Jazz

Performer-in-residence Dick Hyman talks about the late musician's approach to jazz. Hyman briefly studied with Wilson, who had a light touch and clarinet-like phrasing.

Tom Waits' music is changing, incorporating new styles like tango and Tin Pan Alley. He has a new performance film called Big Time, which features Waits singing different personas, and an album of the same name.

Bassist Milt Hinton pushed his instrument to new territories in jazz. He was also an avid photographer, who took pictures other noteworthy musicians during their tours across the country. His new memoir and photography collection is called Bass Lines. Jazz critic Kevin Whitehead says the book brings Hinton out of the shadows.

Jazz singer Sheila Jordan grew up in a Pennsylvania coal mining town. She says if she had never heard Charlie Parker, she would have become a country singer. She was recently laid off from her day job of 21 years; now she can perform full-time. Bassist Harvie Swartz joins her for an in-studio performance.

Performer-in-residence Dick Hyman demonstrates the techniques that defined Fats Waller's sound.

Jazz critic Kevin Whitehead has been thinking a lot about west coast jazz. Some easterners think the scene is tame and enervating, but Whitehead says the adventurous new album by Bert Wilson and his band Rebirth proves them wrong.

Fresh Air performer-in-residence Dick Hyman looks at the early jazz style, discusses some of its early practitioners, and plays some tunes in-studio.

Sidney Bechet broke new ground as a soloist early in jazz's history, paving the way for nearly every saxophonist who came after him -- from Charlie Parker to Steve Lacey. RCA has just reissued a collection of his recordings. Jazz critic Kevin Whitehead has this review.

Hyman performs and talks about the music of Erroll Garner. Hyman is a composer and arranger. He's worked on several Woody Allen films. He wrote the music for "Purple Rose of Cairo," and was music supervisor for "Radio Days."

A revival of Ain't Misbehavin', featuring the original cast, is now playing on Broadway. Critic-at-large Laurie Stone says she jumped at the chance to see it. Overacting and exaggerated choreography plagued the first act, but the cast showed restraint during the last half.

New Fresh Air performer-in-residence Dick Hyman plays some of the music of Jelly Roll Morton. Hyman says the pianist and composer bridged the gap between ragtime and jazz, incorporating the phrasing and style of wind and reed players.

Before his death, Benny Goodman gave Yale University five truckloads of his recordings, which are now being released on compact disc. Jazz critic Kevin Whitehead reviews the first volume, which he says blends the facile in Goodman's music with the raw.

Pianist Curtis Clark, who moved to Amsterdam from the United States, assembled a quintet of diverse musicians of to record his new album, Letter to South Africa. Clark, jazz critic Kevin Whitehead says, is unique in how he treats radical ideas as normal.

Jack Towers worked for the Department of Agriculture before pursuing his new career as an audio engineer. He finds and restores classic and little-know jazz albums and concerts, including an upcoming collection of Dean Benedetti's recordings of Charlie Parker. Towers hopes advances in digital technology will make his sometimes tedious methods obsolete.

Jazz critic Kevin Whitehead reviews a reissue of Duke Ellington's Far East Suite, which some listeners have criticized for its unconventional ways of linking musical ideas. While Whitehead admits the piece has some low moments, he says the piece deserves more credit.

Jazz guitarist Marty Grosz returns to Fresh Air to sing songs about cities where he's lived.

Jazz critic Kevin Whitehead says Ornette Coleman's new album, Virgin Beauty, is the best and most accessible example yet of his harmolodic approach. The alto saxophonist is backed by his electric band Prime Time, which features the Grateful Dead's Jerry Garcia on several tracks.

Most people know Steve Turre as the pony-tailed trombonist in the Saturday Night Live band. His new album, Fire and Ice, pairs a jazz combo with a string section. Jazz critic Kevin Whitehead says the CD version -- with more tracks than the LP -- is the one to buy.

Jazz critic Kevin Whitehead says the group Five Elements isn't his favorite setting for saxophonist Steve Coleman, but Sine Die is their strongest work yet. Cassandra Wilson contributions are a real highlight; she contributes vocals to four songs.

The New Orleans-based, twenty-year-old pianist and singer started performing when he was five, and later studied with Ellis Marsalis. Connick says, as a younger musician, he has more to prove -- which fuels his drive to learn more.