David Mitchell's exquisite novel Cloud Atlas has been adapted for the screen by the Wachowskis and Tom Tykwer. The film is never dull, but critic David Edelstein found that unlike the book, the film fails in its attempt to tie six distinct stories together.
In the 1970s and '80s, Cables was the pianist of choice for saxophonists Dexter Gordon and Art Pepper; Pepper called him his favorite pianist. Critic Kevin Whitehead says Cables' new trio album, My Muse, is so unassumingly good, you could miss just how good it is.
True Grit author Charles Portis is the cult writer for people who hate cult writers. He hasn't published a book since 1991, and reviewer John Powers says the short pieces collected in Escape Velocity have been treasured for decades, passed around like samizdat by Portis fans.
Michelle Shephard has traveled to Guantanamo Bay, Cuba, more than two dozen times and has been following the stories of men who've been released from the U.S. detention center. She's the author of Guantanamo's Child and Decade of Fear: Reporting From Terrorism's Grey Zone.
Wolfe tells Fresh Air's Dave Davies that what makes Miami exceptional is the story of how an immigrant community rose to dominate its political landscape in just over a generation. His new novel deals with racial and ethnic conflict among the city's diverse inhabitants.
In the early days of the Iraq War, during a firefight in Baghdad, Lu Lobello's Marine unit mistakenly opened fire on a family of civilians, killing three. Years later, and after enlisting the help of reporter Dexter Filkins, Lobello reached out to that family for forgiveness.
Six feet tall, weighing in at 400 pounds and in his 40s when stardom hit him, Big Joe Turner is behind a load of rock 'n' roll hits. His hardest-hitting singles have been collected on a new compilation, titled Big Joe Turner Rocks.
In January, DuVernay became the first African-American woman to win Sundance's best directing award for her second feature-length film, Middle of Nowhere. It's about a young woman who puts her life and dreams of going to medical school on hold while her husband is in prison.
Writer Mark O'Brien spent most of his life in an iron lung. He was the subject of an Oscar-winning documentary, and now his story is told again in the semi-fictionalized feature The Sessions. Critic David Edelstein reviews the story of how one man lost his virginity — and found out how to love.
In her book Alone Together, psychologist Sherry Turkle explains how digital devices are affecting our communication and relationships. "What is so seductive about texting, about keeping that phone on, about that little red light on the BlackBerry, is you want to know who wants you," Turkle says.
In Master of the Mountain, historian Henry Wiencek uses an explosive interpretation of evidence to show how, by the 1780s, Founding Father and slave owner Thomas Jefferson had gone from championing equality to rationalizing an abomination.
Musician Michael Feinstein chronicles his experience working as an archivist and cataloger for legendary songwriter Ira Gershwin. The book is presented through the stories of 12 of the Gershwin brothers' songs, including "Fascinating Rhythm," "The Man I Love" and "I Got Rhythm."
Among the most central pieces of the classical-music repertoire are the 16 string quartets Beethoven composed over the course of his career. For critic Lloyd Schwartz, these quartets, especially as recorded by the Budapest String Quartet, were crucial to his own musical upbringing.
America's Test Kitchen experts Jack Bishop and Bridget Lancaster join Fresh Air to explain what makes a great marinade — and why you might want to add an anchovy or two to your next beef stew.
Best known for being the man behind Madea, Perry is now starring in the action thriller Alex Cross. He tells Fresh Air's Terry Gross that his Madea character is a cross between his mom, his aunt and Eddie Murphy.
Ben Affleck's Argo, which is based on the declassified story of the CIA's mission to save six American diplomats trapped in Iran in 1979, is gripping, compelling and, at times, hilarious. But, as critic David Edelstein explains, the best parts of the "true" story are the parts that aren't true at all.
