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06:08

A Return To America's Gustatory Past

Mark Kurlansky's The Food of a Younger Land presents a marvelous history of America's gastronomical oddities and antiques; a remembrance of tastes and customs past. Maureen Corrigan has a review.

Review
07:08

'American Idol': A Retrospective

Rock critic Ken Tucker looks back on American Idol's most recent season, when Adam Lambert and Kris Allen vied for the top spot. He says the wrong aspiring idol won.

Commentary
11:24

John Powers: Cannes Report, Part 2

Our critic at large returns with the second part of his report from this year's Cannes Film Festival, including his impressions of Quentin Tarantino's Inglourious Basterds and the South Korean vampire flick Thirst — both due out in the United States later this summer.

Review
20:12

Showdown On The Green: When Tiger Met Rocco

In his new book Are You Kidding Me? journalist John Feinstein chronicles the dramatic showdown that occured at the 2008 U.S. Open when Rocco Mediate, a pro-golfer with a ranking of 158th, challenged Tiger Woods to a sudden-death playoff.

Interview
05:34

'Terminator Salvation': Resistance Is Futile

He's not referred to as a Terminator anymore, but back in 1984, a sci-fi thriller made a star out of a cyborg assassin from the future. Film critic David Edelstein reviews the franchise's fourth film.

Review
51:03

Always On My Mind: John Doe Goes Country

Best known as founder and frontman for the Los Angeles punk band X, musician John Doe has always had a weakness for country music — and X's sound, in fact, sometimes had a twang to it. After that band's dissolution, Doe explored his countrified yearnings further, and in recent years he's turned in some eminently satisfying roots rock. With Country Club, Doe dives headlong into the genre, collaborating with the Canadian band the Sadies on a collection of classic covers originally recorded by titans like Merle Haggard, Tammy Wynette and Willie Nelson.

07:50

Trident And The San Francisco Rock Scene

The rise of the San Francisco rock scene in the mid-1960s is a well-known story, but one which might have taken an entirely different direction if Frank Werber's fortunes had played out differently.

Commentary
05:19

In 'Summer Hours,' A Handsome View Of The Tomb

Masterpieces make their own rules — and David Edelstein says it's hard to think of a work comparable to Olivier Assayas's hauntingly beautiful film, about cultural tides and the people carried on them.

Review
06:04

A Wise Guy Mystery Writer Makes Good

Reed Farrel Coleman holds down a job as a commercial truck driver. But that doesn't stop him from writing mysteries in his free time. His Moe Prager series has won a slew of major awards.

Review

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