Theater

Critic-at-large Laurie Stone reviews the actor and playwright's latest performance piece, about growing up and a teenage stint in a juvenile home.

Conductor John McGlinn says that his decision to bring back the controversial language of Jerome Kern's classic musical posed some challenges, but was necessary to recapture the poignant and insightful nature of the work. McGlinn's efforts can be heard on a new CD on the EMI label.

Harnick collaborated with composer Jerry Bock on hit musicals like Fiorello! and Fiddler on the Roof. One of their earlier works, She Loves Me, has found newfound success; the original cast album has just been reissued on CD.

Sondheim briefly wrote for the television show Topper before becoming the lyricist for the Broadway hits West Side Story and Gypsy. A trained composer, he later began writing his own musicals which, Sondheim says, continued in the Rogers and Hammerstein tradition. They include Sweeney Todd, A Funny Thing Happened on the Way to the Forum, and Into the Woods.

Korder's play, about a television journalist, is being adapted into a TV movie for HBO. He talks about his frustration with the static nature of television writing, and what it takes to craft great dialogue.

Classical music critic Lloyd Schwartz never saw She Loves Me on Broadway, but recently discovered the reissued original cast recording. He says the musical has the feel of classic operetta, and succeeds at everything it sets out to do.

Hwang's celebrated play dealt with Western ideas of women and Asian culture. His newest work is a musical about alien abductions called 1000 Airplanes on the Roof. Philip Glass composed the music.

A revival of Ain't Misbehavin', featuring the original cast, is now playing on Broadway. Critic-at-large Laurie Stone says she jumped at the chance to see it. Overacting and exaggerated choreography plagued the first act, but the cast showed restraint during the last half.

Critic-at-large Laurie Stone reviews this year's batch of theater festivals in western Massachusetts. She was especially taken by a production of Bertolt Brecht's Resistible Rise of Arturo Ui, which recasts Nazis as Chicago gangsters.

Now in her 80s, Frances Williams is still acting -- long after many of her peers have retired. She has a storied career in theater and film, and helped found nine theater companies. An advocate for meaningful roles for African Americans, she now costars in the television show Frank's Place.