Terry Gross

Journalist Amy Wilentz. Her first book, The Rainy Season, Haiti since Duvalier, is an account of Haiti since the overthrow of President-for-Life Jean-Claude "Baby Doc" Duvalier, and of how the country's hope for reform gave way to despair when it was clear Haiti's new leadership couldn't, or wouldn't, reverse 40 years of chaos and stagnation. The book is also an account of how Wilentz was transformed by the story, of how the epochal change Haiti was going through, and its stunning contrast of poverty and corrupted wealth, overwhelmed her first assumptions.

Novelist Cynthia Kadohata. Her first novel, The Floating World, is a `road novel' about a second generation Asian American teenager who leads a nomadic life with her parents as her father travels the country from one job to the next. As her journey unfolds, the protagonist struggles to find her place in her family and in America. Kadohata's short stories have appeared in The New Yorker and the quarterly The Pennsylvania Review. (Interview by Marty Moss-Coane)

Writer Jack Olsen. He's been called a master of the `true crime' genre, and in his new book, Doc, he tells the story of how Dr. John Story, one of the most respected citizens of Lovell, Wyoming, systematically raped his patients, and how, in this ultra-conservative, God-fearing environment, the women either couldn't speak up, or, when they did, were dismissed. Lovell is set in Mormon country, and many of the women the doctor victimized feared excommunication for "fornication" if they when to the authorities, who, invariably, were also elders in the Mormon church.

Writer Allan Gurganus. His novel, Oldest Living Confederate Widow Tells All, which is scheduled for publication later this fall, is the story of a blind 99-year-old widow, now confined to a nursing home, whose stories about her life and her husband's take in almost 150 years of American history. Mostly her stories focus on her husband and how his experiences in the Civil War, when he was only 13, haunted him, and her, until he died. Gurganus, a professor of writing at New York's Sarah Lawrence University, has written for The New Yorker, Harpers and The Atlantic Monthly.

Comic Andrea Martin. She was an original member of the Canadian SCTV comedy troupe and one of its brightest stars for seven years. Her co-stars included John Candy, Eugene Levy and Martin Short. Martin brought to life the neurotic talk show host Libby Wolfson, cleaning lady Pirini Scleroso, and, perhaps her best known character, the TV station manager Edith Prickley. Martin recently starred in her own cable TV comedy special on the Showtime channel.

Film critic Stephen Schiff reviews the new James Bond movie, "License To Kill," starring Timothy Dalton as Agent 007.

Musician Lucinda Williams. She's been playing the folk and country scenes for most of the 80s, but her new album, titled "Lucinda Williams," is a type of straight-ahead story telling that crosses genres. Many listeners think of Williams as a folk singer, but in this album, Williams fronts a rock band.

Cartoonist Howard Cruse. He draws a comic strip called "Wendel" that follows the life of a young gay man. The strip is a regular feature in the gay and lesbian newsmagazine The Advocate. Recent "Wendel" strips have just been collected in the book Wendel On The Rebound, published by Saint Martin's Press.

Journalist MICHAEL KAUFMAN. His new book, Mad Dreams, Saving Graces - Poland: A Nation in Conspiracy, charts the rise, fall and resurrection of the democratic movement in Poland. Leading this drive has been Solidarity, the shipworkers' union headed by Lech Walesa. But Kaufman also traces the hidden spiritual undercurrents in Polish history and culture and that make this quest toward self-definition considerably more complex. Kauffman served as Warsaw bureau chief for The New York Times from 1984 to 1987. He has also been bureau chief for the Times in Nairobi, New Delhi and Ottawa.

Photographer Larry Sultan. In a photography exhibit now on display at the Museum of Modern Art in New York City, Sultan is represented by work from a project he began in 1983 about his family's history. A key feature of the work, and a feature that appears in all of Sultan's work, is capturing subjects at "off" moments, situations where they least expect, or wish, themselves to be photographed.