Film

Two new documentaries are making headlines. Gabriela Cowperthwaite's Blackfish centers on the whale that killed a trainer before an Orlando SeaWorld audience in 2010. The Act of Killing by human rights researcher Josh Oppenheimer, looks at the mass executions of communists in Indonesia in the 1960s.

David Edelstein reviews Fruitvale Station, a dramatization of the last day of a man shot by San Francisco transit police in the early morning hours of New Year's Day 2009.

Director Gore Verbinski and star Johnny Depp have turned in a busy, expensive take on the masked lawman of the Wild West. It's long, tone-deaf, and ultimately crushingly bad.

Director Kenneth Branagh has given us fresh Shakespeare and witty modern comedies of manners, and some years ago he turned to opera, with an adaptation of Mozart's classic set in World War I. It's finally available in the U.S., and critic Lloyd Schwartz says the results are disappointingly mixed.

Pedro Almodovar's ensemble comedy I'm So Excited is set on an airplane with mechanical problems. Neil Jordan's Byzantium centers on a pair of itinerant English vampires. The two films couldn't be more different, but the two filmmakers are very much in command of their craft.

A new film from Sofia Coppola, who made Lost in Translation and Marie Antoinette, is based on the real-life story of a group of Southern California teens who, in 2008 and 2009, began breaking into the homes of celebrities and stealing everything from designer clothing to watches and jewelry.

Sandwiched into Joss Whedon's busy schedule of TV series and big-screen features was an unexpected low-budget adaptation of Shakespeare's comedy Much Ado About Nothing -- shot in black and white. Film critic David Edelstein says it's a delight.

A new documentary directed by Morgan Neville profiles backup singers whose voices you know but whose names you probably don't: Lisa Fischer, Darlene Love, Judith Hill and Merry Clayton.

Seth Rogen and Evan Goldberg met as adolescents on the Vancouver bar mitzvah circuit -- and soon after began writing the script for what would become the movie Superbad. Their project This Is the End, is a disaster-movie spoof in which the Rapture hits home in Hollywood.

The East is a romantic activist outlaw fantasy in which Brit Marling plays an agent who poses as a radical activist to catch an eco-terrorist group. It's one of those melodramas in which someone on the morally wrong side has a spasm of conscience and maybe crosses over. Maybe.