Theater

Classical music critic Lloyd Schwartz reviews a new production of Shakespeare’s “Macbeth” starring Kelsey Grammar of “Frasier.” The show is in tryouts in Boston this week and opens on Broadway next.

Playwright and director George C. Wolfe. He wrote and directed the hit Broadway musical “Jelly's Last Jam,” about Jelly Roll Morton. Wolfe also wrote the play “The Colored Museum,” a satire about the black experience in America. His newest musical is “The Wild Party” based on the long-lost classic poem about the roaring twenties by Joseph Moncure March. (the book was republished in 1994 with drawings by Art Spiegelman). It’s currently playing at the Public Theatre on Broadway.

Australian actress Toni Collette She stars as Queenie, a vaudeville dancer, in “The Wild Party.” Collette is best known for her offbeat role as Muriel in the film “Muriel’s Wedding.” She also had a role in “Velvet Goldmine.” This year she received an academy award nomination for her portrayal of the boy’s mother in “The Sixth Sense.”

This year marks the centennial of the birth of German-born Kurt Weill, considered one of the 20th century’s most influential composers. And Monday, April 3, is the 50th anniversary of his death. He and lyricist Bertolt Brecht revolutionized musical theatre with a blend of cabaret and classical traditions resulting in “The Threepenny Opera” “Seven Deadly Sins” and others. In 1933 Weill, a Jew, fled Berlin and in 1935 came to America where he began working in American theatre. We talk about Weill with Kim Kowlake (Koe-WALL-kee), President of the Kurt Weill Foundation for Music.

Classical music critic Lloyd Schwartz reviews Tatiana Troyanos album "Troyanos in Recital."

Singer/Actress/Performer Audra McDonald. McDonald has won three Tony Awards, for her performances in ‘Carousel,’ ‘Master Class,’ and ‘Ragtime.’ She recently performed on Broadway as the star of ‘Marie Christine,’ and just appeared in The Vagina Monologues at the Westside Theater in New York. She continues to appear on concert stages nationally. Her new CD is called ‘How Glory Goes’ (Nonesuch Records), and her PBS Special, ‘Audra McDonald at the Donmar, London,’ is airing nationally in March. (This interview continues in the second half of the show.)

Classical music critic Lloyd Schwartz reviews new recordings of some of Stravinsky's early vocal music: Natalie Dessay singing Stravinsky's The Nightingale (EMI), and Stravinsky Conducts Stravinsky (box set on Sony).

Classical music critic Lloyd Schwartz reviews soprano Renee Fleming's new recording of Strauss Heroines with the Vienna Philharmonic, on the Decca label.

Classical music critic Lloyd Schwartz tells us what music he most wants to remember from the 20th Century. His selections come from the new box set “Stravinsky REV: Conducting Stravinsky” (Sony), The Dvorak Cello Concerto with Pablo Casals (EMI Reference disc), Joseph Szigeti’s Prokofiev Concerto (Pearl), Artur Schnabel on a currently out-of-print Schubert CD (Arabesque). And Maria Callas’s recordings (EMI)

Classical Music Critic Lloyd Schwartz reviews the new John Harbison opera, The Great Gatsby, based on the book by F. Scott Fitzgerald.