Frances Ashcroft's new book details how electricity in the body fuels everything we thing, feel or do. She tells Fresh Air about discover a new protein, how scientists are like novelists and how she wanted to be a farmer's wife.
Rian Johnson's action-thriller can't dodge the frustrating elements of most time-travel tales, but the film's characters, performances and stylization add up to an experience that critic David Edelstein believes is the right amount of happy and tragic.
In his first novel, J.R. Moehringer writes from the point of view of Willie Sutton, whom he calls the "greatest American robber." Moehringer says writing historical fiction helped him deal with the anger he felt toward banks after the global financial crisis in 2008.
The freewheeling saxophonist and his small group from the 1970s came together for a live concert in 2007 -- their first together in more than two decades. Now, a recording has been posthumously released on CD, and critic Kevin Whitehead says it's like they never went away.
Charles Rowan Beye has been married three times -- to two women and a man. Now, over age 80, he looks back on his life and asks, "What was that all about?" Critic Maureen Corrigan says Beye's memoir, subtitled "A Gay Man's Odyssey," is a complex, poignant addition to the sexual canon.
The Analog Players Society provides some of the best evidence since the rise of Vampire Weekend that formerly exotic international music -- particularly African rhythms and accents -- has become an everyday part of modern popular tunes.
Journalist Robert Draper's article for The Atlantic traces how the redistricting process has been manipulated for electoral gain. It has created increasingly solid Republican or Democratic congressional districts, which has led to more representatives who are unwilling to compromise, Draper tells Fresh Air.
Ken Tucker says that Charmer is a song cycle about getting rid of a cynical frame of mind; about distancing yourself from people who are dragging you down.
Writer-director Stephen Chbosky brings his 1999 young adult novel The Perks of Being a Wallflower to the screen. Critic David Edelstein says the result may be better than the book -- a project that communicates the trials of high school in a way that is both painful and elating.
The Scottish actress plays Margaret Thompson, a young Irish widow who marries a corrupt politician on HBO's Boardwalk Empire. MacDonald, who got her start in Trainspotting, tells Fresh Air that she enjoys playing a "strong character" for a change.
In his new book, The Fine Print: How Big Companies Use "Plain English" to Rob You Blind, author David Cay Johnston examines the fees that companies have added over the years that have made bills incrementally larger. He tells Fresh Air that companies are misusing language to "confuse people."
Susanna Moore tells the sage of an ambitious girl, a family's artistic fortune and a world at war. Young heroine Beatrice Palmer is whisked off to Berlin where she is put to work packing up priceless artwork in a wealthy family's mansion.
In his new book, Doug Saunders says there are those who believe immigration and high birth rates will make Muslims a majority in Europe in coming decades -- and their hostility to Western values makes them a threat. Saunders tells Fresh Air that such fears are based on inaccurate assertions of fact.
The Guardian's Gahaith Abdul-Ahad calls the Syrian battle fluid and complicated. "There is chaos, there is no military planning, there is no organization," he tells Fresh Air. He reported for the PBS Frontline documentary The Battle for Syria, which airs Tuesday.
The jazz trio returns to covering classic rock, folk and pop tunes on its latest album, Where Do You Start. Fresh Air critic Kevin Whitehead reviews the band's take on Elvis Costello, Nick Drake, Sonny Rollins and more.
Jeffrey Toobin's new book, The Oath, explores how President Obama and Chief Justice John Roberts are at odds over constitutional law. Toobin tells Fresh Air that while Obama likes precedent when it comes to the Supreme Court, Roberts "wants to move the court in a dramatically new direction."
Many comparisons have been made between Paul Thomas Anderson's film The Master and the history of Scientology. But, as David Edelstein explains, the challenge of balancing the search for surrogate family with American individualism dominates the film. (Recommended)
Marco Roth grew up on New York's Upper West Side in the 1980s, where a liberal Jewish culture infused with European tastes was breathing its last gasps. In his memoir, Roth describes how he learned -- years after his father died from AIDS -- that his father was probably gay.
