Music

Rock Historian Ed Ward reviews a 9-CD reissue from the old soul label Stax, the Memphis label that brought us Otis Redding, Carla Thomas, Sam and Dave, and Booker T and the MG's.

World music commentator Milo Miles reviews music from Haiti by the group Boukman Eksperyans. ("Vodou Adjae", on the Mango label).

Classical Music critic Lloyd Schwartz reviews new CD reissues of original cast recordings of classic Broadway musicals, including Oklahoma, Carousel, and Annie Get Your Gun.

World Music commentator Milo Miles reviews the work of Senegalese singer Youssou N'Dour. Aside from his excellent music, Miles praises N'Dour's political consciousness and respect for women.

World music critic Milo Miles says Paul Simon's earlier album Graceland featured excellent South African sounds, but was politically tone deaf. His new album takes its inspiration from Latin America, and while not as strong as Graceland, still has some poetic beauty.

World music critic Milo Miles says the Brazilian style was seen as a mark of refinement for both Brazilian and American listeners. But it's this polish that can sometimes make the genre tiresome. Nonetheless, the new CD The Legendary Joao Gilberto is a worthwhile listen.

World music commentator Milo Miles turns to one of the newest countries in the world, Mozambique and discovers a local band called Eyuphuro. Their new CD, Mama Mosambiki is polished, with a skillful blend of acoustic and electric instruments, and a strong feminist message.

After a government decree that Indonesian musicians reject Western music and focus on local traditions, a new style emerged, called Jaipongan. It combines gamelan rhythms, a charismatic woman singer, and melancholy lyrics about jilted lovers. World music critic Milo Miles reviews two CDs featuring vocalist Euis Komariah.

Rock critic Ken Tucker reviews the music featured in Days of Thunder, The Adventures of Ford Fairlane, and Dick Tracy. Whatever you may think of the movies, each soundtrack album has at least a few gems.

Classical music critic Lloyd Schwartz says the one downside of the current crop of Broadway CDs is that few releases feature excellent singers. A reissue of the once-rare Mary Martin Sings, Richard Rodgers Plays is a noteworthy exception.