African American issues

Television critic David Bianculli reviews Part 2 of "Eyes on the Prize," the award-winning documentary series on the civil rights movement in America. Part 2 picks up in 1964 where Part 1 left off.

Jazz critic Kevin Whitehead reviews clarinetist John Carter's new album, "Shadows on a Wall." The album concludes Carter's 5 album musical saga of the African-American experience. Kevin says the series doesn't recreate history, but it DOES reimagine it.

Photographer Bert Andrews. Since the early '50s, Andrews has been photographing the African-American theatre. There's now a collection of Andrews' photos, called "In The Shadow of the Great White Way: Images From the Black Theatre."

Rock historian Ed Ward reacquaints us with the music of Louis Jordan. In the late 1940's he was one of the highest-grossing black acts in the country.

Jazz composer/clarinetist John Carter. He has just completed a five part music series chronicling the black migration experience from Africa to America: "Roots and Folklore: Episodes in the Development of American Folk Music. The final program in the series, "Shadows on A Wall," premiered recently as part of the New Wave Festival at the Brooklyn Academy of Music. The festival celebrates performers working on the edge of classical, rock, and jazz styles. Carter's performances are also out on disc.

Rock historian Ed Ward profiles Leon Huff and Kenny Gamble, creators of the Philadelphia International label -- one of the great black pop record labels of the early '70's.

Writer Marita Golden. Her new novel, "Long Distance Life," examines half a century in the life of a black middle-class family in the other Washington, D.C., the one not filled with shiny buildings and corridors of power. Previously, Golden published a widely acclaimed memoir, "Migrations of the Heart."

Poet and essayist June Jordan. In her poems and political essays, she addresses issues of racism, oppression and dispossession. She was born in Harlem and grew up in the Bedford-Stuyvesant area of Brooklyn. She currently teaches English at the University of California at Berkeley.

Rock and roll historian Ed Ward talks about what happened to the blues from 1966 to the present. They were supposed to be dead during this period, but he says there are some eternals that keep going on no matter what.

Classical music critic Lloyd Schwartz reviews a new RCA Victor recording called Marian Anderson: Bach, Brahms, Schubert. The album also includes a recording of Marion Anderson's 1955 debut performance at the Metropolitan Opera singing an aria from Verdi's "A Masked Ball".