Classical

Classical music critic Lloyd Schwartz reviews a new CD collection of songs by the late Roland Hayes. Hayes was the first major black concert singer, and paved the way for performers such as Marion Anderson. (It's issued by the Smithsonian).

Classical music critic Lloyd Schwartz reviews conductor and cellist Pablo Casals' recording of Mozart's Sinfonia Concertante.

Classical music critic Lloyd Schwartz reviews a new reissue featuring Czech conductor Vaclav Talich (VATZ-lahf TAH-litch). Talich led the Czech Philharmonic off and on from the 20s to 1961. Lloyd says this recording shows Talich's national flavor, a trait that's lost in this modern world of globe-hopping star conductors. This recording features performances of Dvorak's 8th Symphony, and Smetana's "Moldau" and "From Bohemian Woods and Fields." (the recording is on Supraphon).

Classical music critic Lloyd Schwartz examines some recordings in which the worlds of classical and popular music combine. The most recent example is "Anything Goes: Stephane Grappelli and Yo-Yo Ma play (mostly) Cole Porter." Schwartz looks at other recordings that bring together Jascha Heifetz and Bing Crosby; Paul McCartney and George Mason of the New Philharmonia Orchestra; and Frank Sinatra and the Hollywood String Quartet.

Classical music critic Lloyd Schwartz presents the second in his two-part review of conductor Otto Klemperer. This time, Lloyd plays some of Klemperer's opera recordings and recordings of Mozart. (Angel Records has begun to reissue some of Klemperer's recordings on remastered compact discs.)

Classical music critic Lloyd Schwartz reviews a reissued series of performances by German conductor Otto Klemperer. Klemperer was a disciple of Gustave Mahler, and Lloyd says his performances of classical German pieces are one of this century's greatest musical legacies. The series has been digitally remastered by Angel Records.

Classical music critic Lloyd Schwartz reviews a new compact disc of opera recordings by Spanish mezzo-soprano Conchita Supervia (pronounced super-VEE-a). It's been released as part of the Club 99 series.

Classical music critic Lloyd Schwartz reviews some newly reissued recordings of Haydn symphonies by the English conductor Sir Thomas Beecham. He says Beecham is one of the few conductors who understands how Haydn should be played. (the recording's on EMI records).

Writer, producer, and director Arthur Laurents. Laurents wrote the stories for the plays "Gypsy" and "West Side Story" and the screenplays for the movies "The Way We Were" and "The Turning Point." Laurents is currently directing the Broadway revival of "Gypsy," starring Tyne Daly.

Classical music Lloyd Schwartz reviews a series of compact disc reissues featuring violinist Joseph Szigeti (si-GETT-ee).

Classical music critic Lloyd Schwartz reviews the work of pianist Leonard Shure. Shure turns 80 this spring, and Lloyd says the older Shure gets, the he gets. Lloyd particularly recommends the recordings Shure made for Audiofon about a decade ago.

Classical music critic Lloyd Schwartz reviews a new series of early operatic recordings reissued on the Nimbus. Lloyd says Nimbus went to extraordinary lengths to re-record these vintage performances from the first half of the century, and the care shows.

Classical music critic Lloyd Schwartz pays tribute to the late mezzo-soprano Jan DeGaetani (DEE-guy-tahny). DeGaetani died last September; Lloyd reviews her last album, just released by Bridge records. It contains works by Berlioz and Mahler.

Composer John Adams. Although he comes out of the classical tradition, Adams is not afraid to use drum machines, synthesizers and silent-movie chord progressions in his music. His latest work, "The Wound Dresser", is a setting of a poem by Walt Whitman about the experience of tending wounded soldiers during the Civil War. For Adams, the work has connections to both the AIDS crisis and his father's recent battle with Alzheimer's disease. Adams also talks about his best-known work, the opera "Nixon in China".

Classical music critic Lloyd Schwartz reviews a new album of contemporary American music by pianist Ursula Oppens. It has music both commissioned and performed by Oppens. It's "Ursula Oppens Plays American Piano Music of Our Time" on the Music & Arts label.

Arranger and baritone saxophonist, Gerry (pronounced "jerry") Mulligan. He's been an innovator in modern jazz orchestration. Early in his career he was staff arranger for Gene Krupa's big band. In 1949 he collaborated with Gil Evans and Miles Davis in the Nonet. The nine-piece band shook up jazz arrangers and launched the era of so-called cool jazz. He achieved international acclaim when he started a "pianoless" quartet with trumpeter Chet Baker in the early 1950's.

Classical music critic Lloyd Schwartz reviews recent recordings of three Mendelssohn string symphonies, all written in Mendelssohn's teens. They're performed by William Boughton and the English String Orchestra.

Classical music critic Lloyd Schwartz reviews a new recording of 17th century composer Henry Purcell's "The Fairy Queen."

Classical music critic Lloyd Schwartz reviews the recordings of music by composer, Sofia Gubaidulina (So-FEE-ah Goo-bye-DOO-lee-na). She's the Soviet Union's leading female composer.

Classical music critic Lloyd Schwartz reviews a new recording of Ferruccio Busoni's (fe-ROOCH-ee-oh boo-SONY) piano concerto, performed by Garrick Ohlsson accompanied by the Cleveland Orchestra. Lloyd says the concerto is one of the most ambitious works ever composed, and this new recording should revive interest in it.