Blues

Tex-Mex rocker Doug Sahm. For many, he's still best known for his stint with the Sir Douglas Quintet, a group of Texans and Mexicans who were packaged to look like a British Invasion band. The group sported regal coats and fakey British accents and cranked out hits like "Mendocino" and "She'a About a Mover." Sahm has been playing a variety of styles ever since, including Tex-Mex, blues, rhythm and blues, rock. Sahm is now touring with Antone's Texas R&B Revue, and has just released a new album, titled Juke Box Music.

Grammy Award-winning blues singer John Hammond performs two songs by blues musician Robert Johnson in Fresh Air's weekly performance segment. Hammond has performed for nearly twenty years, and in that time his style has evolved from straight-forward, rural blues to a harder-edged, urban style.

Blues musician John Hammond returns in Fresh Air's weekly performance segment with a demonstration of his slide guitar style. He plays songs by Son House and Big Bill Broonzey.

Grammy Award-winning blues singer John Hammond performs two songs in Fresh Air's weekly performance segment. Hammond has performed for nearly twenty years, and in that time his style has evolved from straight-forward, rural blues to a harder-edged, urban style of blues. He is the son of music impresario John Hammond Sr. who helped launched and nurture the careers of Bob Dylan, Benny Goodman and Billie Holiday.

Rock historian Ed Ward profiles Bobby "Blue" Bland, a blues performer who began as B.B. King's personal valet in the early 50s and who still performs today. His best-known hits include "I Pity the Fool," "Touch of the Blues," and his rendition of "Stormy Monday." Bland achieved his greatest success in the late 50s when he was teamed trumpeter and arranger Joe Scott.

A live concert with songwriter and pianist Charles Brown. Brown is credited with creating an expressive style of blues that blended rough Texas blues with the soft glamour of Hollywood. Between 1946 and 1952, Brown recorded 20 hits, nine on his own, the rest as part of Johnny Moore's Blazers. He is featured in a new PBS documentary on the history of rhythm and blues.

Rock historian Ed Ward says that bands like the Rolling Stones helped popularize the distinctly African American genre. Interest in blues led more musicians to picking up the electric guitar, including Jimi Hendrix and Eric Clapton, who would take rock music in a new direction.

The blues and rock guitar player's career was put on hold when he was arrested and imprisoned for charges that may have been racially motivated. Rock historian Ed Ward reflects on some of Berry's post-prison work, which never matched his earlier success.

Raitt's album "Nick of Time," features an eclectic mix of blues, rock, folk, and ballads. She talks about how her musical career has affected her personal life as a woman.

Jazz critic Kevin Whitehead says the blues singer's reissued album of Bessie Smith songs is a winner. Recent attempts of contemporary pop singers to cover the work of classic artists can't compare to recordings of Baker's era.

Johnny Otis, who was born to Greek parents, claimed he became black by immersing himself in African American communities and culture. He later opened a blues club in Los Angeles, and helped promote new talent in the scene. Rock historian Ed Ward tells his story.

After weeks of playing the music that has influenced him over the years, performer-in-residence Malcom Rebennack sings some of his own songs.

Fresh Air performer-in-residence, born Malcom Rebennack, plays some of the blues songs that influenced his own music.

Eddie Jones, who later performed as Guitar Slim, was an early pioneer of rock and blues guitar. He died in 1959. Rock historian Ed Ward says that, had Slim lived, he could have outshone Jimi Hendrix.

Arnold Rampersad's biography of the African American poet has been called "a literary event." Despite dedicating his writing to the black experience, Hughes grew up in a largely white community. His more radical work didn't find much of an audience, which led to him adopting a more social-realist style later in his career.

Despite recording throwaway pop and calypso songs, Dinah Washington called herself a jazz singer. Critic Kevin Whitehead reviews the third volume of Washington's posthumous greatest hits collection, which features several of her collaborations with jazz musicians.

Rock critic Ken Tucker reviews new albums by Etta James, Willie Dixon and Toots. Tucker says it's refreshing that each of these artists continues to record and perform, even after their popularity has peaked.

Rock historian Ed Ward profiles the late guitarist, whom he knew personally. Bloomfield grew up a rich kid in Chicago, and later started one of the city's first integrated blues bands. He's notable for updating the genre by linking it to folk traditions.

Rufus Thomas was a Memphis-based disc jockey who helped promote black music throughout the south. He also became a recording artist and producer who wrote dozens of dance hits. Rock historian Ed Ward has this profile.

To help fund the Smithsonian's purchase of the Folkways Records collection, a number of artists are raising money with an album of Woody Guthrie and Leadbelly covers. Rock critic Ken Tucker says Bruce Springsteen and Brian Wilson give standout performances.