Jazz

Jazz critic Kevin Whitehead says Ornette Coleman's new album, Virgin Beauty, is the best and most accessible example yet of his harmolodic approach. The alto saxophonist is backed by his electric band Prime Time, which features the Grateful Dead's Jerry Garcia on several tracks.

Most people know Steve Turre as the pony-tailed trombonist in the Saturday Night Live band. His new album, Fire and Ice, pairs a jazz combo with a string section. Jazz critic Kevin Whitehead says the CD version -- with more tracks than the LP -- is the one to buy.

Jazz critic Kevin Whitehead says the group Five Elements isn't his favorite setting for saxophonist Steve Coleman, but Sine Die is their strongest work yet. Cassandra Wilson contributions are a real highlight; she contributes vocals to four songs.

The New Orleans-based, twenty-year-old pianist and singer started performing when he was five, and later studied with Ellis Marsalis. Connick says, as a younger musician, he has more to prove -- which fuels his drive to learn more.

Jazz critic Kevin Whitehead says Betty Carter is one of the best vocalists working in the genre. Her new album, Look What I Got, showcases her interpretive and improvisatory gifts.

Jazz critic Kevin Whitehead reviews a new album featuring live sets from the 1960s by late pianist Earl Hines. Whitehead says some may find Hines's older style corny, but the album is as enjoyable as any record made this year.

Milt Hinton isn't just an in-demand bass player -- he's also an accomplished photographer who has taken thousands of pictures of jazz musicians. He joins guest host Marty Moss-Coane to talk about growing up in the south and, later, in Chicago--where Al Capone had an unexpected impact on his youth. Hinton's collection of his photos, Bass Lines, has just been published.

Jazz critic Kevin Whitehead reviews a new compilation of jazzed-up versions of Christmas classics.

Jazz critic Kevin Whitehead says Paul Motian's new album, Misterioso, keeps listeners off-balance with its quick shifts from the rhapsodic to the rambunctious.

Jazz Critic Kevin Whitehead reviews the Knitting Factory Festival in New York City.

Jazz Critic Kevin Whitehead reviews a new album by bassist Michael Bisio and his quartet.

Dave Van Ronk. He was part of the folk music scene that flourished in Greenwich Village in the 1960s. His musical interests have ranged from traditional folk styles and jug band music to blues and jazz. He is known as a talented guitarist and singer who helped bring the relevance of black music to white audiences both in the United States and abroad. He'll also perform in today's show.

Jazz Critic Kevin Whitehead reviews violinist Billy Bang's new album "Live at Carlos: 1," which is a club in New York City. Bang performs with his sextet, which includes bassist William Parker and drummer Zen Matsuura.

Jazz singer Sylvia Syms. During the 40s and 50s, she perfected her stage style and voice in New York's jazz clubs, including The Village Vanguard and The Latin Casino where she became friends and collaborators with Erol Garner, Billy Holiday and Frank Sinatra. She appeared on stage as well, originating the role of Bloody Mary in "South Pacific," and still sings the musical's centerpiece "Bali Hai" in her cabaret show. Syms teaches voice and song interpretation at Texas' Northwood Institute.

Jazz Critic Kevin Whitehead reviews "Brothers For Life, the new album by saxophonist Earl Turbinton. Like many New Orleans jazz musicians, Turbinton moves between work in jazz and rhythm and blues. He's worked with musicians as diverse as blues guitarist B.B.King and Joe Sawinul, the founder of the fusion band Weather Report.

Jazz Critic Kevin Whitehead reviews "Evening Star," the new album from guitarist Joshua Breakstone. Though Breakstone is 32 years old, his style is rooted in the 1940s.

Composer, arranger, conductor Gunther Schuller. One of the most ardent supporters of new music, Schuller is equally at home with the music of bebop and the big band era as he with the 12-tone classical composers. Schuller is the past head of the New England Conservatory of Music, where he founded the New England Conservatory's Ragtime Band. In the late 40s, when he first cultivated his eclectic approach to music, Schuller held jobs simultaneously with the Metropolitan Opera Orchestra and with Miles Davis' tuba band.

Singer Susannah McCorkle performs the last of her tributes to the composer Irving Berlin.

Singer Helen Merrill. Her latest album features arrangements by the late Gil Evans, with whom she first worked over 30 years ago. Merrill was one of the most acclaimed jazz stars of the 50s when she left America for Italy and then Japan.

Jazz Critic Kevin Whitehead profiles trombonist and composer Rod Levitt. Levitt, who wrote for marching bands and played in the pit at Radio City Music Hall, drew from every musical style available in the 50s.