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Nina Borg, the heroine of Death of a Nightingale, is a Red Cross nurse on a mission to save the dispossessed. But she neglects her own family as a she rescues those in need in Agnete Friss and Lene Kaaberbol's elaborately plotted page-turner.

05:07

Other segments from the episode on December 10, 2013

Fresh Air with Terry Gross, December 10, 2013: Interview with Ed Pilkington; Review of The Beach Boys' box set "Made In California"; Review of the novel "Death of a Nightingale."

Transcript

December 10, 2013

Guest: Ed Pilkington

DAVE DAVIES, HOST: This is FRESH AIR. I'm Dave Davies in for Terry Gross. New insights into the goals and finances of the secretive group, ALEC, as revealed in a batch of internal documents that were recently leaked to the British newspaper The Guardian. ALEC is an acronym for the American Legislative Exchange Council, a group that brings together state legislators and representatives of corporations.

Together they develop model bills that the lawmakers introduce and try to pass in their state legislatures. Through these model bills, ALEC has worked to privatize public education, cut taxes, reduce public employee compensation, oppose Obamacare and resist state regulations to reduce global warming gas emissions. Our guest, Ed Pilkington, broke the story of those documents last week.

He's the chief correspondent for the Guardian U.S., which is the American website edition of The Guardian. He's The Guardian's former national and foreign editor. He spoke with Terry Gross yesterday.

TERRY GROSS, HOST: Ed Pilkington, welcome to FRESH AIR. Before we talk about the documents that were leaked to you, let's just talk a little bit in general, how would you describe what ALEC is?

ED PILKINGTON: ALEC is sort of almost a dating service between politicians at state level, local elected politicians, and many of America's biggest companies and it brings them together much as a dating service would do. And it sits them in rooms behind closed doors where three times a year they come together to think about what should be the next wave of state-based legislation.

And they have presentations from the companies that say what they would like to see done legislatively in states right across America, and then they have a vote and the legislators begin. Hundreds of state legislators across America belong to ALEC and come to these meetings. They begin having a vote on what they'd like to do in the next state assembly session.

And after the legislators have voted, the companies get to vote and essentially they have a veto. If they don't vote by at least 50 percent to approve a piece of legislation going forward, it doesn't happen. If they think they do approve of it, it goes ahead and becomes a model bill which is like a blueprint for a piece of legislation that ALEC wants to see spread across America, and that's what happens.

Legislators pick out a bill, they return to their state assemblies, they put it before their colleagues or their elected politicians and quite often it becomes law. And so ALEC is like an incubator of predominantly conservative legislation, the vast majority of the model bills are conservative in their sort of inception.

GROSS: So these model bills are basically made in partnership between corporations and legislators?

PILKINGTON: Yes, and that's what's special about ALEC. I don't think anyone in America would have any trouble with the idea of corporations making clear what they wanted done by politicians. I mean, that's a very important part of the democratic process, bearing in mind that the corporations we're talking about are among the largest employers in the country. So it's important that they should be able to transmit and communicate their views into the political process.

What's special about ALEC, and I think what some people have difficultly with in terms of dealing with is that they give corporations actually a vote, and I mean that literally, in those closed-door sessions. The corporations will have an equal vote to elected politicians at state level and they have this veto which, you know, goes beyond airing what corporations would like to see done by state assemblies and actually gives them a sort of direct plug-in to the system.

GROSS: So what's the breakdown of the vote? Fifty percent of the corporations have to...

PILKINGTON: This is actually on both sides.

GROSS: Fifty percent of each side.

PILKINGTON: Of both sides and legislators go first, then corporations and more than 50 percent of both sides have to approve for it to go ahead.

GROSS: So does that mean that the corporations are getting a disproportionate amount of vote because there's fewer corporate representatives at these meetings than there are state legislators?

PILKINGTON: Yes, and it's even more pronounced than that. I mean, essentially they're getting an equal vote because it's a sort of veto unless both sides approve by the majority that something should be turned into a model bill. It will not go ahead. And if you look at the membership figures, it's something like 1,800 on the public side, 1,800 state legislators belong to ALEC. And on the other side, there's something like 220 or so corporations belong to ALEC, so yes it is a, you know, it's a great inflation of their influence, that they get an equal vote.

GROSS: What are some of the model bills that ALEC has put forward in the past that have had the most traction?

PILKINGTON: Well, the most controversial has been the Stand Your Ground law and I'm sure we'll come on to talk about this because it's very pertinent to the documents The Guardian obtained last week. In 2005, Florida introduced the country's very first Stand Your Ground law, which gave homeowners the right to self-defense beyond the actual home.

And what ALEC did, it saw that bill, it liked that bill in discussions between state legislators, and corporations in their thrice annual meetings they liked it too, and they adopted it into a model bill. And it was ALEC that helped spread Stand Your Ground right across the country. There are now something like 26 states who have it on their books in some degree or other, modeled upon ALEC's work.

And when Trayvon Martin was killed in February 2012 by George Zimmerman, who was later acquitted for second-degree murder, ALEC became embroiled in that controversy. And that has had a real impact on ALEC going forward in terms of its reputation, its dealing with big corporations.

But there are many, many other areas of - it's sort of any area of really frontline controversial, ideologically conservative legislation that you see spreading in states across America. You're likely to find ALEC somewhere behind it and I'm talking about the fight against Obamacare at state level; the attempt to keep back Medicaid; attempts to reduce the pension entitlements of public employees; and keep low the minimum wage.

And in education, the spread of voucher systems which are used to sort of forward home education and private education and, to some degree, undermine public schools.

GROSS: Now, the documents that were leaked to you, were these all planning documents from ALEC?

PILKINGTON: They're internal documents that went through a whole range of different things. They talked about their actual agenda, they talked about their budget, which showed the degree of which they're in financial difficulty post the Trayvon Martin controversy. And one of the things that leapt out at me was a page titled "Prodigal Son Project," and beneath it was a list of 41 major companies, and I mean major.

They're among the biggest in the country and most iconic. There's Coca-Cola, Pepsi, McDonald's, Wal-Mart, Amazon, General Electric. And those are all companies that quit as members of ALEC in the two or three months after Trayvon Martin died. And by dint of that name, "Prodigal Son Project," it suggests that ALEC is very keen to get them back. And you sort of can start to understand why when you realize the funding structure of the network.

The vast majority of something like 98 percent of its funding comes from the corporation side as well as sort of major foundations, sort of conservative think tanks and funding bodies. So although they get an equal vote, the corporations, alongside the politicians, they pay the lion share of the money.

GROSS: And this is in their dues, in dues membership to become a member of ALEC?

PILKINGTON: Yes. I mean, the dues work something like state legislators pay very minimal amounts, something like 50 bucks a year. The corporations can pay a membership fee of up to $25,000 a year. And then there's a sort of extra level of subsidy, of donations of gifts we know less about because being a 501(c) charity in its construction, ALEC, they don't have to reveal where they received their money from.

GROSS: OK. So you found out through this document about the "Prodigal Son Project" that Alec was trying to woo back a lot of major corporations who have left the organization or no longer paying dues, and that's creating a funding crisis for ALEC. Why did they leave? Was it because of the Trayvon Martin controversy - or more specifically because of the controversy of the Stand Your Ground Legislation?

PILKINGTON: Yes. I think it's fair to say that. I have to qualify it because most of the companies, when they suspended their membership, they gave a very sort of bland explanation. They said, well, you know, it's the end of the financial year; we've decided not to renew. Maybe they said they had some budget issues themselves, they didn't want to spend this money. But if you look at the timing of it, Trayvon Martin died in February. These corporations dropped off one after another in March, April, May of 2012. So the timing is extremely suggestive. And some of them made it clear. Wal-Mart made it clear that they had joined ALEC because they wanted to be party to the economic discussions that ALEC forwards, predominantly how to reduce say, corporate taxes or to reduce government regulation on corporations so that they can do their business, you know on a more untrammeled way. And Wal-Mart said they didn't like the way that ALEC had strayed into more social political areas, such as Stand Your Ground, notably. And there are other areas too, such as voter ID laws. ALEC has been incredibly influential in spreading voter ID laws around the country. And those laws, as we know, critics, like the NAACP, say make it more difficult for African-Americans, for poorer Americans, for maybe elderly Americans, to get to the polling stations and cast their votes.

GROSS: So what is the extent of the budget loss for ALEC since so many corporations chose not to renew their membership?

PILKINGTON: Well, what we saw was an internal budget document. And it showed that in terms of incoming revenue, in the first six months of this year, they had about a 50 percent hole in their projections. And overall, there was about a third of their income was down. And I think there's a sort of interesting a story beyond that, beyond the pure finance of it, and for me it raises interesting issues about what happens with sunlight, is the way I think of it. ALEC's been in existence for 40 years. And until 2011, when a similar dump of leaked documents came out, until then, most people didn't even know ALEC existed. And part of its power has been secrecy. Corporations have been able to meet elected politicians behind closed doors without anyone knowing what they've been doing and agree the next session's legislations within those state legislatures. And it's worked very well for them. It helped them with a bottom line. It's helped them beat back regulation and get laws on their box which have allowed them to make more profits.

When it's become out and open after 2011, and with Trayvon Martin - which drew ALEC into a huge national foray, the corporations haven't liked it all. And I think there's an interesting lesson there. Corporations dislike two things intensely: they dislike taxes, corporate taxes, they dislike regulation. But they dislike even more the sort of fallout of public attention and bad publicity.

GROSS: If you're just joining us, my guest is Ed Pilkington. He's the chief reporter for The Guardian U.S., which is the American website edition of the British paper The Guardian. We're talking about ALEC, the American Legislative Exchange Council - which shapes and promotes legislation at the state level across the U.S. ALEC brings together state legislators and corporate representatives to shape, model legislation that is introduced at the state level. Let's take a short break here, then we'll talk some more.

This is FRESH AIR.

(SOUNDBITE OF MUSIC)

GROSS: This is FRESH AIR. And if you're just joining us, my guest is Ed Pilkington. He's the chief reporter for The Guardian, U.S., which is the American website edition of the British paper, The Guardian. He just published a series of stories based on leaked documents from ALEC. ALEC is the acronym for the American Legislative Exchange Council. This is a group that brings together primarily conservative state legislators with corporate representatives together. They work out model legislation that then the state legislators bring back to their state legislature.

Before publishing anything about the documents from ALEC that were leaked to you, you had a correspondence with the public relations person from ALEC. His name is Bill Meierling. And I hope I'm pronouncing that correctly, so I hope he will forgive me if I'm not. But he said to you that there is no funding crisis in ALEC. And he also said that ALEC did not draft Stand Your Ground policy. So how does that fit into your analysis?

PILKINGTON: Yes. Well, I'd like to point out that we did have this exchange, and it was a very full and frank one. And I think that in itself is significant because as I say, a group that has been noted for its secrecy and for being withdrawn from public debate actually engaged with us considerably in a very open exchange of email - which, you know, we were very grateful for because it helped us get our story as accurate as we could. So I think there is something going on in ALEC in the sense that they're trying now to be more open and transparent, and I think that they see that as an important way of winning back the trust of those Prodigal Son companies that have withdrawn membership.

GROSS: I should also add though that in Bill Meierling of ALEC concedes that whether the connection between ALEC and Stand Your Ground is true or untrue, accusations about ALEC and Stand Your Ground cost members.

PILKINGTON: Yes, he did concede that. And to be fair to ALEC, it's true that they had nothing to do with the Florida law on which the whole controversy around Trayvon Martin happened, simply because the Florida law was the first in the country. And it was that law that ALEC then took and made into a model bill and spread it around the country. So I think quite a lot of people have becoming confused about that. I don't think that that removes ALEC from the controversy around Trayvon Martin because although ALEC has now shut down the taskforce that dealt with law and order issues and those Stand Your Ground laws, in that same taskforce, they shutdown and involvement in voter ID laws that is sped around the country through their model bills. So they're no longer involved in that area at all. But they have left behind a legacy. There are something like 26 states with Stand Your Ground laws on their books partially, if not totally, based on ALEC model bills. I'm assuming there's something like 35 states around the country with voter ID laws that make it more difficult for certain voters to get to the ballot box. So there is a sort of mess that ALEC has helped create that is still there and I think they still have public issues to answer for.

GROSS: So you found out through leaked documents that there is this Prodigal Son Project to try to woo back corporations who dropped their membership from ALEC. Do you know what the approach is going to be in trying to woo these corporate members back?

PILKINGTON: Well, I think it was a significant comment from Bill Meierling in his exchange with me, that he said we would be transparent from now on. And I generally think that's their main - and perhaps their always strategy is just to be seen to be more aboveboard. And I think everyone would welcome that, including critics of ALEC. I think it's also worth mentioning that Dana Milbank of The Washington Post last week, when ALEC had its most recent meeting - this one was in Washington, D.C., Dana Milbank was allowed into the ALEC meeting. Now that in itself as far as I'm aware is the first. Journalists previously have not been welcome. But he only got so far. He was allowed to see - to sit in on sort of side meetings and to hear the big keynote speeches - Ted Cruz of Texas - addressed the meeting. But when he asked me go into a task force meeting - this is the closed-door session where politicians sit down in the same room with corporate lobbyists and discuss what they should do in the next session of the state legislature, they said to him well, this is a private meeting and we can't let you in. So I think that they've opened the doors but only so far, and that's, I think, going to be another sort of controversy going forward.

GROSS: Yes. Milbank quoted ALEC public relations person is saying they want to introduce transparency but quote; "ALEC can't just kick the doors open."

PILKINGTON: Right. And I think Dana Milbank then went on to say yes, they can. But that's his opinion. Yes. I mean ALEC has always stood behind the defense that it is a private members club, you know, a bit like a golf club, and that therefore, it shouldn't be subject to the same scrutiny, public scrutiny, as other institutions in public life. And that's also been very significant and the other big thing that we discovered from our documents - which is the whole issue of lobbying.

Now ALEC says it doesn't zero lobbying. And it says that literally because with the IRS, with the tax man in America, it has to disclose how much lobbying it does because that affects its charitable status. And year by year, in its tax returns, ALEC has said it does their own lobbying.

What we learned in our documents is that ALEC is now planning to set up a side organization called "The Jeffersonian Project," which would have a slightly different charity status. It would be a 501(c)4, rather than a 501(c)3 - which it would allow ALEC, going forward, to do more overt lobbying. And I think that opens a window into a huge area of public life in America that has not been given much discussion, or thought or critical thinking, and that is the area of lobbying beyond the actual election process.

Most of the focus in America at the moment is on big money going into actual election campaigns. You know, we think of Karl Rove and American Crossroads and groups like that. Apparently, $300 million was spent in the 2012 election cycle by corporations and other sort of interest groups on funding the election process. So, you know, there's good reason for focusing in on that. But what people then don't think about is the lobbying that happens at the next stage which is, you know, arguably actually more important, and that is what do those elected politicians do when, you know, given power by the voters to go to the state legislature, put bills in front of their colleagues, vote on them, and actually change the lives of individuals through these laws which really do change people's lives, whether your pension and you find your pension has been reduced or, you know, the minimum wage is not going up. It really changes lives. And yet people aren't really talking about the lobbying that happens at that stage.

DAVIES: Ed Pilkington is the chief correspondent for the Guardian, U.S., the American website edition of the British newspaper The Guardian. He'll be back in the second half of the show. I'm Dave Davies and this is FRESH AIR.

(SOUNDBITE OF MUSIC)

DAVIES: This is FRESH AIR. I'm Dave Davies in for Terry Gross.

We're listening to Terry's interview recorded yesterday with Ed Pilkington, the chief correspondent for the Guardian, U.S., about leaked documents that reveal new information about the group ALEC, the American Legislative Exchange Council. ALEC brings together corporate representatives and state lawmakers who develop model bills, usually conservative ones, with the hope of getting them passed in state legislatures.

GROSS: What's in it for a state legislator to be part of ALEC - to be a member of ALEC.

PILKINGTON: Well, I think you have to sort of put yourself in the mind of some of these state legislators. They're, you know, they're often very poorly funded, even poorly paid. I mean in Texas the base salary of a state legislator is $7,000 a year. Though often have very small staff and few resources to help them do the business of being an elected politician. Which can include, you know you, it's really difficult to actually draft legislation because you haven't got the legal advice, you haven't got the staff to produce it, you haven't got even staff to research the subject. You know, if ALEC comes along and says well, here's a model bill for you. It's all written for you. It's all been way we searched. You can just take it and put it in front of your group of politicians in your state, then that's quite attractive. And a slightly darker side perhaps, is the attraction of being taken to one of these three times a year meetings. Sometimes your air travel is paid for you by ALEC. And then you get into a room and you meet some of the biggest and most sort of influential and iconic companies in the U.S. And that must be a sort of appealing just in itself. What we don't know is whether that then later down the line in any way - and it may not, but we just don't know - sort of filter through to financial help for politicians when they come to say, stand for reelection in their states. And it's possible perhaps that having made those initial contacts in the ALEC room that they can keep in touch with the companies and benefit from that.

GROSS: ALEC sponsored at least 77 energy bills in 34 states last year. What are some of the things you learned through the leaked documents about what kind of energy-related bills ALEC is sponsoring?

PILKINGTON: Yes. Well, the most, sort of, grabbed me was this idea relating to solar panels. My colleague, Suzanne Goldenberg, partially based on the documents we obtained, found out that ALEC was very keen to try make it more difficult for people to put solar panels on their roofs. Now if you're an American lucky enough to live in an area with a lot of sunlight, you can put solar panels on your roofs, which on one hand increases your own income, because you can sell the energy to the energy companies, and it also allows you to do your bit to try and help the planet, so it can make you feel good as well is there a little bit of extra money.

If you think of some of the backers that ALEC has, among them are the really giant energy companies in America, including Exxon Mobile, Koch Industries owned by the Koch Brothers, and they're largely carbon related companies - the coal, oil, they're involved in fracking. So there came to me sure that renewable energy sources are kept in their place because there is a direct economic competition with them. So what ALEC is talking about with solar panels is to charge individual homeowners extra fees for offloading their energy from the sun into the system. They're calling those homeowners free riders because they don't pay very many fees to keep the upkeep of the energy network. And in other areas, ALEC is thinking about ways in which they can hold back the Environmental Protection Agency. And there's also very keen to whittle down, or even eradicate regional deals between states. There is a big one in the Northeast of America involving nine different states, where state legislators have required energy suppliers to take a percentage of their energy from renewable sources. So it's a sort of multi-fronted attack. And you can see that right across the board - whether it's education or health care or workers rights and pensions. They have the same approach. The have ongoing, maybe four or five different attacks at any one time. And overall, they're putting forward maybe 130 model bills, different model bills to state legislators every year.

GROSS: What is the argument for charging, basically for charging fees to people who have installed solar panels on their roof, as opposed to granting incentives to encourage you to install solar panels?

PILKINGTON: Well, ALEC says that the cost of putting a network of energy transmission across the country runs into billions of dollars and therefore, homeowners should pay their way. I think other people might say, you know, if we are to encourage pollution free energy and to try and combat climate change, we need to do everything we can to incentivize people to come forward. And that by introducing impediments, you're going to make it much less likely that people will do it. The real critics of ALEC, they would say though that's the intention, that the intention is to stop renewable sources becoming a major competitor with some of the big member corporations of ALEC who are the carbon related energy companies.

GROSS: Now do some of the model bills that ALEC has been working on in the energy area related to limiting the Environmental Protection Agency's powers to regulate fracking?

PILKINGTON: Yes. Fracking has been another big area in which ALEC has been active for now several years. And they have, it's something like a 10th of their overall output is dedicated to fracking model bills. So it is a big real concern for them. They put a lot of energy into that area.

GROSS: If ALEC succeeded in limiting the EPA's ability to regulate fracking, then it would fall to like the states and there would be a lot of different regulations. Do you know if ALEC feels it would have more control over the state level, if the EPA's powers were limited, that ALEC would have more input into how much states control fracking?

PILKINGTON: Well, I think this is one of the dichotomies of the ALEC model. The reason they - we talked earlier about the desire to set up a site organization called The Jeffersonian Project. The reason they call it The Jeffersonian Project is because of Jefferson's belief in federalism. And federalism is one of the big key words of ALEC. They want states to have the priority share of control of politics in America, and they want federal government to be reined right back. And that's a genuine conservative view that they hold and adhere to. But there is a sort of dichotomy here because while wanting power to return to the state level, to the state legislature, they also want to have more central control over what their state legislature does - which is totally, you know, overt in their model because that's what they do, they produce model bills that are uniform. They're drafted the same. They're put in front of states politicians in exactly the same wording. And so, while wanting states to be handed back, say control from the EPA over energy policy, they then want ALEC to come in with the model bills and to sort of systematize and unitize what those states are doing.

GROSS: You published your stories about the leaked ALEC documents just before ALEC had a policy Summit. And that summit was held last week. Do you have any idea whether the results of that summit changed the story, in any way, that you've published?

PILKINGTON: No. We haven't heard anything. I mean it was interesting the exchange I had with ALEC, that they said, they said to me, we don't understand why you're publishing leaked documents. If you'd asked us for those documents we would've handed them to you. So I have now asked ALEC that question: Will they share with me the, sort of, paperwork that came out of last week's meeting question, and it will be interesting to see how they respond to that. But, no. We don't really know. All one can assume, I think, is that it's kind of business as usual. Although they're suffering from this funding hole, they are moving forward. They're still hundreds of state legislators attend their thrice yearly meetings. Still, many of the biggest companies in America are still on their books. They include Glaxo Smith Kline, Pfizer, from the pharma area, Altria, the tobacco giant, AT&T from telecom - are still members. So, you know, it would be wrong to give the impression that ALEC is moribund or is on its last gasp. That's not true at all, it's still very active and still extremely influential, which is why I think it's still worth having this discussion.

GROSS: What are some of the questions you would now like answered about ALEC?

PILKINGTON: Well, I'd really like to hear the conversation in that room. I mean one can sort of enter into it in one's head.

GROSS: In the room where corporate members and state legislators get together and discuss model legislation, that room?

PILKINGTON: Precisely. I mean we've managed to piece together little snippets of what happens in there. You know, we know that there are these PowerPoint presentations by the companies, and that they then move to vote - legislators first and then the companies move to vote. But you sort of want to know that the whole tenor of the discussion because that's what it's all about. It's a formalization of companies having sway over the political process. And we may come out of that meeting, if we're ever allowed into one and say wow, this is fine, you know, it's just a discussion. It's just a grown up adult discussion about what should be done over energy policy, or health care, or education. Or you might come out thinking this is kind of odd. It's why are companies dictating what elected politicians do. And one of the documents we found, what we obtained, was a draft agreement which ALEC was putting forward to their state chairs. Now the state chairs are very senior state legislators, overwhelmingly Republican, and they're asked to sort of look after the ALEC business in their state. And the draft agreement, which I should point out ALEC said was not adopted, but it had been proposed. One of the lines said that the state chair would agree to put the interests of the organization first. So just sort of think about that phrase, the interest of the organization first, it means an elected politician is being asked to put the interest of a third party before the interests of the people who elected them.

GROSS: And the third party is a party with a large corporate vote to it.

PILKINGTON: With large corporate backers. Now in America, the idea of big companies giving a lot of money to politicians is not, you know, it's not the first time we've heard this. But it is - I think it's that vote that counts here. You know, they give the money, then they get a vote. And that is, I think, the significance of what ALEC does.

GROSS: Ed Pilkington, thank you so much for talking with us.

PILKINGTON: It was a pleasure. Thank you.

DAVIES: Ed Pilkington is the chief correspondent for The Guardian, U.S. you can find a link to the leaked documents described in his interview at our website FRESH AIR.npr.org.

Coming up, Ed Ward on a new boxed set retrospective of The Beach Boys. This is FRESH AIR.

(SOUNDBITE OF MUSIC)

DAVE DAVIES, HOST:In 2012, The Beach boys became another rock group celebrating its 50th anniversary. This year, they released "Made in California," an eight hour six disc retrospective of their career.

Rock historian Ed Ward has a review.

(SOUNDBITE OF SONG, "CATCH A WAVE")

THE BEACH BOYS: (Singing) Catch a wave and you're sitting on top of the world. Don't be afraid to try the greatest sport around. Catch a wave. Catch a wave. Everybody tries it once. Those who don't just have to put it down. You paddle out turn around and raise. And baby that's all there is to the coastline craze. You gotta catch a wave and you're sittin' on top of the world.

(Singing) Not just a fad...

ED WARD, BYLINE: The early Beach Boy story is pretty well known: The three Wilson brothers - Brian, Carl and Dennis - were music-crazy, and lived near the Pacific in Hawthorne, California. Dennis loved surfing, and egged on by their father Murry, a failed musician, they made a record in 1962 with one of their cousins, Mike Love, and a friend, Al Jardine.

(SOUNDBITE OF SONG, "SURFIN'")

BOYS: (Singing) Bom bom dip di dit, surfing, surfing. Bom bom dip di dit, surfing, surfing. Bom bom dip di dit, surfing, surfing. Bom bom dip di dit, surfing, surfing. Bom bom dip di dit, surfing, surfing. Bom bom dip di dit, surfing, surfing.

(Singing) Surfing is the only life. The only way for me. Now surf, surf with me Bom bom dip di dit. Bom bom dip di dit. Surfing...

WARD: "Surfin'", heard here on home taped rehearsal, was released on a local label, and then with Murry's help, the boys got a contract with Capitol Records in Hollywood, which had ultra-modern recording facilities, and great studio musicians who could be called in to augment The Beach Boys' modest instrumental skills. Their musical skills, honed by Brian, became incredible.

(SOUNDBITE OF SONG, "THE LONELY SEA")

BOYS: (Singing) The lonely sea, the lonely sea. It never stops for you or me. It moves along from day after day. That's why, my love, that's why my love you cannot stay...

WARD: The "Lonely Sea" isn't an outtake from their 1966 masterpiece "Pet Sounds." It's a track from 1963's "Surfing U.S.A." album and just gets better as it goes along. The Beach Boys took everyone by surprise. They didn't fade away with the surf craze. Brian had his finger on the teenage pulse and they also celebrated motorcycles, girls, cars, girls, school, and dancing...with girls.

It was hard to go wrong, especially with the group's vocals and Brian's writing and arranging skills. Between 1962 and 1965, they charted 22 singles, nine of which hit the Top Ten and two of which topped the charts. They started 1966 with a stumble, an odd song called "She's Not the Little Girl I Once Knew" which hid an ambiguous story behind an upbeat melody.

But they quickly went back to the top with an arrangement of an old calypso tune.

(SOUNDBITE OF SONG, "SLOOP JOHN B")

BOYS: (singing) We come on the sloop, John B. My grandfather and me. Around Nassau town we did roam. Drinking all night. Got into a fight. Well, I feel so broke up I want to go home. So hoist up the John B's sail. See how the mainsail sets. Call for the captain ashore. Let me go home. Let me go home. I want to go home. Yeah, yeah. Well, I feel so broke up I want to go home.

WARD: Brian had left the touring group in 1965 and had been hard at work at an album that was like nothing anyone had ever made before, let alone a surf band. When Paul McCartney heard "Pet Sounds" he realized how much the ante had been raised and went back to London to start making "Sgt. Pepper." By the time "Pet Sounds" was finally mixed to Brian's satisfaction and released, though, he'd already started on his next album, "Smile."

It was his undoing - a number of acrimonious conflicts within the band, an album unfinished, and Brian retreating to his house where the word got that he'd suffered a nervous breakdown. Eventually, an album called "Smiley Smile" emerged with a hit on it, "Good Vibrations," recorded before "Pet Sounds" had even been finished. Brian continued to contribute to the band but their next album, "Friends," in 1968 was uneven.

Fortunately, Dennis and Carl were slowly coming up with some good material.

(SOUNDBITE OF SONG, "SLIP ON THROUGH")

BOYS: (singing) Lots of people with no place to go. I know a place where you can go. You've got the ticket. Come on, slip inside and let my song take you for a ride. Baby, baby, baby. Come on. Won't you let me be by your side for now and eternity? 'Cause I love you. Baby, I do now. Can't you see what has come over me? Oh, my life is growing like a big oak tree.

(singing) 'Cause I love you. Baby, I do now. Can't you see?

WARD: Dennis' "Slip on Through" comes from the 1970 album "Sunflower" and at least integrates some contemporary flavor to the Beach Boys' formula. But with very few exceptions, the 1970s were creatively a disaster as the band swung from hippie-ish meanderings to painfully crafted songs of nostalgia. Their only Top Ten record in the whole decade was a version of Chuck Berry's "Rock n' Roll Music."

Brian's well publicized problems eventually receded and yet although the Beach Boys had made the leap from a fad to a vehicle for serious work, neither Brian nor anyone else - Dennis died in a swimming accident in 193 and Carl died of cancer in 1988 - could turn them into anything but a nostalgia act which, sad to say, is pretty much what they became.

DAVIES: Rock historian Ed Ward reviewed "Made in California," the career retrospective box set from the Beach Boys.

(SOUNDBITE OF SONG "THAT'S WHY GOD MADE THE RADIO")

BOYS: (singing) Tuning in the latest star from the dashboard of my car. Cruising at seven, push button heaven, capturing memories from afar in my car. That's why God made the radio. That's why god made - so tune right in everywhere you go. He waved his hand, gave us rock n' roll, the soundtrack of falling in love. Whoa. Falling in love. Whoa. Falling in - that's why God made the radio.

DAVIES: Coming up, John Powers reviews the latest in a Danish mystery series. This is FRESH AIR.

(SOUNDBITE OF MUSIC)

DAVE DAVIES, HOST:Scandinavia has some of the world's lowest crime rates and, our critic-at-large John Powers says, some of the highest rates of great crime writers. The Danish writing team of Lene Kaaberbol and Agnete Friis launched a series about a driven Red Cross nurse named Nina Borg with their bestseller "The Boy in the Suitcase." John says their latest book, "Death of a Nightingale," is a blend of the exciting and the dead serious.

JOHN POWERS, BYLINE: There's an unforgettable moment in the diary of the great Polish writer Witold Gombrowicz. He's on the beach and he spots a beetle that's been blown on its back by the wind and now lies there helplessly, legs wiggling, unable to right itself. Gombrowicz saves it by turning it over. He sees another upside-down beetle, and turns it over. Then, another. Looking along the sand, he realizes that there are so many beetles he can't possibly save them all. Eventually, he gives up trying.

Most of us would do the same. But not everyone is capable of stopping. One such woman is Nina Borg, the Red Cross nurse who's the heroine of a series of mysteries by the Danish team of Lene Kaaberbol and Agnete Friis. First introduced in the bestselling book "The Boy in the Suitcase," Nina is so obsessed with helping the vulnerable that she joins the sisterhood of run-amok heroines like "Homeland's" Carrie Mathison and "The Girl with the Dragon Tattoo."

Nina doesn't just have a bee in her bonnet - she has a whole hive. And it's buzzing away in her latest adventure, "Death of a Nightingale," an elaborately plotted page-turner that flits from today's liberal-minded Denmark and mobbed-up Ukraine to the starvation-racked Soviet Union of the Stalinist '30s. At its center is Natasha Doroshenko.

She's a Ukrainian emigre who Nina first met a few years earlier when, fleeing a sexually abusive Danish fiance, Natasha took refuge at the Red Cross crisis center where Nina works. Since then, Natasha has been imprisoned for trying to murder her fiance, but as this novel begins, she escapes from custody. When her fiance is found murdered a few hours later, the cops think she's gone back and finished the job.

But Nina doesn't believe Natasha's a killer. Nor does she want Natasha's young daughter, Rina, to be either grabbed by her fugitive mom or used as a pawn by the police. Taking charge of Rina, she tries to find out what led Natasha to suddenly snap and flee the authorities. What Nina doesn't know - but Natasha knows all too well - is that the cops aren't the only ones after Natasha.

She's also being pursued by Ukrainian agents and by a mysterious, deeply sinister old woman she thinks of simply as The Witch. Now, if you read much Scandinavian crime fiction you know that - compared to the American, British or Italian models - they're steeped in social conscience. This is strikingly true of the Nina Borg novels.

For starters, all three books are haunted by the westward Diaspora of Eastern Bloc people in the wake of Soviet communism's collapse, a wake so violently messy that its ripples are felt in Western Europe. These ripples are felt first by those like Nina, whose vocation puts her in daily contact with Lithuanians, Hungarians and Ukrainians fleeing their past and seeking a new life in Copenhagen.

At the same time, Kaaberbol and Friis take the migration theme in a fresh, feminist-inflected direction. They don't revel in the usual stereotypes - you know, vulgar Russian gangsters with diamond-studded teeth or tragic, long-legged prostitutes. Instead, books like "Death of a Nightingale" focus on the most powerless, and thus the most endangered, of migrant newcomers: women and, especially, children.

Working with victims, not criminals, Nina encounters kids threatened with all manner of ghastliness and the desperate mothers who'll do anything to save them. We understand why Nina's driven to get involved. Yet her boundless sympathy with the dispossessed, born of childhood trauma, also makes her a real pain.

She's both heroic and frustrating, the kind of person who judges other people for not caring enough - even as she forgets to care about her own family. She routinely fails in simple maternal duties, like picking up the kids from school, because she's so busy helping somebody else's children. She's on a, quote, "one-woman crusade to save the world," complains her estranged husband, Morten, a crusade that sucks their own children into what he calls her personal war zone.

Still, even as Nina knows that she goes too far - often putting herself in harm's way - she can't rein herself in. And as "Death of a Nightingale" makes clear, the world of Red Cross work doesn't help her out. Like Gombrowicz on the beach, she keeps coming across suffering beings who need to be rescued. But unlike him, she keeps on rescuing. For Nina, compassion fatigue isn't a real syndrome. It's merely an excuse.

DAVIES: John Powers is film critic for Vogue and Vogue.com. You can download podcasts of our show at fresh.npr.org. Follow us on Twitter at nprfreshair and on Tumblr at nprfreshair.tumblr.com.

Transcripts are created on a rush deadline, and accuracy and availability may vary. This text may not be in its final form and may be updated or revised in the future. Please be aware that the authoritative record of Fresh Air interviews and reviews are the audio recordings of each segment.

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