Book critic John Leonard reviews historian Jonathan Spence's newest work, about a Chinese convert in France who is institutionalized by a Jesuit priest name Jean-Francois Foucquet. Leonard says that the historical novel feels more like a poem about history.
Classical music critic Lloyd Schwartz just discovered pianist Tomsic Dubravka. He places her in the same category as masters like Glenn Gould and Artur Schnabel.
Film critic Stephen Schiff bemoans Hollywood's current preoccupation with courtroom dramas -- most, he says, aren't very good. The new Jodi Foster movie The Accused, loosely based on a high-profile gang rape trial, leans too heavily on the lurid details of the case, and not enough on developing an interesting narrative.
Critic Ken Tucker reviews Alysssa Milano's exercise video Teen Steam, which is geared toward teenage girls; adults caught watching it can't help feeling faintly unclean, he says. He also recommends new releases of Withnail and I and Rambo III.
Film critic Stephen Schiff reviews the new Christmas movie Scrooged, which is a modern take on Charles Dickens' A Christmas Carol. Schiff says that, while the casting of Bill Murray was inspired, the film is caught between schmaltz and humbug, and ends up being nothing at all.
Television critic David Bianculli reviews the new show TV 101, about a student who covers his high school's news on closed-circuit television. Bianculli says the premise and cast are excellent; he only hopes that the show can eventually live up to its potential.
Lloyd Schwartz says that Spanish cellist's renditions of Bach are unrivaled. He reviews Casals' complete performances the composer's cello suite, as well as a more recent recording of Beethoven's trios.
Healey's organization works on behalf of prisoners of conscience around the world. His latest strategy to raise awareness for this issue is to stage rock concerts featuring politically-minded performers like Bruce Springsteen, U2, and Stevie Wonder. Healey was a Catholic priest in the 1960s, but found he had more opportunities to pursue humanitarian work in the secular world.
Harnick collaborated with composer Jerry Bock on hit musicals like Fiorello! and Fiddler on the Roof. One of their earlier works, She Loves Me, has found newfound success; the original cast album has just been reissued on CD.
As a young man, Democratic Socialists of America co-chair Michael Harrington worked as social worker in St. Louis -- an experience which he credits with leading him to a life of service. Fatherhood readjusted his priorities; he moved to the suburbs and felt less conflicted about earning money. He is now a writer and social commentator. His new memoir, called The Long-Distance Runner, is about his struggle with cancer.
Director Stephen Frears directed the adaptation of the play, Les Liaisons Dangereuses, about a contest of sexual conquest and infidelity. Film critic Stephen Schiff praises how it handles eroticism. Despite some casting missteps, he believes it's "a brilliant tarentella" of a movie.
In an effort to identify a body, Philadelphia police once dressed and photographed the corpse, then distributed the photo to the public. This macabre act inspired Shubin's latest novel, Never Quite Dead.
TV critic David Bianculli review The Arsenio Hall Show and The Pat Sajak show, both of which attempt to recreate the success of Johnny Carson and David Letterman's late night programs. Bianculli says Hall leans a little too heavily on name-dropping, while Sajak borrows too much from Letterman.
Susan Brownmiller's book is based on the murder case of Lisa Steinberger, a six-year-old victim of child abuse. The trial is still ongoing. Book critic John Leonard says Waverly Place weaves through New York's Greenwich Village in ways reminiscent of Balzac and Celine.
Journalist Isadore Barmash joins Fresh Air to explain the process of leveraged buyouts and hostile takeovers of corporations, and how these affect employees, customers, and shareholders. His new book, Macy's for Sale, offers a case study.
Hernando de Soto says that the inefficient and often corrupt bureaucratic system in Peru makes starting a legal business nearly impossible for most people. As a result, a robust, informal, and technically-illegal market has emerged. De Soto explores this phenomenon -- and similar cases throughout Latin America -- in his new book, The Other Path.
Film critic Stephen Schiff says that Cassavetes, who died this month at the age of 59, was just starting to live up to the promise of his jagged talent. The director's films were often indulgent and overwrought, but never without power.
Frank Chin is critical of many other contemporary Asian American writers; their works, he says, rely too much on western forms, cater to white audiences, and misrepresent Asian culture. His new collection of short stories, The Chinaman Pacific & Frisco R.R. Co, reveals his own perspectives on the Chinese American experience.
Ruben's new movie is called True Believers, and stars James Woods and Robert Downey, Jr. He joins Fresh Air to talk about how he cast the film, and the logistics of using real prisoners as extras.
Jazz critic Kevin Whitehead says the saxophonist, often associated with the avant-garde, can't easily be pigeonholed. Lake's big band album takes its cues from Eric Dolphy, blues, and gospel. The ensemble may be loose, but the soloists shine.