Theater

Classical Music Critic Lloyd Schwartz reviews the final three performances of the PepsiCo Summerfare Arts Festival at Purchase, New York. For ten years, the Pepsi-Cola company has underwritten an annual international arts festival that will best be remembered for its ambitious presentations of operas by Mozart and Handel that were directed by Peter Sellars. In this segment, Lloyd reviews performances of Mozart's three great Italian operas, "The Marriage of Figaro," "Don Giovanni" and "Cosi fan tutte."

Actor AVERY BROOKS. He reached stardom with his TV portrayal of "Hawk," the strong, almost silent partner in the detective series "Spenser for Hire." He took that character into its own series last season. Brooks brings to his TV work the same concern for African-American culture that has marked his stage career and his life. He won acclaim for his reinterpretation of the Harriet Beecher-Stowe character "Uncle Tom" in a production on the Showtime cable channel, and for his stage portrayal of Paul Robeson.

John O'Keefe returns to Fresh Air to perform a selection from his one-man show, Shimmer. This time, he talks about the brutality of living in a youth detention center.

Playwright John O'Keefe has a new one-man show called Shimmer, about his adolescence. He joins Fresh Air to perform a short excerpt.

The New York-based Hughes is known for her daring, lesbian-themed work. Critic Laurie Stone reviews her newest piece, about the incestual relationship between a mother and daughter.

Jillette, along with his silent partner Teller, created his magic act partly in opposition to the comedy and theater performances he disliked. His duo's edgy, sometimes violent, performances have won Emmy Awards and spawned companion books and videos. Jillette takes pride in maintaining an aggressive persona while treating his audience with respect.

Linguist Geoff Nunberg reflects on the use of racist terminology in the musical Show Boat. He says that later revisions were still problematic: they illustrated the enduring assumption that white liberals can accurately and authentically portray African American culture.

Classical music critic Lloyd Schwartz reviews a new Smithsonian box set of American musicals from throughout the twentieth century. His only complaint is that, with such a wealth of archival material, he wonders why more serious and contemporary music was included.

The drag artist, also known as Lipsynka, has a new one-person show in which he mimes the lyrics to women pop stars and fame-obsessed divas. Critic-at-large Laurie Stone calls the performance lovely and purposefully crude.

Patinkin had no formal training as a singer, but he's found fame starring in musicals like Evita and Sunday in the Park with George. He's also appeared in the films Yentl, Ragtime, and The Princess Bride, among others. Patinkin has a new self-titled album of songs from the stage and screen.