Music

An album recording of the guitarist from 1959 captures the thrilling sound of Midwestern jazz.

A new album of original songs from the Golden Globe-nominated TV series about Music City reflects the tastes of the show's musical producer, T-Bone Burnett, as well as the vocal talents of stars Connie Britton and Hayden Panettiere.

The 1971 John Schlesinger film, recently released on Blu-ray, tells the story of a love triangle and makes moving use of a trio from the opera Cosi fan tutte as the film's musical theme.

Critic Milo Miles says that in this new collection of music from between the world wars, "the currents of long-ago lives come through: the drudgery of the work that demanded the release of the party, which then required the penance of prayer."

From the inescapable "Call Me Maybe" to Fiona Apple's intricate word puzzles to the strikingly gorgeous return of Iris DeMent, the Fresh Air critic counts down hiss favorite albums and musical moments of the year.

On her new album, the pop star tries to show she's not just in the business for the money. As critic Ken tucker says, "Like pop stars ranging from Madonna to Chuck Berry, Ke$ha wants it both ways: mass-audience access and artistic acknowledgement."

Thorn has recorded a holiday album, Tinsel and Lights, that critic Ken Tucker says might just work for warmer weather, as well. Tucker praises Thorn's voice as "bolstered by a firm intelligence," and says she avoids the fatty treacle that often weighs down Christmas albums.

A new 12-disc compilation traces the history of electric blues from its inauspicious start through its heyday in the 1950s and '60s. Critic Ed Ward says Plug It In! Turn It Up! does "a great job of illuminating one particular aspect of the blues."

Buddy Miller and Jim Lauderdale just released a new album of duets. Critic Ken Tucker says Buddy and Jim recalls an earlier era of country music. The pair's voices, Tucker says, connect through "shared emotion in a song."

Critic Lloyd Schwartz welcomes the opera star's new album, Mission, which breathes new life into the work of Italian composer Agostino Steffani. Bartoli, he says, has an astonishing capacity for vocal fireworks and warm, delicate lyricism.