Terry Gross

Film critic Stephen Schiff says that director Paul Verhoeven's first American film, about a murdered police officer who is turned into a cybernetic law enforcement officer, might be the best action flick since The Terminator.

Singer, writer, and translator Susannah McCorkle performs selections from the Great American Songbook with pianist Ben Aronov and bassist Chip Jackson. She discovered much of that music while living in Europe, watching American films.

Luis Valdez grew up in a migrant worker family; he later wrote plays about Mexican Americans and worked as a labor activist in the 1960s. His new movie, La Bamba, opens soon.

Unlike most professional dancers, Paul Taylor didn't pursue the craft until he was 22. After a celebrated career under the tutelage of Martha Graham, he became a choreographer. His new autobiography, Private Domain, details his experiences.

Former diplomat and journalist William Attwood has a new book about the Cold War, called The Twilight Struggle. Reflecting on the history of McCarthyism, relations with communist countries, and undercover operations, he believes the Cold War's end is in sight.

Brothers Luis and Daniel Valens' collaborated on a biopic of the late singer's life, called La Bamba. They discuss how they tracked down Valens' family to learn more about his early life.

Feminist activist and writer Liz Carpenter and her husband started their own news organization. Later, she worked in President Johnson's administration as a speechwriter and first lady Lady Bird Johnson's press secretary. Her memoir, about aging and widowhood, is called Getting Better all the Time.

Art photographer Tony Mendoza describes his newest book, Stories, as a photographic autobiography.

Ralph Allen says that burlesque theater started off at the turn of the century as a comedy revue; it wasn't until the 1930s that the tradition took on its more erotic elements. Allen cowrote the play Sugar Babies, which has been produced worldwide.

Taking advantage of new recording technologies, Ellington's son Mercer leads his father's big band on a new CD. Jazz critic Francis Davis says the performances are excellent in their own right, but the album doesn't offer anything new or surprising.