Part 2 of the Fresh Air interview with screenwriter and director Paul Scrader. Schrader grew up in a Calvinist home and was forbidden from seeing movies as a child; he learned about cinema watching art films in college. He wanted to be a minister, and later channeled his preoccupation with morality and guilt into his screenplays.
Film critic Stephen Schiff wonders if he's the only reviewer who laughed at Paul Mazursky's new comedy, about an actor impersonating the late dictator of a fictional Caribbean country. Schiff asks Fresh Air listeners to send their own reviews to the radio station.
The Queens-based punk band has a new disc compiling some of their best tracks. Frontman Joey Ramone joins Fresh Air to discuss how the group formed, the punk attitude, and the changing sounds of popular music.
To help fund the Smithsonian's purchase of the Folkways Records collection, a number of artists are raising money with an album of Woody Guthrie and Leadbelly covers. Rock critic Ken Tucker says Bruce Springsteen and Brian Wilson give standout performances.
As a child, classical music critic Lloyd Schwartz was delighted by the live broadcast of the Ford 50th Anniversary Show, which featured a lively--and unprecedented--duet between Mary Martin and Ethel Merman. The program has recently been released on video.
Part 1 of Terry Gross's interview. Schrader's newest movie is Patty Hearst, about the magazine heiress's kidnapping by the Symbionese Liberation Army. He recently collaborated with Martin Scorsese on the film The Last Temptation of Christ.
Clarence Major is an experimental, African American writer. His latest novel, Painted Turtle: Women with Guitar -- along with his last book, Such Was the Season -- uses more conventional narrative techniques. He joins Fresh Air to discuss language and storytelling in the black community.
Book critic John Leonard says that Ingmar Bergman's lacerating new autobiography, The Magic Lantern, is an important literary text. It explores Bergman's bleak inner life as well as his philosophies on filmmaking.
Rock historian Ed Ward profiles singer-songwriter Alex Chilton, an American musician whose career began when he was still a teenager. His band Big Star was critically-lauded but short-lived.
Sheed wrote the text for The Kennedy Legacy, which features photographs of the late president. He joins Fresh Air to discuss his work as a critic and author. Sheed grew up interested in sports; a bout of polio turned him into an avid reader. His parents ran one of the largest Catholic publishing houses.
Jane Alexander has worked onstage and, most notably, on a made-for-TV movie about Eleanor Roosevelt. She recently founded her own production company. Alexander joins Fresh Air to talk about some of her film roles and the place for older women in the motion picture industry.
The network's new comedy is based on the Diane Keaton movie, and features many of the same actors, writers, and producers. The television version deviates from the original plot, but the message, says TV critic David Bianculli, is just as muddled.
A revival of Ain't Misbehavin', featuring the original cast, is now playing on Broadway. Critic-at-large Laurie Stone says she jumped at the chance to see it. Overacting and exaggerated choreography plagued the first act, but the cast showed restraint during the last half.
The hit songwriter sang bass with the doo-wop group The Crowns; he switched to lead vocals when they became The Drifters. King got his start at Harlem's Apollo Theater before finding national fame. As a solo performer, he had hits with original songs like "Stand by Me" and "Spanish Harlem."
New Fresh Air performer-in-residence Dick Hyman plays some of the music of Jelly Roll Morton. Hyman says the pianist and composer bridged the gap between ragtime and jazz, incorporating the phrasing and style of wind and reed players.
Rock critic Ken Tucker remembers the songs that defined the season. Standouts for him were Steve Winwood's beer commercial anthem, Public Enemy's new album, and an edgy ballad by Crowded House.
The actor left India to study in England; he says there were no opportunities to hone his craft in his home country. Despite personal discrimination and early difficulties finding race-approriate roles, Saeed refused to become bitter; he says harboring that emotion would have hurt his acting. He stars in the new film The Deceivers.
Eight Men Out, about a 1919 baseball scandal, is directed by John Sayles. Film critic Stephen Schiff says there are some good performances, but the movie is more of a moralistic argument than a story; it could have used some of the wit Sayles injected into his earlier B-movies.
Language commentator Geoff Nunberg recently visited the Language in Art Since 1960 exhibit at New York's Whitney Museum. He says the work he saw revealed how words in art can create dynamic social commentary in a way distinct from text on a page.
Father Ralph Beiting's ministry serves the poor of the Appalachian region, which he says was overlooked by the reforms and social programs of the 1960s. He links poverty to the degradation of family life. Despite the difficulties associated with his work, Beiting has fallen in love with the area and its people.
