Belli's first novel, "The Inhabited Woman," is about a young architect whose body becomes inhabited by the soul of an Indian woman from the time of the Conquistadors. The soul urges the young woman to abandon her privileged lifestyle and join an underground movement against the dictatorship. Belli is from an affluent Nicaraguan family. She studied English and advertising abroad before returning to Nicaragua and joining the Sandinistas and playing a role in the overthrow of Nicaragua's dictator Somoza.
Lee is the co-writer and director of the new movie, "Eat Drink Man Woman." The movie looks at sex and food as the two main things that create and maintain families. It centers on Taiwan's leading chef and his disappointments -- both in his career as a chef and in his attempts to raise his three daughters. The movie also examines his daughters' relationships to food and sex. Lee is the director of "The Wedding Banquet," a movie about a love triangle between an American man, a Chinese woman and, a Chinese-American man.
Anthony Aveni is one of the pioneers in the field of archaeoastronomy, which traces how different cultures throughout the ages have interpreted the skies and planets. He has just written a book, "Conversing with the Planets." In it, he weaves together cosmology, mythology, and anthropology, to look at the significance of stars and how they have been perceived in various cultures. Aveni is a professor of Physics and Astronomy, as well as Sociology and Anthropology, at Colgate University.
The Cuban-born poet and essayist has just written his first novel, "The Marks of Birth." It explores the experience of exile through the eyes of a young character whose family is forced to flee the political unrest of a Caribbean island-nation, and begin again in America. Medina has also written two collections of poems: "Pork Rind and Cuban Songs" and "Arching into the Afterlife," and a book of personal essays entitled "Exiled Memories: A Cuban Childhood."
Frank Smyth is a freelance journalist who has written on Rwanda for "The Village Voice," "The Nation," and "The New Republic," and an investigative consultant for Human Rights Watch/Africa. He wrote a report for Human Rights Watch/Africa based on his visit to Rwanda in May and June of 1993. The report, "Arming Rwanda," is about the arms trade and the human rights violations in that country.
Jazz critic Kevin Whitehead reviews Keith Jarrett's new album, "At the Deer Head Inn." Jarrett, on piano, teams up with bassist Gary Peacock and drummer Paul Motian.
Fred Waitzkin has written two books about chess. His first, "Searching For Bobby Fischer," is about his young son Josh's gift for the game. The book was made into a movie of the same name. Waitzkin's latest book is called "Mortal Games." It's a portrait of the world chess champion Garry Kasparov as he prepared, in 1990, to defend his title against sworn enemy Anatoly Karpov.
Writer Alexs Pate's first novel is called "Losing Absalom." It's a fictionalized tribute to his father that chronicles end of the title character's life as his family has gathered around his hospital bed. Writer John Willimas wrote, "Losing Absalom is a powerful yet sensitive embrace with black America today." Pate grew up in North Philadelphia and lives in Minneapolis.
Film Critic Stephen Schiff reviews the new Arnold Schwarzenegger/Jamie Lee Curtis film. Schiff says it features small-scale wit and large-scale pyrotechnics -- though it never manages to blend the two.
Nelson Peery has just published his memoir, "Black Fire: The Making of an American Revolutionary," about coming of age against a background of racism, the Depression, and World War II. The book chronicles Peery's travels west during the Depression, and his experiences as a soldier fighting in World War II. He writes about his simultaneous love for America and hatred for the people who discriminated against African Americans, especially in the Army.
John Helyar's new book, “Lords of the Realm,” looks at the corporate world of baseball. Instead of tracing the history of the game through its players, Helyar focuses on the behind the scenes people-- the agents, owners, and general managers-- who shaped baseball. He's is a reporter for The Wall Street Journal and co-author of the New York Times bestseller, Barbarians at the Gate.
Russell is the writer and director of the movie “Spanking the Monkey." It's about Raymond, who returns after his freshman year at MIT to find he has to spend the summer caring for his mother, who’s broken her leg. His loneliness, combined with his mother’s depression, results in a dark comedy about mother-son incest. “Spanking the Monkey” won the Audience Award for the most popular dramatic film at the Sundance Film Festival in January.
Patrick Bellgarde-Smith is a professor of Africology at the University of Wisconsin-Milwaukee. Today, he will place Haiti’s current political situation in a historical context, explaining the history of American involvement in Haiti. Bellgarde-Smith grew up in Haiti, at the height of the Duvalier dictatorship. His grandfather was Dantes Bellegarde, one of Haiti’s leading social philosophers.
Susan Douglas is a professor of media and American studies at Hampshire College. She has just written a book “Where the Girls Are,” that looks at women in baby-boomer pop culture. She explains how the media’s alternating images of stereotypical femininity and feminism created a kind of “schizophrenia” in American women. She talks about how this confusion has caused ambivalence in American women about what feminism means.
Rock Critic Ken Tucker reviews the Rolling Stones' new album, “Voodoo Lounge." He says their sound has been revitalized by the direction of producer Don Was
In 1986, Donna Murphy was a woman in drag in “The Mystery of Edwin Drood.” In 1991, she was introduced as “a girl who will steal your heart and then forget where she put it,” playing the amnesiac songstress in “Song of Singapore.” Having become one of Broadway’s most sought-after actresses, Murphy is now playing the lead in Stephen Sondheim’s latest musical, “Passion.” Of the role, which has her playing an ugly, hysterical woman obsessively pursuing a handsome army captain, Murphy says, “I love transformation of any kind...I want to look in the mirror and not see Donna looking back at me.”<
