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27:34

Daniel Berrigan on His Life as a Priest and Activist.

Daniel Berrigan, a Jesuit priest who for the past 20 years has been at the forefront of the peace movement. He has been arrested and spent time in prison many times for his acts of civil disobedience. Berrigan was one the Catonsville 9, who protested the Vietnam war in 1968 by destroying draft records, and a member of the Plowshares 8, who damaged nuclear warheads in 1980. He now works at an AIDS hospice in New York City. Daniel Berrigan recently completed his autobiography; it's titled To Dwell in Peace.

Interview
09:59

Bill Lee Discusses his "School Daze."

Jazz composer and conductor Bill Lee. He composed the scores for the films "She's Gotta Have It" and "School Daze," both written and directed by his son, Spike Lee. "School Daze," Spike Lee's most recent film, is loosely based on his experiences at Moorehead College in Atlanta, the same college Bill Lee and his father attended.

Interview
27:42

America's Growing Dependence on Foreign Investments.

New York Times reporter Martin Tolchin. His new book, Buying Into America: How Foreign Money Is Changing the Face of Our Nation, documents the massive infusion of foreign capital in America, and analyzes its ramifications. Written with his wife, professor Susan Tolchin, the book highlights America's growing dependence on foreign investments.

Interview
27:11

Civil Rights and Gospel.

Bernice Johnson Reagon, singer, cultural historian and director of Smithsonian's Program in Black American Culture. Reagon sings contralto with Sweet Honey in the Rock, one of the country's leading a cappella groups. She's been described as a "song shaper and song preserver." In her work with the Smithsonian, Reagon tries to maintain obscure and dying Baptist choral traditions.

06:55

New Album by College Radio Stars is Alternately Amusing and Annoying.

Rock critic Ken Tucker reviews "Globe of Frogs," the latest album from Robyn Hitchcock and the Egyptians. The group's enigmatic lyrics and strong pop melodies are a big hit on college radio stations. Ken says this English band's strongest moment comes when the listener figures out what the singers are trying to say.

Review
03:21

Polanski's Technique is Not Enough to Sustain "Frantic."

Film critic Stephen Schiff reviews "Frantic," the new movie by director Roman Polanski and starring Harrison Ford. Ford plays an American cardiologist whose wife is kidnapped by Middle Eastern terrorists in Paris. Polanski's other films include "Chinatown," "Tess," "Repulsion" and "Rosemary's Baby."

06:48

"Lutoslawski Conducts Lutoslawski."

Classical music critic Lloyd Schwartz reviews "Lutoslawki Conducts Lutoslawski," a new Phillips recording featuring Polish musician Witold Lutoslawski. The recording features Lutoslawski's Cello Concerto, with Heinrich Schiff as soloist.

Review
03:46

Sexism in Language, Continued.

Language Commentator Geoffrey Nunberg continues his discussion of sexism in language. He says the obvious concerns - like whether to use "mankind" or "humanity" - only scratch the surface.

Commentary
09:42

Wines and Their "Personalities" with Robert Parker.

Wine critic Robert Parker. Widely regarded as the world's most influential wine critic, Parker takes a strongly consumerist view of his craft, warning consumers about overrated, overpriced wines. His opinions are recorded in his monthly newsletter The Wine Advocate. A Parker rating of 90 for a wine (on a 50-100 scale) virtually guarantees a sellout for the shipment.

06:48

Texan Virtuoso Doug Sahm.

Rock historian Ed Ward profiles the career of versatile Texas rock n' roller Doug Sahm, including the night in 1952 when he performed while sitting on the lap of Hank Williams, and his escapades as the leader of The Sir Douglas Quintet, a group of southerners who tried to convince the public they were British.

Commentary
03:36

Essays to Tide You Over Until Baseball Season.

Book critic John Leonard reviews baseball writer Roger Angell's latest collection of essays, Season Ticket. The essays, which previously appeared in The New Yorker magazine, cover the five seasons of play between 1981 and 1986.

Review

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