Waldman grew up in Greenwich Village and joined a community of poets who moved to her neighborhood. She says her work is influenced by the noises of the street as the, as well as the writings of other poets.
The 1967 film Point Blank, directed by John Moorman, never found a wide audience in the U.S. Critic Ken Tucker says the crime thriller was a success nonetheless, with a brutal, fast-moving style and a directorial vision never recaptured in Moorman's later work.
Walas created the often bloody special effects for movies like Raiders of the Lost Ark, Scanners, and Gremlins. He recently directed The Fly 2 -- fulfilling his lifelong goal to make his own film. He joins Fresh Air to talk about some of his most memorable, macabre work.
True Believer, starring James Woods and Robert Downey, Jr., is a legal drama about the fall of 1960s idealism during the Reagan years. Film critic Stephen Schiff says it's voluptuous and honest.
Rock critic Ken Tucker says there has been a long-running tradition of artists performing the hits of past performers, some of whom radically reinterpret the original song. But the success of these efforts is mixed. Tucker considers some recent examples by performers like Kylie Minogue, Cowboy Junkies, and the Dirty Dozen Brass Band.
The thirty-year-old saxophonist leads a new big band that performs pieces from the classic swing era. He formed a professional and personal relationship with Benny Goodman, and now stewards the archive of the jazz legends' recordings.
William Whyte says that dense, urban areas foster social interaction and a sense of belonging. His bases his claim on research dating back to the 1960s. His new book, which outlines his findings, is called Cities.
Al Young was a singer and guitar player before he became writer. His books incorporate his jazz and film influences, as well as his experiences growing up outside white, mainstream culture. His new book, about a black actress, is called Seduction by Light.
Leslie Savan, who writes about advertising for the Village Voice, looks at Pepsi's newest ad campaign in the USSR, and reflects on the relationship between Russian culture and American corporatism.
E.L. Doctorow's newest novel, like his past work, incorporates real history into fictional narratives. This time, he focuses on the criminal underworld of New York in the early twentieth century. Book critic John Leonard says the book is superb.
Photographer Robert Adams documents the changing landscapes of the West. He says development in the region is slowly but surely overtaking the natural environment.
Jazz critic Kevin Whitehead says the saxophonist, often associated with the avant-garde, can't easily be pigeonholed. Lake's big band album takes its cues from Eric Dolphy, blues, and gospel. The ensemble may be loose, but the soloists shine.
The new PBS show dramatized news program Timeline features on-the-ground reporting of historical events in order to give viewers a new way of thinking about the past. TV critic David Bianculli praises the show's accuracy, and it's respect for its audience.
Composer and keyboardist Wayne Horvitz was associated with the Manhattan downtown scene of experimental composers and improvisers. Now a resident of Seattle, he fuses his diverse musical influences in a new album called The President.
Garrison Keillor retired from the public radio show A Prairie Home Companion in 1987. He says he was overwhelmed by the celebrity, and wanted to focus on writing fiction. Keillor moved with his wife from his native St. Paul to New York City. His recent novel is called Leaving Home; a forthcoming collection of short stories is titled We Are Still Married.
That student was Fresh Air's critic-at-large Laurie Stone. Stone studied with the feminist writer at Barnard. She was excited by Millet's enthusiasm for art and literature, and was emboldened by Millett's sincere belief in Stone's own potential.
Ruben's new movie is called True Believers, and stars James Woods and Robert Downey, Jr. He joins Fresh Air to talk about how he cast the film, and the logistics of using real prisoners as extras.
