Critic Ken Tucker believes the new film, now on home video, highlights the importance of an often overlooked medium. His only quibble is with sci-fi author Harlan Ellison's narration, which Tucker says is unnecessary.
Still in her thirties, novelist Erica Jong celebrates women in their 40s, 50s and 60s. Her books feature realistic women characters who are given the chance to embrace their bodies and enjoy sex without fear of repercussions. Her newest is called Serenissima.
Wes Craven worked his way up in the film industry before unexpectedly getting the chance to direct The Last House on the Left. The movie was a controversial success, with its graphic portrayal of rape and murder. His newest movie about voodoo, The Serpent and the Rainbow, was filmed in Haiti.
Alice McDermott's new novel is about a young girl who witnesses a teenage love affair develop in her neighborhood. McDermott joins Fresh Air to discuss writing, memory, and growing up in the suburbs.
The franchise's newest installment, The Living Daylights, stars Timothy Dalton. Film critic Stephen Schiff says it's enjoyable enough, but its tone is too serious and sensitive for a Bond flick.
Roseanne Cash's newest album, King's Record Shop, blends country and rock music. Rock critic Ken Tucker says that her affectless voice lends itself to both genres.
Classical music critic Lloyd Schwartz shares his admiration for the Music & Arts Programs of America, a Berkeley-based record label that reissues classic performances from earlier in the 20th century.
Linguist Geoff Nunberg says that, regardless of the language they're written in, newspaper headlines demand a mastery of colloquialisms and pre-existing knowledge of current events--making them difficult for non-native speakers to comprehend.
Listeners will recognize Frankie Laine's voice from the opening sequences of Rawhide and Blazing Saddles. Laine also makes a career performing and recording pop, country and jazz tunes.
Mary King served as the communications coordinator for SNCC during the Civil Rights Movement. Her new book, Freedom Song, talks about her experiences in that organization, including how its race and gender dynamics played out compared to other activist organizations.
While he served as a Party leader, Junius Irving Scales was arrested and convicted under the Smith Act. After his release from prison, Scales left the party after revelations over Stalin's actions in the Soviet Union. His new book, called Cause at Heart, recalls his work as a political activist.
Rock historian Ed Ward profiles the rise and fall of soul singer Etta James, whose heroin habit curtailed her career after a string of fantastic albums.
Husband-and-wife writing team John and Marina Bear have a new book called How to Repair Food, which instructs home cooks on how to salvage failed recipes.
Book critic John Leonard says that all of Gunter Grass's work can be seen as a sometimes fanciful examination of his country's brutal history. Case in point: Grass's new book, The Rat, is a science fiction-inspired novel about the end of the world.
Only in his mid-thirties, Scott Turre is already a seasoned musician. Jazz critic Francis Davis says his latest album features Turre's newfound maturity as a soloist and arranger.
Actress Carroll Baker launched her career with sexually-charged parts like title role of the film Baby Doll. Disillusioned with the Hollywood system, she moved to Europe. Now back in America, she writes books, including her newest novel, A Roman Tale.
David Bianculli is in Los Angeles along with other television critics to preview the fall season. He says he's most excited about two ABC comedies and a new version of Star Trek currently in production.
The filmmaker's first American movie, RoboCop, is a critical and commercial success. He joins Fresh Air to talk about his portrayal of graphic violence and his fascination with American culture and politics.
British music critic and producer Leonard Feather worked with fellow producer John Hammond to desegregate jazz in the United States, as well as to promote women jazz musicians. In his new book, The Jazz Years, he considers how racism, radio stations and record labels affected the popularity of different styles like big band and bebop.
