Film

How do Hollywood studios make money? Journalist Edward Jay Epstein goes looking for answers in The Hollywood Economist, explaining the complicated relationship between distributors and studios — and revealing why the humble cup holder may be the greatest technological advancement in the history of Hollywood.

The star of Noah Baumbach's new film, Greenberg, initially wanted to be a serious actor -- and he's still got a thing for Vietnam War movies. Stiller talks to Terry Gross about how he got from that initial ambition to films like Meet the Parents and Zoolander.

The Oscar-nominated actress stars in the new Paul Greengrass thriller Green Zone as a journalist investigating the presence of weapons of mass destruction in Iraq. She has also played a port authority police officer in the HBO series The Wire and Michael Scott's girlfriend on The Office.

When Confidential magazine launched in 1952, it feasted on the type of juicy gossip that could launch -- or ruin -- a career. Journalist Henry Scott details the rise and fall of the gossip rag in his book, Shocking True Story -- and explains how Hollywood reacted.

Ewan McGregor has played a heroin addict in Trainspotting, a young Obi-Wan Kenobi in three Star Wars films, and a poet in Moulin Rouge. In his latest film, Roman Polanski's Ghost Writer, McGregor plays an unnamed writer uncovering a political scandal. He recounts his favorite acting roles — and how he prepared for them.

You might define the films of James Cameron by listing two characteristics: state-of-the-art special effects and huge box-office receipts. For starters,Titanic, The Terminator and Aliens all qualify on both counts. Now he adds Avatar to the list. He joins Fresh Air to discuss his complex special effects and innovative filming techniques.

Adam Shankman has one of the coolest, most stressful jobs around: He's producing the Oscars. The Hairspray director, who is also a judge on So You Think You Can Dance, joins Fresh Air to dish about seating arrangements and speeches.

Yesterday Colin Firth received a Best Actor nomination for his starring role in A Single Man, the Tom Ford adaptation of Christopher Isherwood's 1964 novel. Today Firth talks to Terry Gross about playing professor George Falconer, a gay professor navigating Southern California in 1962.

One of writer-director Mike Judge's favorite themes is American stupidity. His popular animated series Beavis and Butt-Head featured two brainless 15 year-olds obsessed with MTV. His 2007 film, Idiocracy, envisions a not-so-utopian American future in which evolution has bred the intelligence out of humanity. Judge's latest comedy, Extract, now out on DVD, revisits a second favorite subject — the American workplace. Where his cult classic Office Space pitted disgruntled office employees against their incompetent bosses, Extract focuses Judge's satirical eye on management.

Director Kathryn Bigelow and screenwriter Mark Boal join Fresh Air to talk about their film The Hurt Locker. Set in Baghdad, the movie follows the story of three men who are part of the Army's bomb unit, charged with the task of disarming IEDs and other roadside bombs.