Jazz

Pianist Curtis Clark, who moved to Amsterdam from the United States, assembled a quintet of diverse musicians of to record his new album, Letter to South Africa. Clark, jazz critic Kevin Whitehead says, is unique in how he treats radical ideas as normal.

Jack Towers worked for the Department of Agriculture before pursuing his new career as an audio engineer. He finds and restores classic and little-know jazz albums and concerts, including an upcoming collection of Dean Benedetti's recordings of Charlie Parker. Towers hopes advances in digital technology will make his sometimes tedious methods obsolete.

Jazz critic Kevin Whitehead reviews a reissue of Duke Ellington's Far East Suite, which some listeners have criticized for its unconventional ways of linking musical ideas. While Whitehead admits the piece has some low moments, he says the piece deserves more credit.

Jazz guitarist Marty Grosz returns to Fresh Air to sing songs about cities where he's lived.

Jazz critic Kevin Whitehead says Ornette Coleman's new album, Virgin Beauty, is the best and most accessible example yet of his harmolodic approach. The alto saxophonist is backed by his electric band Prime Time, which features the Grateful Dead's Jerry Garcia on several tracks.

Most people know Steve Turre as the pony-tailed trombonist in the Saturday Night Live band. His new album, Fire and Ice, pairs a jazz combo with a string section. Jazz critic Kevin Whitehead says the CD version -- with more tracks than the LP -- is the one to buy.

Jazz critic Kevin Whitehead says the group Five Elements isn't his favorite setting for saxophonist Steve Coleman, but Sine Die is their strongest work yet. Cassandra Wilson contributions are a real highlight; she contributes vocals to four songs.

The New Orleans-based, twenty-year-old pianist and singer started performing when he was five, and later studied with Ellis Marsalis. Connick says, as a younger musician, he has more to prove -- which fuels his drive to learn more.

Jazz critic Kevin Whitehead says Betty Carter is one of the best vocalists working in the genre. Her new album, Look What I Got, showcases her interpretive and improvisatory gifts.

Jazz critic Kevin Whitehead reviews a new album featuring live sets from the 1960s by late pianist Earl Hines. Whitehead says some may find Hines's older style corny, but the album is as enjoyable as any record made this year.

Milt Hinton isn't just an in-demand bass player -- he's also an accomplished photographer who has taken thousands of pictures of jazz musicians. He joins guest host Marty Moss-Coane to talk about growing up in the south and, later, in Chicago--where Al Capone had an unexpected impact on his youth. Hinton's collection of his photos, Bass Lines, has just been published.

Jazz critic Kevin Whitehead reviews a new compilation of jazzed-up versions of Christmas classics.

Jazz critic Kevin Whitehead says Paul Motian's new album, Misterioso, keeps listeners off-balance with its quick shifts from the rhapsodic to the rambunctious.

Jazz Critic Kevin Whitehead reviews the Knitting Factory Festival in New York City.

Jazz Critic Kevin Whitehead reviews a new album by bassist Michael Bisio and his quartet.

Dave Van Ronk. He was part of the folk music scene that flourished in Greenwich Village in the 1960s. His musical interests have ranged from traditional folk styles and jug band music to blues and jazz. He is known as a talented guitarist and singer who helped bring the relevance of black music to white audiences both in the United States and abroad. He'll also perform in today's show.

Jazz Critic Kevin Whitehead reviews violinist Billy Bang's new album "Live at Carlos: 1," which is a club in New York City. Bang performs with his sextet, which includes bassist William Parker and drummer Zen Matsuura.

Jazz singer Sylvia Syms. During the 40s and 50s, she perfected her stage style and voice in New York's jazz clubs, including The Village Vanguard and The Latin Casino where she became friends and collaborators with Erol Garner, Billy Holiday and Frank Sinatra. She appeared on stage as well, originating the role of Bloody Mary in "South Pacific," and still sings the musical's centerpiece "Bali Hai" in her cabaret show. Syms teaches voice and song interpretation at Texas' Northwood Institute.

Jazz Critic Kevin Whitehead reviews "Brothers For Life, the new album by saxophonist Earl Turbinton. Like many New Orleans jazz musicians, Turbinton moves between work in jazz and rhythm and blues. He's worked with musicians as diverse as blues guitarist B.B.King and Joe Sawinul, the founder of the fusion band Weather Report.

Jazz Critic Kevin Whitehead reviews "Evening Star," the new album from guitarist Joshua Breakstone. Though Breakstone is 32 years old, his style is rooted in the 1940s.