Film

In Richard Linklater's third film about Jesse and Celine, the two have officially coupled up, but it's no fairy tale. The love is still there, but the daily grind is getting in the way of communication. Linklater, Ethan Hawke and Julie Delpy join Fresh Air's Terry Gross to talk about the new film.

Fresh Air's critic at large John Powers returns from the 2013 Cannes Film Festival with tales of the good, the bad, and the parties. He says Blue Is the Warmest Color was "the film of the festival" while Only God Forgives was the biggest disappointment.

The Truffaut borrowings are explicit in Noah Baumbach's Frances Ha, while Richard Linklater's Before Midnight takes its cues from Eric Rohmer's gentle but expansive talkfests. In both films, conversation is a centerpiece as characters navigate relationships.

The 12th film based on Gene Roddenberry's '60s sci-fi TV show is the second to star a new group of actors as Kirk, Spock and their crew. J.J. Abrams returns as director, and Sherlock star Benedict Cumberbatch plays the memorable villain.

In a striking documentary, Sarah Polley turns the camera on her own family. The director and actor, known for films such as Away from Her and The Sweet Hereafter, was teased growing up about not looking like her actor father. At 27, she discovered that it wasn't a joke.

In Frances Ha, a 27-year-old (Greta Gerwig) navigates New York City — and the transition from prolonged adolescence to proper adulthood. Gerwig and director Noah Baumbach co-wrote the script; they join Fresh Air's Terry Gross to talk about the project.

The movie is loud and obvious, but it's not a desecration of F. Scott Fitzgerald's 1925 masterpiece. Baz Luhrmann's interpretation of The Great Gatsby is more like a cartoony Broadway musical version of Gatsby in which no one, alas, sings.

The legendary Hollywood FX man died Tuesday at age 92. Known for creating the monsters in such films as Mighty Joe Young and Jason and the Argonauts, Harryhausen spoke with Fresh Air in 2003 about studying animals in nature to create the monsters of our imaginations.

In a talk he titled "Persistence of Vision: Reading the Language of Cinema," the famed director spoke passionately about the history of cinema and the films that stoked his love for the medium.

Director and co-writer Shane Black kicks Tony Stark, played by Robert Downey Jr., out of his comfort zone — a choice that has Stark functioning as a lone gumshoe, thinking like a garage mechanic and, when necessary, straight-up MacGyvering a fix.