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03:59

Sun Ra, Known for Novelty, Was No Novelty Act

Legendary musician and band-leader Sun Ra died Sunday at the age 79; we pay tribute to his otherworldly brand of jazz with an excerpt from a concert he performed six years ago in Philadelphia

Commentary
16:10

Remembering Composer John Cage

Cage died yesterday at the age of 79. The New York Times wrote that Cage "started a revolution by proposing that composers could jettison the musical language that had evolved over the last seven centuries, and in doing so he opened the door to Minimalism, performance art and virtually every other branch of the musical avant-garde." His compositions include spoken texts, radios, toys and the sounds of vegetables being chopped. In honor of his passing, we present highlights of his 1982 interview with Terry Gross.

Obituary
07:56

Mixed Feelings about "New Music America," 1989.

Jazz critic Kevin Whitehead reviews the annual New Music America festival just completed in New York and sponsored by the Brooklyn Academy of Music and corporate donations. Whitehead questions the value of the 10 year-old festival.

Review
11:19

Jazz Legend Lester Bowie Interprets Rhythm and Blues.

Jazz trumpeter Lester Bowie. Bowie is considered one of the most original trumpeters in jazz, and a master of horn effects. Bowie started out playing with Saint Louis R&B bands. In 1969, he helped found the Art Ensemble of Chicago as an outlet for more eclectic and avant-garde jazz. Bowie also heads his own band, Lester Bowie's Brass Fantasy. They have a new album, called "Serious Fun."

Interview
06:56

Laurie Anderson and Janet Jackson.

Rock critic Ken Tucker review the new albums from Janet Jackson and Laurie Anderson. Ken says the two performers are seemingly miles apart...Jackson's the sister of Michael Jackson and her albums are huge urban contemporary hits, and Anderson's a product of the New York performance scene...but there is common ground. Both albums (Jackson's is called "Rhythm Nation 1814" and Anderson's is titled "Strange Angels") have unifying themes and draw heavily on the latest technology.

Review
06:58

Experimental Jazz Saxophonist Anthony Braxton.

Jazz critic Kevin Whitehead reviews two new albums by composer, saxophonist and clarinetist Anthony Braxton. Although Braxton's music has been much criticized, Kevin calls him one of his heroes. Braxton's new albums are "19 Solo Compositions 1988" and "Seven Compositions (Trio) 1989."

Review
06:20

Forget Disco and Consider the 70s Avant-Garde

Rock historian Ed Ward says that the 1970s were a wasteland for rock music. But two notable, experimental bands emerged from the era. The Residents' music was bizarre and hollow sounding, while Pere Ubu sought to bring an experimental edge to rock and roll.

Commentary
09:59

A Soloist Provides His Own Accompaniment

Part 2 of the Fresh Air interview with composer Steve Reich. He talks about a new compostion called Electric Counterpoint, written for guitarist Pat Metheney. Metheny pre-recorded ten tracks, then performed the solo part live.

Interview
09:58

Steve Reich's New "Documentary Music"

The minimalist composer's new piece, Different Trains, contrasts Reich's childhood experiences crossing the country by rail to visit his divorced parents with the memories of Holocaust survivors' journey to concentration camps. The music incorporates recordings of several interviews into the orchestration.

Interview
09:46

New Age Music for Heavy Metal Fans

Rhys Chatham is a classically-trained, minimalist composer who incorporates rock influences into his music. He joins Fresh Air to talk about his choice of instrumentation, and the evolution of his work over the years.

Interview
09:31

Composer Terry Riley Remembers "In C"

Riley's breakthrough composition reduced melody to short, repetitive gestures, while still leaving room for improvisation. While hailed as the father of minimalist music, Riiey eschews the term. He is largely inspired by Indian raga, and performs often as an improvisor.

Interview
06:28

Captain Beefheart's Legacy

Don Glen Vilet is a painter who recorded experimental, blues-inflected music under under the name Captain Beefheart. Rock historian Ed Ward says that, while Beefheart was never a commercial success, his influence can be heard in everything from pop to heavy metal.

Commentary
06:56

"Humanizing the Machinery."

Jazz Critic Kevin Whitehead reviews the album "Nine Below Zero," by the trio of pianist Wayne Horvitz, cornettist Butch Morris and drummer Bobby Previte. Kevin says the album is one of the more successful attempts to humanize the new electronic instruments like synthesizers, drum machines and rhythm boxes.

Review
10:03

Guy Klucevsek Stops By With His Accordion for an Interview.

Avant-garde accordionist and composer Guy Klucevsek. Klucevsek grew up in western Pennsylvania, where polkas were a poplar musical form. Klucevsek has since developed an alternative polka style, best exemplified in his work on `"Polka From the Fringe," 23 three-minute polkas composed by a variety of experimental artists.

Interview
07:10

Philip Glass's Colorful Opera "Akhnaten."

Classical music critic Lloyd Schwartz reviews the new recording of Philip Glass's opera, "Akhnaten". The performance features Paul Esswood in the title role, and Dennis Russell Davies conducting the Stuttgart State Opera and chorus.

Review

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