World Music critic Milo Miles reviews guitarist Ry Cooder's two new collaborations: with Indian musician V.M. Bhatt ("A Meeting by the River" -- Water Lily Acoustics label), and with African Guitarist Ali Farka Toure ("Talking Timbuktu" -- on the Hannibal/World Circuit/Rykodisc label).
Father 'Gus' DiNoia is a Dominican Priest and a theologian to the U.S. Conference of Catholic Bishops. On May 31, the Pope issued an Apostolic letter to bishops declaring that women could not be ordained as priests. Though not a formal statement of doctrine, the letter was strongly put, and meant to cut off discussion about the issue.
Author/Attorney Stephen Goddard. His new book is "Getting There: The Epic Struggle between Road and Rail in the American Century" (Basic Books). Goddard's interest in trains began as a boy in the 1940s. At that time the regulated railroads were fighting back against the subsidized highways by creating luxurious trains with fancy dining cars that boasted elegant crystal on the tables.
Speech Therapist Sam Chwat. Chwat's New York Speech Improvement Services attracts 200 to 250 clients a week. He taught Robert DeNiro how to gain an Appalachian accent for his role in "Cape Fear." Julia Roberts sought him out to relearn her southern drawl for "Steel Magnolias." He helped another southerner, Andie McDowell, after her lines for "Greystoke: The Legend of Tarzan" were dubbed by Glenn Close.
New York Times reporter John Darnton. This past Sunday, Monday and Tuesday, Darnton published a series of articles in the Times about the current state of Africa. He was the Times' Africa correspondent in the 70s. This 3-part series is his return to see how conditions have changed. He reports that living standards have declined far below the rest of the world, with most African countries in economic turmoil, replete with famine, war and drought. He says the World Bank has become the new superpower of Africa with the post-cold war pullout of the U.S. and Russia.
Singer-songwriter-poet-performance artist Maggie Estep. Estep calls herself "an angry, sweaty girl." As a teenager, she settled in New York City, and she's been in rock bands since the age of 17. Her current back-up band is called "I love Everybody." She was the cover girl on the February 1994 issue of "High Times" magazine; the article inside called her "the leader of the spoken word pack." She recently had a sold-out one-woman show at the Nuyorican Poets Cafe in Manhattan's Lower East Side. Her debut album is called "No More Mr.
A concert and interview with singer/songwriter and musician Dave Alvin. He's best known for his guitar "firepower" with the Blasters (for which he was also primary composer and songwriter). He also had a short stint with the band X. Alvin went solo a few years ago, and began honing his voice. He's just released his third solo album -- his first acoustic one -- "King of California" (HighTone Records).
Merchant Seaman Captain Rudolph Patzert. In 1947 he captained a ship that was part of a clandestine effort by the Jewish underground to smuggle Holocaust survivors into Palestine. Palestine at that time was under British rule, and a British air and sea blockade prevented immigration to the country. Patzert's ship, the Paducah, was a 45 year-old rundown converted gunboat, his crew inexperienced; and they were thwarted every step of the way: British intelligence hounded them, preventing them from refueling and re-watering.
Authority on complementary cancer treatments Michael Lerner. His book is called "Choices in Healing: Integrating the Best of Conventional and Complementary Approaches to Cancer" (The MIT Press).
Actor Sir Ian McKellan. Tomorrow Ian McKellen takes his one-man show, "Ian McKellen: A Knight Out" to Broadway's Lyceum Theatre. Since coming out in 1988, Britain's highly acclaimed Shakespearean actor has become an international voice for the gay and lesbian community. His role in Peter Schafer's "Amadeus" earned him a Tony Award in 1981. He has appeared in the recent popular films, "Last Action Hero" and "Six Degrees of Separation," and has plans for a film version of "Richard III."
Bandleader and pianist Eddie Palmieri. Through his first band, La Perfecta, labeled "the band with the crazy roaring elephants," Palmieri was credited with originating Latin jazz's trombone sound in New York during the sixties. With the release of "Palmas," (Elektra), many critics feel that this respected 58-year old innovator will finally get the exposure and respect that his sound has long merited. Palmieri's lobbying over the past year culminated in the announcement of a new Grammy Award category for Afro-Carribbean Jazz.
Television and movie score composer Henry Mancini, who died of cancer on Tuesday. He is best known for composing "Moon River" for the film "Breakfast at Tiffany's" and the title theme to the movie "The Pink Panther." In 1954 he received his first Academy Award nomination for his score to "The Glenn Miller Story," and in 1961 his score for the movie "Breakfast at Tiffany's" won that year's Academy Award.
Jazz critic Kevin Whitehead reviews two new reissues which were both recorded in New York in the mid-1960's. Steve Lacy and Rosewell Rudd combine modern jazz, avant-garde, and old blues in their album "School Days" ( Hat Art). Duke Pearson combines piano with Caribbean music on "The Right Touch" on the (Blue Note).
Journalist Martha Honey. She worked as a freelance journalist in Costa Rica from 1983 to 1991. Her clients included Times (London), The Nation, ABC television, and National Public Radio. In 1984, she and her husband, Tony Avirgan were covering a press conference called by contra leader Eden Pastora Gomez, when a bomb exploded killing three journalists, and injuring dozens of other people, including Pastora, who was the intended target. (Tony Avirgan was also one of the people injured.) Honey and Avirgan and other journalists set out to find the person(s) responsible.
Gerald Early is Director of African American Studies at Washington University, and author of several books. His newest book is a memoir about raising his two daughters, "Daughters: On Family and Fatherhood," (Addison-Wesley). One reviewer wrote, "a powerful reminder of the complexity and mystery, and abiding love that exists in families. . . this narrative. . is also suffused with the glory and pain and generational patience of black culture in America."
