Blues

Johnny Otis, who was born to Greek parents, claimed he became black by immersing himself in African American communities and culture. He later opened a blues club in Los Angeles, and helped promote new talent in the scene. Rock historian Ed Ward tells his story.

Jazz critic Kevin Whitehead says the blues singer's reissued album of Bessie Smith songs is a winner. Recent attempts of contemporary pop singers to cover the work of classic artists can't compare to recordings of Baker's era.

Raitt's album "Nick of Time," features an eclectic mix of blues, rock, folk, and ballads. She talks about how her musical career has affected her personal life as a woman.

The blues and rock guitar player's career was put on hold when he was arrested and imprisoned for charges that may have been racially motivated. Rock historian Ed Ward reflects on some of Berry's post-prison work, which never matched his earlier success.

Rock historian Ed Ward says that bands like the Rolling Stones helped popularize the distinctly African American genre. Interest in blues led more musicians to picking up the electric guitar, including Jimi Hendrix and Eric Clapton, who would take rock music in a new direction.

A live concert with songwriter and pianist Charles Brown. Brown is credited with creating an expressive style of blues that blended rough Texas blues with the soft glamour of Hollywood. Between 1946 and 1952, Brown recorded 20 hits, nine on his own, the rest as part of Johnny Moore's Blazers. He is featured in a new PBS documentary on the history of rhythm and blues.

Rock historian Ed Ward profiles Bobby "Blue" Bland, a blues performer who began as B.B. King's personal valet in the early 50s and who still performs today. His best-known hits include "I Pity the Fool," "Touch of the Blues," and his rendition of "Stormy Monday." Bland achieved his greatest success in the late 50s when he was teamed trumpeter and arranger Joe Scott.

Grammy Award-winning blues singer John Hammond performs two songs in Fresh Air's weekly performance segment. Hammond has performed for nearly twenty years, and in that time his style has evolved from straight-forward, rural blues to a harder-edged, urban style of blues. He is the son of music impresario John Hammond Sr. who helped launched and nurture the careers of Bob Dylan, Benny Goodman and Billie Holiday.

Blues musician John Hammond returns in Fresh Air's weekly performance segment with a demonstration of his slide guitar style. He plays songs by Son House and Big Bill Broonzey.

Grammy Award-winning blues singer John Hammond performs two songs by blues musician Robert Johnson in Fresh Air's weekly performance segment. Hammond has performed for nearly twenty years, and in that time his style has evolved from straight-forward, rural blues to a harder-edged, urban style.

Tex-Mex rocker Doug Sahm. For many, he's still best known for his stint with the Sir Douglas Quintet, a group of Texans and Mexicans who were packaged to look like a British Invasion band. The group sported regal coats and fakey British accents and cranked out hits like "Mendocino" and "She'a About a Mover." Sahm has been playing a variety of styles ever since, including Tex-Mex, blues, rhythm and blues, rock. Sahm is now touring with Antone's Texas R&B Revue, and has just released a new album, titled Juke Box Music.

Rock historian Ed Ward investigates the little known original versions of some of rock's most classic songs. Elvis Presley, Fats Domino, and Jerry Lee Lewis' covers are discussed.

Rock and roll historian Ed Ward talks about what happened to the blues from 1966 to the present. They were supposed to be dead during this period, but he says there are some eternals that keep going on no matter what.

Music writer Peter Guralnick. His new book, "Searching For Robert Johnson," examines the brief life of perhaps the greatest blues musician of all time. In the 20s and 30s, Johnson was "King of the Delta Blues Singers," and a sensation throughout the South. Johnson died at age 27, shot to death by a jealous husband, but his music continued to be studied and copied by artists such as Eric Clapton and the Rolling Stones.

Rock critic Ken Tucker reviews "Journeyman," the new album from veteran rocker Eric Clapton.

Rock guitarist Eric Clapton. His friends call him "Slowhand," his fans call him "God." Whatever name he goes by, Eric Clapton is at or near the top of any list of the greatest guitar players in rock history. Clapton started out playing blues with the Yardbirds (For Your Love) in the early 60s, then played with John Mayall's Bluesbreakers before forming Cream, one of the 60s most influential bands (Crossroads, White Room).

Jazz Critic Kevin Whitehead reviews the music of two tenor saxophonists, who are father and son. Von Freeman from the Chicago blues style, plays with his son, Chico Freeman, on the album "Freeman & Freeman," (on the India Navigation label). Whitehead also reviews Von Freeman's album "Walkin Tuff!" (on Chicago's "Southport" label).

Rock and roll historian Ed Ward tells the story of "Rabbit" Brown, a little-known New Orleans blues singer from the 20s who made some of the most haunting music you'll ever hear.

Record producer and folklorist Chris Strachwitz (rhymes with "crock-witz"). In 1960, Strachwitz started Arhoolie records as a leading outlet for many types of music that were disappearing our outside the mainstream. Today, the label has hundreds of titles, featuring blues, cajun, country and bluegrass, Tex-Mex, and many other styles.

Rock critic Ken Tucker gives an update on the hard-rock scene and plays some music by three talented new groups: the Southern band "The Black Crowes," the Irish folk-influenced "Raindogs," and the "Rave-Ups," who aren't really new, but have just released their first album on a major label.