It's a Bird, It's a Plane, It's Superman, and Golden Boy, which originally opened on Broadway in 1964 and starred Sammy Davis Jr. The show will be revived later this month by City Center Encores in New York. Strouse also composed music for film and TV, including "Those Were the Days," the theme song for TV's All in the Family.
The jazz musician is an in-demand sideman, and is also known for his composed pieces. In discussing his career, Ehrlich says that improvisation and composition are part of the same musical gesture. His new quartet album is called The Traveller's Tale.
Composer John Barry. He's best known for his 11 James Bond scores, including "Goldfinger," and "Thunderball." Barry has won five Oscars: for the song and score of "Born Free," and for scores for "Lion in Winter," "Out of Africa," and "Dances with Wolves." He has a new CD compilation of his work, "John Barry: The Hits & The Misses" (Play it Again label).
Composer John Corigliano, Composer-in residence with the Chicago Symphony Orchestra. His composition "Symphony No. 1" is Corigliano's personal statement about the AIDS crisis. The first three movements of the Symphony are dedicated to three of his lifelong musician-friends who died of AIDS. Corigliano was inspired to write the composition after seeing the AIDS memorial quilt. (Corigliano: Symphony No. 1, Chicago Symphony Orchestra, conducted by Daniel Barenboim -- on the Erato Label, #2292-45601-2).
Composer David Del Tredici. His works place him at the forefront of the neo-romantic movement. Del Tredici won the Pulitzer Prize for music in 1980 for his composition "In Memory of A Summer Day." From 1968 to 1985, his works evolved around themes from Alice in Wonderland, Lewis Carroll's beloved fairy tale. It was his 1976 work, "Final Alice," commissioned by the Chicago Symphony, that first brought Del Tredici international recognition.
